Melissa Harper Melissa Harper i(A59845 works by)
Gender: Female
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Works By

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1 [Review] Writing Home: Walking, Literature and Belonging in Australia’s Red Centre Melissa Harper , 2018 single work review
— Appears in: Australian Journal of Politics and History , vol. 64 no. 3 2018; (p. 512-514)

'The Centre, variously understood as the Dead Heart, the Red Heart and the Never Never, has long been significant in the Australian cultural imaginary. Explorers, anthropologists, journalists and travellers have played an important role in shaping understandings of the Centre but there has been little scholarly analysis that has sought to bring together and to critique this literature. Glenn Morrison’s Writing Home: Walking, Literature and Belonging in Australia’s Red Centre, seeks to address this gap.'  (Introduction)

1 Outdoor Magazines Melissa Harper , 2014 single work companion entry
— Appears in: A Companion to the Australian Media : O 2014; (p. 326-327)
1 Untitled Melissa Harper , 2010 single work review
— Appears in: Journal of Australian Studies , June vol. 34 no. 2 2010; (p. 247-248)

— Review of Tasmanian Visions : Landscapes in Writing, Art and Photography Roslynn D. Haynes , 2006 single work criticism
1 6 y separately published work icon Symbols of Australia Melissa Harper (editor), Richard White (editor), Sydney : University of New South Wales Press , 2009 Z1663462 2009 anthology essay

'How did the kangaroo transform from a bizarre curiosity to an internationally recognised symbol of Australia? How did Vegemite, a waste product of beer, come to be the most popular spread in the country? How did the Opera House survive early controversy to become a national symbol equal to the Pyramids or the Taj Mahal? And does the pavlova belong to Australia or New Zealand?

'Australia is a land of symbols. From the curious, the folkloric, the official, the ancient, the inspiring, the commercial, the lovable, the feared, even the edible, these symbols make the abstract concept of the nation tangible and give us an identity by representing Australia to itself and the world. But how are national symbols created? What makes them popular? Do they unite or divide the nation? And what do they really mean?

'Symbols of Australia uncovers the stories behind Australia's best-loved symbols. Entertaining, provocative and often surprising, it proves that while some may seem quirky or frivolous and others get taken for granted, they all have significance that goes beyond the surface.' (From the publisher's website.)

1 Pedestrian Prose: The Travel Writing of William Mogford Hamlet, Bushwalker Melissa Harper , 2007 single work criticism
— Appears in: Studies in Travel Writing , March vol. 11 no. 1 2007; (p. 37-58)
This article explores the travel writing of bushwalking chemist, William Mogford Hamlet. In 'Pictures of Travel', a set of sixteen newspaper articles recounting his long distance Australian walking tours, Hamlet successfully brought together two seemingly contradictory impulses, a Romantic literary heritage that celebrated the freedom of the open road and a scientific mindset that insisted on the need for planning, measurement and routine. Negotiating the terrain between Romanticism and progressivism, Hamlet carved out a distinctive place in Australian writing about walking. At the same time, in moving between his British past and his Australian present, his walking and his writing became a means through which he developed a sense of national identification with his adopted home and made a crucial contribution to the development of bushwalking as a distinctively Australian leisure pursuit. (Author abstract)
1 Sensuality in Sandshoes : Representations of the Bush in the Walking and Writing of John Le Gay Brereton and Percy Grainger Melissa Harper , 2000 single work biography
— Appears in: Australian Historical Studies , October vol. 31 no. 115 2000; (p. 287-303) Australian Studies Centre: Twenty-Fifth Anniversary Collection 2005; (p. 128-143)
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