Cirrus@Austlit

'You wait ages for The One . . . then 203 come along at once

'One night Lauren finds a strange man in her flat who claims to be her husband. All the evidence – from photos to electricity bills – suggests he’s right.

'Lauren’s attic, she slowly realises, is creating an endless supply of husbands for her.

'There’s the one who pretends to play music on her toes.
The one who’s too hot (there must be a catch).
The one who makes a great breakfast sandwich.
The one who turns everything into double entendres (‘I’ll weed your garden’).
And the one who can calm her unruly thoughts with a single touch.

'But when you can change husbands as easily as changing a lightbulb, how do you know whether the one you have now is the good-enough one, or the wrong one, or the best one? And how long should you keep trying to find out?' (Publication summary)

'Inti Flynn arrives in Scotland with her twin sister, Aggie, to lead a team tasked with reintroducing fourteen grey wolves into the remote Highlands. She hopes to heal not only the dying landscape, but a broken Aggie, too. However, Inti is not the woman she once was, and may be in need of rewilding herself. 

'Despite fierce opposition from the locals, Inti’s wolves surprise everyone by thriving, and she begins to let her guard down, even opening up to the possibility of love. But when a local farmer is found dead, Inti knows where the town will lay blame. Unable to accept her wolves could be responsible, she makes a reckless decision to protect them, testing every instinct she has. 

'But if her wolves didn’t make the kill, then who did? And what will she do when the man she’s been seeing becomes the main suspect?'

Source: Publisher's blurb.

'In a world of perennial fire and growing extinctions, Anna's aged mother is dying—if her three children would just allow it. Condemned by their pity to living she increasingly escapes through her hospital window into visions of horror and delight.

'When Anna's finger vanishes and a few months later her knee disappears, Anna too feels the pull of the window. She begins to see that all around her others are similarly vanishing, but no one else notices. All Anna can do is keep her mother alive. But the window keeps opening wider, taking Anna and the reader ever deeper into a strangely beautiful novel about hope and love and orange-bellied parrots.

'An ember storm of a novel, this is Booker Prize-winning novelist Richard Flanagan at his most moving—and astonishing—best.' (Publication summary)

'Esme is born into a world of words. Motherless and irrepressibly curious, she spends her childhood in the ‘Scriptorium’, a garden shed in Oxford where her father and a team of dedicated lexicographers are collecting words for the very first Oxford English Dictionary. Esme’s place is beneath the sorting table, unseen and unheard. One day a slip of paper containing the word ‘bondmaid’ flutters to the floor. Esme rescues the slip and stashes it in an old wooden case that belongs to her friend, Lizzie, a young servant in the big house. Esme begins to collect other words from the Scriptorium that are misplaced, discarded or have been neglected by the dictionary men. They help her make sense of the world.

'Over time, Esme realises that some words are considered more important than others, and that words and meanings relating to women’s experiences often go unrecorded. While she dedicates her life to the Oxford English Dictionary, secretly, she begins to collect words for another dictionary: The Dictionary of Lost Words.' (Publication summary) 

'First Person, Flanagan’s first novel since winning the Man Booker Prize in 2014, is inspired by Flanagan’s real-life experience ghost-writing the memoir of Australian conman Johann Friedrich Hohenberger.

'The novel is written in the first person by reality TV producer Kif Kehlman and details how Kif, as a younger, penniless writer unable to finish his first novel, agrees to ghost write the memoir of a notorious con man, Ziggy Heidl, who has defrauded the banks of $700 million.

'As work gets underway, Kif begins to fear that he is being corrupted by the con man and grows ever more uncertain as to whether he is ghost writing a memoir, or if Ziggy Heidl is rewriting him.

'At the novel’s heart is a question: what is the truth?' (Publication summary)

'A novel of the cruelty of war, and tenuousness of life and the impossibility of love.

'August, 1943. In the despair of a Japanese POW camp on the Thai-Burma death railway, Australian surgeon Dorrigo Evans is haunted by his love affair with his uncle's young wife two years earlier. Struggling to save the men under his command from starvation, from cholera, from beatings, he receives a letter that will change his life forever.

'This savagely beautiful novel is a story about the many forms of love and death, of war and truth, as one man comes of age, prospers, only to discover all that he has lost.' (Publisher's blurb)

'Tom Loxley is holed up in a remote bush shack trying to finish his book on Henry James when his beloved dog goes missing. What follows is a triumph of storytelling, as The Lost Dog loops back and forth in time to take the reader on a spellbinding journey into worlds far removed from the present tragedy.

'Set in present-day [2007] Australia and mid-twentieth century India, here is a haunting, layered work that brilliantly counterpoints new cityscapes and their inhabitants with the untamed, ancient continent beyond. With its atmosphere of menace and an acute sense of the unexplained in any story, it illuminates the collision of the wild and the civilised, modernity and the past, home and exile.' (Publisher's blurb)

'The Scandal of the Season is the story of the real-life seduction of the beautiful, clever Arabella Fermor by the charming, enigmatic nobleman Robert Petre, seventh Baron of Ingatestone. Arabella knows that other girls have been ruined by risking an affair like the one she dares to contemplate. The object of her desire, Robert Petre, is also flirting with a Jacobite plot against Queen Anne, and he knows that if his part in the conspiracy is found out he will be hanged.

'A true story, covered up in its day because it threatened to cause a sensation, this was the tale that gave rise to Alexander Pope's bestselling poem The Rape of the Lock, the era's most celebrated satirical entertainment. Watching them all with a beady eye, and taking notes and his part in the story, is an outsider, a cripple, destined to become the genius of his age - the poet Alexander Pope himself. He comes to London from the country, determined to become famous. He knows that if he fails, he will be left destitute. But can he find a story for his next poem powerful enough to make his reputation? Some people take risks because they think they'll beat the odds. Some take risks because they think they're lucky. Some because they love danger. And some do it because they're desperate. This is a story about risk.' (Publisher's blurb)

'Bookish boys and taciturn men, strong women and wayward sons, fathers and daughters, lovers and husbands, a composer and his muse, a builder-architect and his legacy - here are their stories, whole lives brought vividly into focus and so powerfully rooted in the landscape that you can almost feel the heat and the dust. His canvas is the vast Australian continent from the mysterious, glittering Valley of Lagoons behind the Great Divide in Far North Queensland, to bohemian Balmain and the Centre at Uluru, but always there are enticing glimpses of a world beyond, and the stories are tender, subtle, unsettlingly intimate. A young man going off to war tries to make sense of his place in the world he is leaving; a composer's life plays itself out as a complex domestic cantata; an accident on a hunting trip speaks volumes, which its inarticulate victim never could; and, in the funniest, most surprising story of all, a down-to-earth woman stubbornly tries to keep her feet on the ground at Ayers Rock. Malouf's men and women are together but curiously alone, looking for something they seem to have missed, or missed out on, in life, puzzling over the space they'll leave behind when the waters close over them...'

Source: Publisher's blurb.

'Jan Blensdorf's first novel tells the story of one woman's fascination with the conflicting aspects of her society: its respect for simplicity and the natural world, lying alongside the pressures of manic consumerism; its public emphasis on formal language and behaviour, contrasting with private worlds of sexual deviation and excess. Confined to a hospital bed, hovering on the edge of consciousness, the narrator recalls her early childhood, and how the death of her American father led her to accompany her Japanese mother to Tokyo and an existence dominated by a traditionally-minded uncle. Struggling against his cold indifference, 'Sei Shonagon' seeks out beauty where she can find it - whether in her memories, or in traditional Japanese culture. As she grows older, the need to understand what she sees around her becomes a personal odyssey that affects the lives of everyone she encounters.' (Book Jacket).

'Here are nine haunting stories from the award-winning author of "Remembering Babylon," in which history and geography, as well as the past and the present, combine and often collide, illuminating the landscape and revealing the character of Australia.

'An eleven-year-old boy sees his father in his own elongated shadow only to realize that he will not return from the war. In a parting moment, a young woman hired to "marry" vacationing soldiers, grasps the weight of the word "woe." When a failing farmer senselessly murders a wandering aborigine, he imperils his son but discovers in the spring of sympathy that follows the power to influence others.

'Wise and moving, startling and lyrical, "Dream Stuff" reverberates with the unpredictability of human experience, revealing people who are shaped by the mysterious rhythms of nature as well as the ghosts of their own pasts.'

Source: Publisher's blurb.