Cirrus@Austlit

'Kiera Lindsey uncovers the life of the talented and exuberant colonial painter Adelaide Ironside, following in her footsteps from the shores of Sydney harbour to the leading artistic circles of Europe.

'Colonial lasses were expected to marry at 16, but she wanted to be an artist, not a wife, and she had big ambitions. She wanted to train with the best painters of her day in Europe, to elevate her sex, and to adorn her home town of Sydney with republican frescos.

'Adelaide Ironside was the first locally-born professional painter in colonial Australia. She astonished the poet Robert Browning with her 'wild and enthusiastic ways', was mentored by John Ruskin, sold her work to the Prince of Wales, and won accolades in Rome and London as well as Paris and Sydney. Yet today she is largely forgotten.

'In this powerful and poignant biography, historian Kiera Lindsey recreates Adelaide's life and her relationship with her mother Martha, who was her greatest supporter, but also hindered her from fully realising her ambitions. She reveals the romantic mysticism that underpinned Adelaide's life and work, as well as the way dramatic tensions in the art world ignited by the Pre-Raphaelites changed the course of Adelaide's art and career.' (Publication summary)

'While speculation has always been crucial to biography, it has often been neglected, denied or misunderstood. This edited collection brings together a group of international biographers to discuss how, and why, each uses speculation in their work; whether this is to conceptualise a project in its early stages, work with scanty or deliberately deceptive sources, or address issues associated with shy or stubborn subjects. After defining the role of speculation in biography, the volume offers a series of work-in-progress case studies that discuss the challenges biographers encounter and address in their work. In addition to defining the ‘speculative spectrum’ within the biographical endeavour, the collection offers a lexicon of new terms to describe different types of biographical speculation, and more deeply engage with the dynamic interplay between research, subjectivity and that which Natalie Zemon Davis dubbed ‘informed imagination’. By mapping the field of speculative biography, the collection demonstrates that speculation is not only innate to biographical practice but also key to rendering the complex mystery of biographical subjects, be they human, animal or even metaphysical.' (Publication summary)

'In this article, I explore the challenges and opportunities associated with using ‘informed imagination’ to write a speculative biography of an historical figure. In the process, I problematize the notion of the archival gap, which has been recently romanced by numerous writers, including myself. By citing archival gaps as a justification for creative license, we neglect the fact that all archives are inherently idiosyncratic in ways that invite, perhaps even demand, the use of both speculation and imagination. Here, I make a case for what I am calling the archival overlap. A careful examination of the existing sources, however sparse or abundant, is likely to reveal reoccurring clues that can be used to shape how we image and construct our subjects. Before we consider the gaps we should tend to these overlaps, I argue, using a current work-in-progress case study of the colonial artist Adelaide Ironside to explore how speculation and imagination are intrinsic to these stages of the biographical process.'  (Publication abstract)

'A dramatic and fast-paced biography of a currency lass born to parents who were emancipated convicts. When 15-year-old Mary Ann Gill attempted to elope with gentleman settler John Kinchela in 1848, they became the focus of a national scandal which was nearly their undoing.

'One wet autumn evening in 1848, 15-year-old Mary Ann Gill stole out of a bedroom window in her father's Sydney hotel and took a coach to a local racecourse. There she was to elope with James Butler Kinchela, wayward son of the former Attorney-General. Her enraged father pursued them on horseback and fired two pistols at his daughter's suitor, narrowly avoiding killing him.

'What followed was Australia's most scandalous abduction trial of the era, as well as an extraordinary story of adventure and misadventure, both in Australia and abroad. Through humiliation, heartache, bankruptcy and betrayal, Mary Ann hung on to James' promise to marry her.

'This is a compelling biography of a currency lass born when convicts were still working the streets of Sydney. Starting with just a newspaper clipping, historian Kiera Lindsey has uncovered the world of her feisty great, great, great aunt, who lived and loved during a period of dramatic social and political change.' (Publication summary)