Cirrus@Austlit

'This enchanting tale is at once a beautifully rendered narrative of childhood loss and a powerfully simple fable about the necessity of imagination.

'Pobby and Dingan are Kellyanne Williamson’s best friends, maybe her only friends, and only she can see them. Kellyanne’s brother, Ashmol, can’t see them and doesn’t believe they exist anywhere but in Kellyanne’s immature imagination. Only when Pobby and Dingan disappear and Kellyanne becomes heartsick over their loss does Ashmol realize that not only must he believe in Pobby and Dingan, he must convince others to believe in them, too.' (Publication summary)

'He is a failed writer turned diplomat, an anarchist learning the value of discipline. He moves in a world which takes him from the Australian wilderness to the conference rooms of Vienna and Geneva; from the whore-house to warzone he feels the pull of the genetic spiral of his ancestry. At the sharp axis of his mid-life he scans the memorabilia of his feelings in the hope of giving answers. In his first full-length novel Moorhouse presents a roving, dissatisfied man entering middle age in a house-of-mirrors portrait: fragmentary and multifaceted. Sean, a hard-drinking, hard-living Australian, has just turned 40; the other half of the title refers to a precocious schoolgirl who is one of his many liaisons. The most important of the other women who drift into and out of his life include his ex-wife Robyn, now unflinching in the face of cancer; Belle, Sean's fellow sexual adventurer; and Edith Campbell Berry, an aging iconoclast whom Sean encounters in Vienna and Israel. Forty-Seventeen is told with characteristic Moorhouse style — candid, wryly insightful and morbidly comic— and, in this resonant and acclaimed book, achieves a new virtuosity.' (Publication summary)

'Here is an unforgettable woman. A woman as strong and as beautiful as the raw new country she helps to carve from the wilderness. A woman of fierce pride, yet gently devoted to her children, and possessed with an undying vision about the future of her land, Sara Dane epitomizes the heart of her untamed country - Australia.

'Set in the colorful days of the late Eighteenth and the early Nineteenth Centuries, Sara Dane unfolds the history of New South Wales, from its beginnings as a penal colony to the day when it could lift its head in contentment and peace.

'From the day in 1792 when young Sara, savagely sentenced in England to transportation on a trumped-up charge, came ashore at Botany Bay, until the day she returns triumphantly wealthy and prominent to her native London, her story rings with the fire of a great passion.

'Sara's story is also the story of the men who loved her - Richard Barwell, her childhood love who possessiveness followed her thousands of miles; Andrew Maclay, whose strength and cunning combined with hers to produce an empire; Jeremy Hogan, the Irish rebel, whose presence meant security as Sara faced the crises of convict outbreaks, giant floods, and armed rebellion with resolution. And then there was Louis de Bourget, the mysterious French emigre' whose love for her beauty and order brought a peace to Sara's life she had thought impossible.

'But throughout her life, Sara held to her own personality tenaciously. All of Sydney knew her as a shrewd business-woman, magnificent, unconventional - but above all, a woman. ' (Publication summary)