'When Matthew Hall and Chi Tran—our guest poetry editors for this issue—proposed the theme of ‘Lineages’, I started to think of poetry inheritance, a poetry family tree, what my own might look like. I thought of the poets I studied (or was made to study) in high school and who made me reluctant to continue reading poetry. I thought of the poets introduced to me by mentors who understood my tastes, the poetry that opened up possibilities for my reading and writing future. I thought of the poets whose work stretched my own lines, whom I have followed so closely that I feel their words and rhythms in my blood and bones. It is rare that we come across that last category. For me, there are two poets whose work I hold close—one American, one Australian. For those of you who have been reading my editorials for the last few years, you can probably guess who they are. Not only responsible for fuelling my curiosity and experimentation, these poets have also had the effect of giving me permission to find my own voice in and through poetry. Whether they like it or not, I consider them to be kin.
'One of the great pleasures for me as managing editor of Rabbit has been to read the responses of contributors to the ‘Rabbit question’ for each issue, which is linked to the issue theme. When this requirement was set up from issue one, it was intended to encourage all those who submitted poems to demonstrate their appreciation for poetry more broadly, ahead of the desire to send through poems quickly in the hope of getting published. But the responses from those who are selected for publication, printed in the back pages of each Rabbit, are also a way to share poetry knowledge to readers, to suggest poets or poems that may not have been known to some readers, to share tastes and reading lists. I like to see that some contributors are able to sum up their thoughts in very few words—sometimes just one!—while others commit to a generous rumination.
'The question for this ‘Lineages’ issue is: What is something you have learned from a poem/poet that you’d like to pass on to others? From the thoughtful answers printed at the back, I can see that many poets have located their own poetry kin, as I have done. More than this, it seems that they have drawn strength from that kin not only to guide their own writing practice but also to guide the living of a good life. How marvellous!
—Jessica L. Wilkinson' (Editorial)
Only literary material by Australian authors individually indexed. Other material in this issue includes:
Whitianga by Olivia Macassey
At Newgrange by Kelly Norah Drukker
Chengdu by Air : A Mediation by David Cope
After the Polar Vortex, The Moon, Waiting for Dawn in a Beijing Hotel Room and From the Top Step of Guangde Temple by David Cope
