Cirrus@Austlit

'The first biography of Shirley Hazzard, the author of The Transit of Venus and a writer of "shocking wisdom" and "intellectual thrill" (The New Yorker).

'Shirley Hazzard: A Writing Life tells the extraordinary story of a great modern novelist. Brigitta Olubas, Hazzard's authorized biographer, has drawn, with great subtlety and understanding, on her fiction (itself largely based on Hazzard's own experience); on an extensive archive of letters, diaries, and notebooks; and on the memories of surviving friends and colleagues to create this resonant portrait of an exceptional woman.

'This biography explores the distinctive times of Hazzard's life, from her youth and middle age to her widowhood and years of decline, and traces the complex and intricate processes of self-fashioning that lay beneath Hazzard's formidable, beguiling presence. Olubas shows us the places of Hazzard's life, of which she wrote with characteristic lyricism: her childhood in Depression-era Sydney; her youth in postwar Hong Kong, New Zealand, and London; her years in New York in the 1950s, working at the United Nations and The New Yorker. Olubas also describes Hazzard's long marriage to the writer Francis Steegmuller and their deep involvement in postwar Naples and Capri. Rare photographs from Hazzard's collection and elsewhere accompany the text.

'Hazzard was the last of a generation of selftaught writers, devotees of a great literary tradition, and her depth of perception and expressive gifts have earned her iconic status. Brigitta Olubas has brought her brilliantly alive, enhancing and deepening our understanding of the singular woman who created some of the most enduring fiction of the past sixty years.

'As Dwight Garner wrote in The New York Times, "Hazzard's stories feel timeless because she understands, as she writes in one of them: 'We are human beings, not rational ones.'" Here, in Shirley Hazzard, is the story of a remarkable human being.'  (Publication summary)

'Soldiers have come to the village.
Ren looked up, avoiding Barlow’s words, resting her eyes on the pines that crowded the sky, swamp-green, thick, heavy with resin that stuck to skin and cleared throats, nostrils, eyes.
Barlow was sitting on a large rock. When she didn’t answer, he kept talking.
They’re after something—they won’t say what. But it’s up here. On the mountain.

'REN lives alone on the remote frontier of a country devastated by a coup. High on the forested slopes, she survives by hunting and trading—and forgetting. But when a young soldier comes to the mountains in search of a local myth, Ren is inexorably drawn into her impossible mission.

'As their lives entwine, unravel and erupt—as myths merge with reality—both Ren and the soldier are forced to confront what they regret, what they love, and what they fear.'

Source: Publisher's blurb.

'Community radio host Ciara receives dozens of unmarked cassette recordings every week and broadcasts them to a listenership of none. Ex-musician Tom drives an impractical bus that no one ever boards. Publican Jenny runs a hotel that has no patrons. Rick wanders the aisles of the Woolworths every day in an attempt to blunt the disappointment of adulthood.

'In a town of innumerable petrol stations, labyrinthine cul-de-sac streets, two competing shopping plazas, and ubiquitous drive-thru franchises, where are the townsfolk likely to find the truth about their collective past – and can they do so before the town disappears?

'Shaun Prescott’s debut novel The Town follows an unnamed narrator’s efforts to complete a book about disappeared towns in the Central West of New South Wales. Set in a yet-to-disappear town in the region—a town believed by its inhabitants to have no history at all—the novel traces its characters’ attempts to carve their own identities in a place that is both unyielding and teetering on the edge of oblivion.'

Source: Publisher's blurb.

'Unstoppable Me is about the sort of energetic child we all know and love — full of fun and play...and a bit exhausting! In this book, we see an unstoppable little boy, run, jump, and soar through his day. He takes a little time to refuel, then he's back at it—zooming and zipping around. This poetic, joyful book—filled with illustrations as bright and energetic as the boy himself— is a celebration of the active child.'

Source: Publisher's blurb.

I't wasn't just the bad break-up that caused Eleanor's life to unravel. It was the cancer. And the demons that came with it. Freshly single and thoroughly traumatised from the ordeals of breast cancer, Eleanor Mellett starts a new job as a teacher in a remote mountain hamlet. It's certainly peaceful enough, almost too peaceful. But what's become of the previous teacher, the saintly Miss Barker, who has disappeared abruptly under mysterious circumstances? And what's with all those locks on the door? And what the hell is that bus doing idling outside her house late, late at night?

'When the local priest offers to exorcise Eleanor of her 'cancer demon', she probably should have declined. Because that's when all her troubles start in earnest. That's when the visitors come a-knocking.'

Source: Publisher's blurb.

'This volume brings together Gerald Murnane’s shorter works of fiction, most of which have been out of print for the past twenty five years. They include such masterpieces as ‘When the Mice Failed to Arrive’, ‘Stream System’, ‘First Love’, ‘Emerald Blue’, and ‘The Interior of Gaaldine’, a story which holds the key to the long break in Murnane’s career, and points the way towards his later works, from Barley Patch to Border Districts. Much is made of Murnane’s distinctive and elaborate style as a writer, but there is no one to match him in his sensitive portraits of family members – parents, uncles and aunts, and particularly children – and in his probing of situations which contain anxiety and embarrassment, shame or delight.'

Source: Publisher's blurb.

'Almost twenty years after forbidding him to contact her, Vita receives an email from her old benefactor, Royce. Once, she was one of his brightest protégées; now her career has stalled and Royce is ailing, and each has a need to settle accounts.

'Beyond their murky shared history, both have lost beloveds, one to an untimely death, another to a strange disappearance. And both are trying to free themselves from deeper pasts, Vita from the inheritance of her birthplace, Royce from the grip of the ancient city of Pompeii and the secrets of the Garden of the Fugitives. Between what’s been repressed and what has been excavated are disturbances that reach back through decades, even centuries.

'Addictive and unsettling, In the Garden of the Fugitives is a masterpiece of duplicity and counterplay, as brilliantly illuminating as it is surprising – about the obscure workings of guilt in the human psyche, the compulsion to create, and the dangerous morphing of desire into control. It is the breakthrough work of one of Australia’s most exciting emerging writers'. (Publication summary)

'The Shepherd’s Hut follows Jaxie, who flees his sleepy hometown and abusive father and heads north ‘for the only person in the world who understands him’. Jaxie ‘traverses the vast, bare West Australian wheatbelt, heading towards the abandoned goldfields, staying out of sight long enough to reach the refuge of the salt country at the edge of the desert’. ' (Publication summary)

'Conceived as Gerald Murnane’s last work of fiction, Border Districts was written after the author moved from Melbourne to a small town on the western edge of the Wimmera plains, near the border with South Australia. The narrator of this fiction has made a similar move, from a capital city to a remote town in the border country, where he intends to spend the last years of his life. It is a time for exploring the enduring elements of his experience, as these exist in his mind, images whose persistence is assured, but whose significance needs to be rediscovered. Readers of Murnane’s earlier work will recognise some of these images: the dark-haired young woman at a window; the ancestral house set in grasslands; coloured glass, marbles, goldfish, the outfits of jockeys. Murnane’s images often draw their power from the light that falls upon them from a distant or mysterious source. But he also considers the possibility that the mind casts its own light, imbuing the images in the observer’s mind with the colours of his soul.

'As Murnane’s narrator declares, ‘the mind is a place best viewed from borderlands’. In this work, Border Districts also refers to the border country between life and death; and there is another meaning, in the narrator’s discovery of others who might share his world, even though they enter it from a different direction, across the border districts which separate, or unite, two human beings.' (Publication summary)

'The stories in this enthralling collection find those moments - and places - when life seems to do an about-face. The revelations of intimidating old friends on holiday, an accident on a dark country road, a lottery win and a lesson in the real nature of luck, the sudden arrival of American parachutists in a country town . . . here people are jolted into seeing themselves and their lives from a fresh and often disconcerting perspective.

'Ranging around the world from a remote Pacific island to the tourist haunts of Greece and written with great emotional insight, extraordinary invention and wry humour, each of these stories is as rich and rewarding as literature can be.' (Publication summary)

'The rightful emperor is lost. Shikanoko is condemned to live half man and half deer, an outlaw in the Darkwood. Yet the mighty lords who now rule the Eight Islands are prey to suspicion and illness, and drought and famine overrun the realm.

'Only Shikanoko can bring healing by restoring the preordained ruler to the Lotus Throne and only one person can bring him back from the Darkwood.

Against a background of wild forest, elegant castles and savage battlefields, Lian Hearn's Tale of Shikanoko series draws to its thrilling conclusion.' (Publication summary)

'A self-assured warrior stumbles into a game of Go that turns fatal. An ambitious lord leaves his nephew for dead and seizes his lands. A stubborn father forces his son to give up his wife to his older brother. A powerful priest meddles in the succession to the Lotus Throne. A woman of the Old People seeks five fathers for her five children, who will go on to found the Spider Tribe and direct the fate of the country. As destiny weaves its tapestry in Lian Hearn's Tale of Shikanoko series, an emotionally rich and compelling drama plays out against a background of wild forests, elegant castles, hidden temples, and savage battlefields in Autumn Princess, Dragon Child.' (Publication summary)

'A future lord is dispossessed of his birthright by a scheming uncle, a mountain sorcerer imbues a mask with the spirit of a great stag for a lost young man, a stubborn father forces his son to give up his wife to his older brother, and a powerful priest meddles in the succession to the Lotus Throne, the child who is the rightful heir to the emperor barely escaping the capital in the arms of his sister. And that is just the beginning.

'As destiny weaves its rich tapestry, a compelling drama plays out against a background of wild forests, elegant castles, hidden temples, and savage battlefields. This is the medieval Japan of Lian Hearn's imagination, where animal spirits clash with warriors and children navigate a landscape as serene as it is deadly.' (Publication summary)

'This alternative history re-imagines the 1815 Battle of Waterloo as a victory for the French emperor Napoléon Bonaparte, when he unleashes a terrible secret weapon - giant carnivorous survivors from pre-history - on his unsuspecting British and Prussian adversaries. In this world, smaller "saurs" are an everyday danger in the forests of Europe, and the Americas are a forbidden zone roamed by the largest and most deadly animals ever to walk the earth. But in his quest for power, Napoléon has found a way to turn these giant dinosaurs into nineteenth century weapons of mass destruction. Only Willem Verheyen, an outsider living in hiding in the tiny village of Gaillemarde, has the power to ruin the tyrant's plans. And Napoléon will stop at nothing to find him.

'War is coming, and young Willem is no longer safe, for Gaillemarde is just a stone's throw from the fields of Waterloo – fields which will soon run red with blood.'

Source: Publisher's blurb.

'In a trench on the Western Front a cat recalls her owner Colette's theatrical antics in Paris. In Nazi Germany, Himmler's dog seeks enlightenment. A Russian tortoise once owned by the Tolstoys drifts in space during the Cold War. In the siege of Sarajevo, a bear starving to death tells a fairytale; and a dolphin sent to Iraq by the US Navy writes a letter to Sylvia Plath.

'Ten animal souls tell extraordinary stories about their lives and deaths, caught up in human conflicts of the last century and its turnings. Together they form an animal's eye view of humans at both our brutal, violent worst and our creative, imaginative best. Exquisitely written, playful and poignant, Only the Animals is a remarkable literary achievement by one of our brightest young writers. It asks us to find our way back to empathy not only for animals, but for other people, and to believe again in the redemptive power of reading and writing fiction.' (Publication summary)

'A Cherokee Indian grandfather tells his grandson that there is a battle raging inside him, inside all of us. A terrible battle between two wolves. One wolf is bad – pride, jealousy, greed. The other wolf is good – kindness, hope, truth. The child asks, ‘Who will win?' The grandfather answers simply, ‘The one you feed.'

'One afternoon, police officers show up at Ben Silver's front door. Minutes after they leave, his parents arrive home. Ben and his little sister Olive are bundled into the car and told they're going on a holiday. But are they?

'It doesn't take long for Ben to realise that his parents are in trouble. Ben's always dreamt of becoming a detective – his dad even calls him ‘Cop'. Now Ben gathers evidence and tries to uncover what his parents have done.

'The problem is, if he figures it out, what does he do? Tell someone? Or keep the secret and live life on the run?' (Publisher's blurb)

'Eyrie tells the story of Tom Keely, a man who’s lost his bearings in middle age and is now holed up in a flat at the top of a grim highrise, looking down on the world he’s fallen out of love with. He’s cut himself off, until one day he runs into some neighbours: a woman he used to know when they were kids, and her introverted young boy. The encounter shakes him up in a way he doesn’t understand. Despite himself, Keely lets them in. What follows is a heart-stopping, groundbreaking novel for our times – funny, confronting, exhilarating and haunting – populated by unforgettable characters. It asks how, in an impossibly compromised world, we can ever hope to do the right thing..' (Publisher's blurb)

'The debut of a major Australian writer, The Night Guest is a mesmerising novel about trust, love, dependence, and the fear that the things you think you know may become the things you're least sure about.

One morning an elderly widow called Ruth wakes thinking a tiger has been in her seaside house. Later that day a formidable woman called Frida arrives, looking as if she's blown in from the sea, but who has in fact come to care for Ruth.

Frida and the tiger: both are here to stay, and neither is what they seem. How far can Ruth trust them? And as memories of childhood in Fiji press upon her with increasing urgency, how far can she trust herself?

The Night Guest, Fiona McFarlane's hypnotic first novel, is no simple tale of a crime committed and a mystery solved. This is a tale that soars above its own suspense to tell us, with exceptional grace and beauty, about ageing, love, power and perception; about how the past can colonise the present, and about things (and people) in places they shouldn't be. Above all, it's a brilliantly involving story about two very particular women.' (Publisher's blurb)