Cirrus@Austlit

'Thomas Edward Trinder (1909–1989), a foremost British variety entertainer of his age, is a major twentieth-century cross-over multi-mediated entertainer. His seven-decade career stretches from music hall and concert party origins to embrace variety, radio, films and television. He also toured Canada, the United States and South Africa. A master at the art of brash self-promotion (Farmer), his lantern-jawed visage and voluble improvisatory skill were encountered in Government Houses and hospital wards, pantomime stages and on the Nullabor Road, which he crossed in his ‘TT1’ registered Rolls (‘Worth Reporting’). Trinder made three Australian visits: October 1946 to February 1947; April to August 1949 (this was mostly occupied with filming Ealing Studio’s Bitter Springs); and the last—June 1952 to June 1954—encompassed the also-strenuous royal visit. Trinder is deserving of historical attention in his own right as an important public presence within the rich cross-influences of post-war Australian popular culture, and is a useful vector for exploring the complex intertwined public networks of transnationalism. The Trinder vector thus takes us across post-war immigration from outside the nation and the internal migration of an involuntarily displaced people within it; and encompasses both the two-way circulation of peoples and largely one-way transfers of technology, money and, in particular, food.' (Introduction)