Cirrus@Austlit

'A novel about the relationship between life and art, and between language and the inner world - how difficult it is to speak truly, to know and be known by another, and how much power and friction lies in the unsaid, especially between a mother and daughter.

'A young woman has arranged a holiday with her mother in Japan. They travel by train, visit galleries and churches chosen for their art and architecture, eat together in small cafes and restaurants and walk along the canals at night, on guard against the autumn rain and the prospect of snow. All the while, they talk, or seem to talk: about the weather, horoscopes, clothes and objects; about the mother's family in Hong Kong, and the daughter's own formative experiences. But uncertainties abound. How much is spoken between them, how much is thought but unspoken?

'Cold Enough for Snow is a reckoning and an elegy: with extraordinary skill, Au creates an enveloping atmosphere that expresses both the tenderness between mother and daughter, and the distance between them.'

Source: Publisher's blurb.

'It is night, and two boys are crossing a river that is also a border. They have nothing but the clothes on their backs, their inheritance stitched into the lining of a belt, and the courage of an enormous gamble: that Europe will offer them a future they can no longer wait for in Afghanistan.

Travelling by truck, by boat, by train, by bus and on foot, Aryan and his younger brother Kabir have embarked on an epic journey, clinging to an itinerary they repeat like a mantra so as not to lose their way: Kabul Tehran Istanbul Athens Rome Paris London. There are moments of wonder and adventure but also battles against cold, heat, hunger, violence and exhaustion. Whether they are harvesting half-frozen oranges in Greece, or hiding behind a false wall on a truck to Italy, or sleeping under the rafters of a sawmill in France, the brothers are exploited for their labour, hustled for their money and ignored by almost everyone, except the police.

Hinterland is a novel about two children in the aftermath of trauma; underage, homeless and invisible in a foreign land. It shows what happens when the adult world rushes in, and what our universe looks like from the other side of the glass, to those displaced children who are out there, even now, on the road. Source: Allen & Unwin (Sighted 17/02/2012).

'It is 1934, the Great War is long over and the next is yet to come. It is a brief time of optimism and advancement.

'Billowing dust and information, the government 'Better Farming Train' slides through the wheat fields and small towns of Australia, bringing city experts and advice to those already living on the land. The train is on a crusade to persuade the country that science holds the answers and that productivity is patriotic.

'Amongst the swaying cars full of cows, pigs and wheat, an unlikely seduction occurs between Robert Pettergree, a man with an unusual taste for soil, and Jean Finnegan, a talented young seamstress with a hunger for knowledge. In an atmosphere of heady scientific idealism they settle in the impoverished Mallee with the ambition of proving that science can transform the land.

'With failing crops and the threat of a new World War looming, Robert and Jean are forced to confront each other, the community they have destroyed, and the impact of progress on an ancient and fragile landscape.

'Erotically charged, and shot through with humour and a quiet wisdom, this haunting first novel evokes the Australian landscape in all its stark beauty and vividly captures the hope and disappointment of an era.'

Source: Publisher's blurb.

'The drumming of the guns continued, with bursts of great intensity. It was as though a gale streamed overhead, piling up great waves of sound, and hurrying them onwards to crash in surf on the enemy entrenchments. The windless air about them, by its very stillness, made that unearthly music more terrible to hear.

'First published anonymously in 1929 because its language was considered far too frank for public circulation, The Middle Parts of Fortune was hailed by T. S. Eliot and Ezra Pound, by Lawrence of Arabia and Ernest Hemingway, as an extraordinary novel. Its author was in fact Frederic Manning, an Australian writer who fought in the Battle of the Somme in 1916, and who told his story of men at war from the perspective of an ordinary soldier.' (Publication summary : Text Classics)

'Set in nineteenth-century Australia, Voss is the story of the secret passion between an explorer and a naïve young woman. Although they have met only a few times, Voss and Laura are joined by overwhelming, obsessive feelings for each other. Voss sets out to cross the continent. As hardships, mutiny and betrayal whittle away his power to endure and to lead, his attachment to Laura gradually increases. Laura, waiting in Sydney, moves through the months of separation as if they were a dream and Voss the only reality.

'From the careful delineation of Victorian society to the sensitive rendering of hidden love to the stark narrative of adventure in the Australian desert, Patrick White's novel is a work of extraordinary power and virtuosity.'

Source: Random House Books (Sighted 21/09/2012)

It is only when Hurtle meets an egocentric adolescent whom he sees as his spiritual child does he experience a deeper, more treacherous emotion in this tour de force of sexual and psychological menace that sheds brutally honest light on the creative experience."

Source: Penguin Books Australia.