Julie-Ann Ford Julie-Ann Ford i(A5252 works by)
Gender: Female
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1 Dying in a Strange Country Julie-Ann Ford , 1981 single work prose
— Appears in: Celts in Australia : Imagination and Identity 1981; (p. 47-52)
1 form y separately published work icon The Unloved Julie-Ann Ford , Lynn Foster , Robert Peach , Australia : NLT Productions , 1968 Z1823364 1968 series - publisher film/TV

Moran, in his Guide to Australian TV Series, describes The Unloved as 'a kind of follow-up to Divorce Court'; like the latter program, it was based on an American format. In The Unloved, however, the focus was on children who (for various reasons) had been brought before a social worker. According to Moran, 'The emphasis was on verbal exposition and voice-over, with movement and scene changes kept to a minimum. Robert Peach served as on-screen anchor for the series, which maintained a strong documentary/realist tone'.

The idea that this was based on an American series is not upheld in contemporary newspaper, which instead describe it as a fictional account of cases heard by A.E. Debenham, a Sydney magistrate who had retired in 1963. According to contemporary reports, 'Marien Dreyer (Mrs. Rodney Cooper in private life) originally sold the idea of "The Unloved" to NUT, who are producing it for TCN9.' (Nan Musgrove, 'Like a Bird in a Golden Cage', Australian Women's Weekly, 24 January 1968, p.17). Dreyer had been involved in preparing Debenham's memoirs for publication, 'was struck with the potential of the material in Mr. Debenham's files and successfully sold the idea to NLT and TCN9' (Nan Musgrove, 'TCN9 Seeks Young Talent', Australian Women's Weekly, 10 January 1968, p.17).

1 form y separately published work icon Divorce Court Julie-Ann Ford , Lynn Foster , Marcia Hatfield , Robert Peach , Australia : NLT Productions , 1967 Z1823272 1967 series - publisher film/TV

Divorce Court was based on a long-running American documentary series, which, though it marketed itself as presenting real-life divorce cases to audiences, actually presented re-enactments of real-life divorces using actors. Though Moran, in his Guide to Australian TV Series, doesn't specify and information on the program is scarce, the Australian version presumably followed the same model.

According to Moran,

Each episode was hosted by a narrator and fully scripted, with speed and efficiency vital to producers working to network deadlines. Shot in sequence at TCN-9 studios, Divorce Court was tightly scripted in order to avoid reshoots and video editing. This was due in part to the lack of video sophistication at the time. The series was produced on average at a rate of around five episodes per week, which were usually shot in one day. At one stage producers even managed to come up with twenty fully scripted episodes in eight working days.

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