Chris Berry Chris Berry i(A5799 works by)
Gender: Male
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Works By

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1 The Chinese Woman Doubled: An Essay in Memory of Paul Willemen (1944–2012) Chris Berry , 2013 single work essay
— Appears in: Inter-Asia Cultural Studies , vol. 14 no. 1 2013; This tribute to Paul Willemen's scholarship is inspired by his debate with Kim Soyoung about the use of the freeze-frame in South Korean film as “blockage”. It examines the phenomenon of splitting and doubling in contemporary independent Chinese films about young women alone in the public sphere, and in particular Liu Shu's Lotus (Xiao He, 2012). As well as the comparison with the South Korean situation, the essay locates these films in the long lineage of Chinese films that use the figure of the woman alone in the public sphere as a symbol of China alive in the bitter seas of modernity. The essay argues that instead of blockage, perhaps what we find with splitting and doubling is a symptom of compulsory progress under conditions of Chinese neo-liberalism, which combines a one-party authoritarian political system with a market economy structured around growth. (Source: publisher's abstract)
1 y separately published work icon Chinese Films in Focus : 25 New Takes Chris Berry (editor), London : British Film Institute , 2003 11379839 2003 anthology criticism

'The Chinese cinemas–including mainland China, Taiwan, and Hong Kong–have been the most internationally popular and successful non-Western cinemas for almost two decades now. In recent years, they have generated a vigorous and thriving field of interpretation and criticism. Chinese Films in Focus: 25 New Takes is an anthology of 25 fresh and original readings of individual Chinese films. Mainland China, Taiwan, Hong Kong, and the diaspora are all included, and historical coverage ranges from the 1930s to the present. Film titles covered include Farewell My Concubine, Chungking Express, Flowers of Shanghai, The Goddess, Bullet in the Head, Crouching Tiger Hidden Dragon, Crows and Sparrows, Yi Yi, and many more. As well as globally famous films, the anthology also introduces a number of Chinese classics that are less well known internationally and deserve more attention.'

Source: Publisher's blurb.
1 Untitled Chris Berry , 2002 single work review
— Appears in: Intersections , October no. 8 2002;
— Review of Theorising Chinese Masculinity : Society and Gender in China Kam Louie , 2002 single work criticism
1 Dead or Alive : Reflections on Translating Non-Western Literature Chris Berry , 1995 single work criticism
— Appears in: Rubicon , vol. 1 no. 2 1995; (p. 3-6)
1 Postsocialist Chinese Woman: Embodied Postcolonial Subjectivity in the Fiction of Ding Xiaoqi Chris Berry , 1995 single work criticism
— Appears in: New Literatures Review , Winter no. 30 1995; (p. 59-68)
1 Jenny Chris Berry , Ding Xiaoqi , 1995 single work short story
— Appears in: Republica , no. 3 1995; (p. 162-167)
1 The Angry Kettle Ding Xiaoqi , Chris Berry (translator), 1993 single work short story
— Appears in: The Age , 4 September 1993; (p. 9) Maidenhome 1993; (p. 193-196) From Yellow Earth to Eucalypt : Stories and Poems from China and Australia 1995; (p. 7-10)
3 19 y separately published work icon Maidenhome Ding Xiaoqi , ( trans. Chris Berry et. al. )agent)expression South Melbourne : Hyland House Monash Asia Institute , 1993 Z466894 1993 selected work short story
1 Maidens and Other Women: The Fiction of Ding Xiaoqi Chris Berry , 1993 single work criticism
— Appears in: Maidenhome 1993; (p. 197-210)
1 2 The Other Woman Ding Xiaoqi , Chris Berry , 1993 single work short story
— Appears in: Maidenhome 1993; (p. 80-144)
1 1 Maidenhome Ding Xiaoqi , Chris Berry , 1993 single work short story
— Appears in: Maidenhome 1993; (p. 1-49)
1 If You Were Still Alive Ding Xiaoqi , 1992 single work short story
— Appears in: Australian Short Stories , no. 38 1992; (p. 53-65) Maidenhome 1993; (p. 179-192)
1 You Get a Little Tougher Every Time, Don't You? Chris Berry , 1992 single work short story
— Appears in: LiNQ , vol. 19 no. 2 1992; (p. 78-84)
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