Cirrus@Austlit

'An uncanny blend of the external and the intimate has been a hallmark of Simon West’s poetry for nearly twenty years. In this new collection, the Australian poet and Italianist delights in the transforming and endlessly varied powers of naming and speaking. West’s intensely regional focus stands in dialogue with Europe and antiquity. Landscapes reveal the tangle of their historical dimensions, as the rivers of both the Goulburn Valley in southeastern Australia and the Po Valley in northern Italy merge and flow into the wider currents of the Southern Ocean. Again and again, language and the senses throw themselves into the nameless riot of the world, from eucalypts and clouds to a medieval bell tower and the sounds a pencil makes as it crosses a page.' (Publication summary)

'An engaging and authoritative introduction to an increasingly important and popular literary genre

'Prose Poetry is the first book of its kind-an engaging and authoritative introduction to the history, development, and features of English-language prose poetry, an increasingly important and popular literary form that is still too little understood and appreciated. Poets and scholars Paul Hetherington and Cassandra Atherton introduce prose poetry's key characteristics, chart its evolution from the nineteenth century to the present, and discuss many historical and contemporary prose poems that both demonstrate their great diversity around the Anglophone world and show why they represent some of today's most inventive writing.

'A prose poem looks like prose but reads like poetry: it lacks the line breaks of other poetic forms but employs poetic techniques, such as internal rhyme, repetition, and compression. Prose Poetry explains how this form opens new spaces for writers to create riveting works that reshape the resources of prose while redefining the poetic. Discussing prose poetry' s precursors, including William Wordsworth and Walt Whitman, and prose poets such as Charles Simic, Russell Edson, Lydia Davis, and Claudia Rankine, the book pays equal attention to male and female prose poets, documenting women's essential but frequently unacknowledged contributions to the genre.

'Revealing how prose poetry tests boundaries and challenges conventions to open up new imaginative vistas, this is an essential book for all readers, students, teachers, and writers of prose poetry.' (Publication summary)

Original jacket blurb:

'Christmas book written by a number of distinguished authors. It is a collection of well-known fairy stories retold for grown ups in a modern setting.'

Princeton University Press re-issue blurb:

Originally issued in 1934, The Fairies Return was the first collection of modernist fairy tales ever published in England, and it marked the arrival of a satirical classic that has never been surpassed. Even today, this reimagining of fourteen timeless tales–from "Puss in Boots" to "Little Red Riding Hood"–is still fresh and bold, giving readers a world steeped not in once upon a time, but in the here and now.

Longtime favorites in this playfully subversive collection are retold for modern times and mature sensibilities. In "Jack the Giant Killer," Jack becomes a trickster who must deliver England from the hands of three ogres after a failed government inquiry. "Ali Baba and the Forty Thieves" is set in contemporary London and the world of financial margins and mergers. In "The Little Mermaid," a young Canadian girl with breathtaking swimming skills is lured by the temptations of Hollywood. And Cinderella becomes a spinster and holy woman, creating a very different happily ever after. These tales expose social anxieties, political corruption, predatory economic behavior, and destructive appetites even as they express hope for a better world. A new introduction from esteemed fairy-tale scholar Maria Tatar puts the collection in context.

From stockbrokers and socialites to shopkeepers and writers, the characters in The Fairies Return face contemporary challenges while living in the magical world of fairy tales.

'In 1997, the Nobel Prize-winning novelist J. M. Coetzee, invited to Princeton University to lecture on the moral status of animals, read a work of fiction about an eminent novelist, Elizabeth Costello, invited to lecture on the moral status of animals at an American college. Coetzee's lectures were published in 1999 as The Lives of Animals, and reappeared in 2003 as part of his novel Elizabeth Costello; and both lectures and novel have attracted the critical attention of a number of influential philosophers–including Peter Singer, Cora Diamond, Stanley Cavell, and John McDowell.

'In The Wounded Animal, Stephen Mulhall closely examines Coetzee's writings about Costello, and the ways in which philosophers have responded to them, focusing in particular on their powerful presentation of both literature and philosophy as seeking, and failing, to represent reality–in part because of reality's resistance to such projects of understanding, but also because of philosophy's unwillingness to learn from literature how best to acknowledge that resistance. In so doing, Mulhall is led to consider the relations among reason, language, and the imagination, as well as more specific ethical issues concerning the moral status of animals, the meaning of mortality, the nature of evil, and the demands of religion. The ancient quarrel between philosophy and literature here displays undiminished vigor and renewed significance.' (Publisher's summary)

'The idea of human cruelty to animals so consumes novelist Elizabeth Costello in her later years that she can no longer look another person in the eye: humans, especially meat-eating ones, seem to her to be conspirators in a crime of stupefying magnitude taking place on farms and in slaughterhouses, factories, and laboratories across the world. Here the internationally renowned writer J.M. Coetzee uses fiction to present a powerfully moving discussion of animal rights in all their complexity. He draws us into Elizabeth Costello's own sense of mortality, her compassion for animals, and her alienation from humans, even from her own family. In his fable, presented as a Tanner Lecture sponsored by the University Center for Human Values at Princeton University, Coetzee immerses us in a drama reflecting the real-life situation at hand: a writer delivering a lecture on an emotionally charged issue at a prestigious university. ' (Publication summary)