Cirrus@Austlit

'Today she haunts popular iconography on multiple digital and visual platforms. In Rebecca, the definitely monochrome film of 1940 directed by Alfred Hitchcock, she is gaunt, implacable, insidious: her black frock as dark as her intentions, luring her terrified victim towards self-annihilation among flickering firelight, transparent drapes, vertiginous cliffs and turbulent waves. In the cultural memory of the twenty-first century, Judith Anderson’s complex multi-media career has almost become subsumed into her portrayal of Mrs Danvers. Despite her eight decades of professional international performance as a tragedienne in stage, film, television, radio and recorded word, this major Australian cultural figure has hitherto received no comprehensive career biography.' (Introduction)

 (Publication abstract)

Veronic Kelly examines two entertainments that were advertised as ‘revues’ and which premiered in Australia in 1913 and 1914. These productions, Come Over Here and Hullo Ragtime, were both localised versions of West End revues of the same titles, and Kelly argues that the immediate contexts of these productions exemplify the lines of local flow and blockage in the processes of the international circulation of personnel and genres of popular commercial entertainment. As she notes, revues in this period were closely related to ideas of generic rule-breaking and cosmopolitan modernity. They are also intricately linked with the technologies of recorded sound which now complemented the sale of sheet music for domestic consumption and leisure.

'Australian and international modernity from the late 19th to the mid-20th century inspires research in many fields of cultural endeavour: architecture, fine arts, design, cinema, theatre, and music; in urban studies, literary history and Aboriginal studies. Impact of the Modern brings together examples of this new interdisciplinary work on modern Australian culture by 21 leading scholars. Their writings reveal an original account of 'modernising' Australia as dynamic and creative in many art forms, and interactively linked with international processes and ideas.

'The essays in Impact of the Modern were presented as papers at the conference, 'Australian Vernacular Modernities', convened by the editors at the University of Queensland in 2006. Plenary papers by Jill Julius Matthews and Angela Woollacott signal the book's focus on the erotic and gendered spaces, and on popular aspects of modernity. They provide the central focus of the material, through such vital and dynamic categories as the 'modern', the 'erotic' and the 'primitive'. As essential components of the historical processes of innovation and modernisation, these central questions of gender and public sociality are taken up in diverse ways in the other chapters, forming a varied and exciting study of a range of creative Australian engagements with modern international life and popular culture.' (Publication summary)