Margaret Merrilees Margaret Merrilees i(A59995 works by) (a.k.a. Mag Merrilees)
Gender: Female
The material on this page is available to AustLit subscribers. If you are a subscriber or are from a subscribing organisation, please log in to gain full access. To explore options for subscribing to this unique teaching, research, and publishing resource for Australian culture and storytelling, please contact us or find out more.

Works By

Preview all
1 y separately published work icon Further Fables Queer and Familiar Margaret Merrilees , Kent Town : Wakefield Press , 2019 18456582 2019 selected work short story

'Victoria is delighted to help Gran unscrew the U-bend. She always guessed there was another world beyond the plughole.

'Welcome to the hidden complexities of life in an ordinary Australian suburb. Who will fix the plumbing? How do you adapt to a trans person in the family? How do you end racism and make a safe haven for refugees, or keep up with the housework? And what on Earth do you do about the climate emergency?

'Here at last, between these two covers, we present the complete instructions for being a lesbian granny.'

Source: Publisher's blurb.

1 y separately published work icon Big Rough Stones Margaret Merrilees , Mile End : Wakefield Press , 2018 13503493 2018 single work novel

'They surged across King William Street, around and up onto the bronze Boer War horseman at the corner of North Terrace. Ro linked arms with the woman next to her. 'Take the toys from the boys', they sang. The hero almost disappeared under a festoon of women, but clung valiantly to his rifle, bronze upper lip stiff. It was his horse who looked most horrified.

'Meet Ro at thirty-something. She is committed to cures for every ill from monogamy to orange armpit fungus. Her ambitions are passionate, her energy boundless, her intentions generally good ...

'Thirty years later, are the edges any smoother?

'''You thought feminism would stop violence against women,' said Julia. 'And that would stop war. And stop people trashing the Earth. You tried.'

''Not alone,' said Ro modestly. 'I had help.'

'This is a story of community, friendship, sisterhood, and the coming of age that continues all our lives.'  (Publication summary)

1 1 y separately published work icon Fables Queer and Familiar Margaret Merrilees , Mile End : Wakefield Press , 2014 8844067 2014 single work novel humour

'Is your phone smarter than you are?

Why does the weather map turn purple, and how do you protect your tomatoes when it does?

'And just what do you do with a lesbian grandmother?

'Fables Queer and Familiar is a wry, affectionate look at the lives of two lesbian grannies, their friends, family and community. Anyone who knows an ageing activist will recognise the combination of good intentions and aching joints. And anyone who has been young will identify with the children as they try to make sense of a mystifying adult world.'

1 The Digestion of History : Rumblings of the Gene Pool Margaret Merrilees , 2013 single work autobiography
— Appears in: Griffith Review , 30 January no. 39 2013; (p. 128-136)
1 3 y separately published work icon The First Week Margaret Merrilees , Adelaide : Wakefield Press , 2013 6459046 2013 single work novel

'Marian couldn't see the woman's eyes behind her glasses, and was filled with panic. That bosom was not for comfort. Not for Marian. She, Marian, was here so that this woman, this psychologist, could expose her failure to be a proper mother.

'Her son's actions shatter Marian's life. As the days pass she is haunted by layers of grief rising like the salt of the degraded earth.

'Marian's everyday heroism, her earthy humour and innate honesty, sustain her as she confronts her own tragedy and sees beyond it to other moral dilemmas of white Australian life - racism, environmental damage.

'This novel has its roots in an ancient landscape - the dry farming country around Koikyennuruff (Stirling Ranges) in the south of Western Australia. It is the story of a journey from the country to the city and back again, a journey that will change Marian forever.'

Source: Publisher's blurb.

1 Sighting Rottnest Margaret Merrilees , 2011 sequence poetry
— Appears in: Griffith Review , Summer no. 34 2011; (p. 73-76)
1 Spring i "strip of orange sun", Margaret Merrilees , 2011 single work poetry
— Appears in: Griffith Review , Summer no. 34 2011; (p. 74-75)
1 Summer i "white caps", Margaret Merrilees , 2011 single work poetry
— Appears in: Griffith Review , Summer no. 34 2011; (p. 75-76)
1 Winter i "strip of brown smog", Margaret Merrilees , 2011 single work poetry
— Appears in: Griffith Review , Summer no. 34 2011; (p. 74-75)
1 Autumn i "rough serious blue sea", Margaret Merrilees , 2011 single work poetry
— Appears in: Griffith Review , Summer no. 34 2011; (p. 73-74)
1 The Bone Garden Margaret Merrilees , 2011 single work biography
— Appears in: Griffith Review , [Autumn] no. 31 2011; (p. 62-73)
1 The Longest Thirty-Five Miles Margaret Merrilees , 2009 single work correspondence
— Appears in: Australian Book Review , June no. 312 2009; (p. 4-5)
1 How to be Unaustralian Margaret Merrilees , 2007 single work prose satire
— Appears in: Wet Ink , Spring no. 8 2007; (p. 17-20)
1 Circling with Ghosts: The Search for Redemption Margaret Merrilees , 2007 single work criticism
— Appears in: JASAL , Special Issue 2007; (p. 65-76)
'This article explores the ways in which Michael Meehan's The Salt of Broken Tears (referred to hereafter as Salt) might be read as an allegorical quest for redemption. I refer also to Patrick White's Voss, to the extent that it provides an obvious antecedent, and an ironic archetype of the "explorer" tale. Voss provides a useful juxtaposition to Salt, in that they both represent quests, and futile quests at that. Both are historical novels, using a distanced past to illuminate a particular (different) present. Both novels illustrate an Australian masculinity haunted by a lost sense of "rightness": not just of "right-doing", but also of fitness, comprehensibility, belonging. The masculine is presented as both mirrored and haunted by the feminine. There are two key elements in the construction of this masculinity: violence, and deprivation or "lack". I am interested in how these elements drive the masculine quest, and how this masculine quest mirrors the broader Australian longing for redemption, or perhaps absolution.' (p.65)
1 Who Are We? Margaret Merrilees , 2006 single work review
— Appears in: Blue Dog : Australian Poetry , June vol. 5 no. 9 2006; (p. 69-71)

— Review of Drums and Bonnets Miriel Lenore , 2003 selected work poetry
1 The Red Shoes Margaret Merrilees , 2004 single work short story
— Appears in: Island , Summer no. 99 2004; (p. 95-103)
1 Deck the Halls with Poison Ivy Margaret Merrilees , 2003 single work short story
— Appears in: Cracker! : A Christmas Collection 2003; (p. 171-177)
1 The Attraction of Mountains Margaret Merrilees , 2001 single work short story
— Appears in: Meanjin , vol. 60 no. 4 2001; (p. 133-141)
1 Going Home i "I wish I could bring her mangos", Margaret Merrilees , 2000 single work poetry
— Appears in: Cottesloe in Poetry 2000; (p. 16)
1 3rd. Prize Children's Fiction Margaret Merrilees , 2000 single work review
— Appears in: Australian Book Review , September no. 224 2000; (p. 59)

— Review of Anna the Goanna and Other Poems Jill McDougall , 2000 selected work poetry
X