Jennifer Wawrzinek Jennifer Wawrzinek i(A59918 works by)
Gender: Female
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Works By

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1 Community, Difference, Context : (Re)reading the Contact Zone Jennifer Wawrzinek , 2016 single work criticism
— Appears in: Australian Literature in the German Democratic Republic : Reading through the Iron Curtain 2016; (p. 71-90)
1 Reading Australia from Distant Shores Jennifer Wawrzinek , 2014 single work criticism
— Appears in: Antipodes , June vol. 28 no. 1 2014; (p. 18-22, 257) 'A a doctoral candidate working in Australian Studies, Wawrzinek shares the difficulty to find quality Australian literature in Europe, particularly in Paris and in Berlin. With the increasing availability of ebooks via download,she is hoping that it will become easier to include lesser known Australian writers on reading lists in the European university and to access material that otherwise takes months to arrive via conventional methods of transportation. She says a sustained, ongoing program to support Australian authors, to speak about their work, and to engage in collaborative programs with European scholars and artists is needed to show the world that Australia is not just about Kangaroos and beautiful beaches.' (Publication summary)
1 African Chicken and Transonant Subject in Brian Castro's Shanghai Dancing Jennifer Wawrzinek , 2012 single work criticism
— Appears in: Border Crossings : Narrative and Demarcation in Postcolonial Literatures and Media 2012; (p. 253-262) 'In Brian Castro's fictional autobiography Shanghai Dancing the narrator, Antonio Castro, takes a ferry to Hong Kong. During the passage he remembers his birth of a similar ferry many years previously when, as he describes it, his mother hesitated 'between one step and the next' (212) as her labour came on. After finally arriving in the world, the newborn child lies on the threshold of life 'unbreathing for some time' - an action that, the narrator tells us, is repeated throughout his life as 'stretching breath to stopper utterance' (212). This curious depiction of hesitant arrival and of suspension in-between states underwrites the entire narrative of the book, in which Antontio [sic] Castro returns from his adopted home in Melbourne to that of his birthplace in Shanghai. He goes there carrying his father's photos in an attempt to 'reconstruct a story' by finding 'the missing pieces' (12). Yet the narrative of his family history discovers not a unified and coherent story of origin, family, and nation, but rather a radically complicated and chequered diorama of migration and dispersal that compromises any singular notion of identity or culture.' (Author's introduction)
1 1 y separately published work icon Border Crossings : Narrative and Demarcation in Postcolonial Literatures and Media Russell West-Pavlov (editor), Jennifer Wawrzinek (editor), Justus Makokha (editor), Heidelberg : Winter Verlag , 2012 Z1858265 2012 anthology criticism
1 Bearing Witness : Memory and Decreation in Kim Mahood's Craft for a Dry Lake Jennifer Wawrzinek , 2010 single work criticism
— Appears in: Frontier Skirmishes : Literary and Cultural Debates in Australia after 1992 2010; (p. 185-198)
1 1 y separately published work icon Frontier Skirmishes : Literary and Cultural Debates in Australia after 1992 Russell West-Pavlov (editor), Jennifer Wawrzinek (editor), Heidelberg : Winter Verlag , 2010 Z1797661 2010 anthology criticism "The frontier has been the central metaphorical figure governing discursive configurations in the last two decades in Australia. The cultural landscape since the Australian High Court's 'Mabo' decision of 1992 has been increasingly openly defined as a site of animosity and hostility. Frontiers, both real and imagined, past and present, continue to haunt the cultural landscape of Australia. This volume explores a range of paraliterary and literary discussion of recent years which can be interpreted as displacements into the cultural realm of erstwhile frontier conflicts along the borders of white colonial settlement. The collection gathers together a distinguished group of scholars and writers from Australia, Europe and Asia to investigate the dual manifestations of frontiers - both genuinely historiographical and more broadly metaphorical - in the cultural debates taking place in the Australian public sphere from the early 1990s onwards. Long since terminated as real armed conflicts, these past skirmishes none the less continue to resonate in the consciousness of white Australia, leaving their mark upon literary texts, films, artworks, and public discourse."--Back cover.
1 The Lake Jennifer Wawrzinek , 2001 single work short story
— Appears in: Southerly , vol. 61 no. 3 2001; (p. 107-116)
1 Starfish Jennifer Wawrzinek , 2000 single work short story
— Appears in: Overland Express : An Online Journal of Australian Writing , no. 2 2000;
1 Dear Circus Aerialist Jennifer Wawrzinek , 2000 single work short story
— Appears in: Westerly , November vol. 45 no. 2000; (p. 161-166)
1 Scars Like Silk Jennifer Wawrzinek , 1997 single work short story
— Appears in: Gathering Force , August no. 11 1997; (p. 3-5)
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