Oxford University Press Oxford University Press i(A52039 works by) (Organisation) assertion (a.k.a. OUP)
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1 y separately published work icon American Academy of Religion Cultural Criticism The American Academy of Religion (publisher), New York (City) : Oxford University Press , Z955834 series - publisher
1 y separately published work icon Oxford English Monographs Oxford University Press (publisher), Oxford : Oxford University Press , Z1855191 series - publisher criticism
Oxford Studies in Postcolonial Literatures Oxford University Press (publisher), Elleke Boehmer (editor), series - publisher
Oxford Paperbacks Oxford University Press (publisher), series - publisher
Oxford Poets Oxford University Press (publisher), series - publisher
Oxford Reference Oxford University Press (publisher), series - publisher
Australian Bibliographies Oxford University Press (publisher), series - publisher
Oxford Children's Library Oxford University Press (publisher), series - publisher
1 y separately published work icon Winnie and Wilbur : The Witches' Sports Day Valerie Thomas , Oxford : Oxford University Press , 2024 27911893 2024 single work children's fiction children's

'Winnie and Wilbur are taking part in the local witches' sports day. After training hard in their garden, finally the big day arrives. There is a high jump contest, an egg-and-spoon race, and even a cats' tree climb race - but the main event is the exciting broomstick obstacle race. Winnie and Wilbur are desperate to finally win it this year having lost out to Maryam and her cat Malak the last two years. But when the referee is about to read out the results, a gust of wind blows them away! Will the witches ever find out who won - or could they discover that perhaps it doesn't matter who won when you're having this much fun?' (Publication summary)

1 y separately published work icon The Literary Mirroring of Aboriginal Australia and the Caribbean Dashiell Moore , Oxford : Oxford University Press , 2024 27911848 2024 multi chapter work criticism

'The Literary Mirroring of Aboriginal Australia and the Caribbean challenges the structural opposition of indigeneity and creolisation through a historical and literary analysis of the connections between the 'First and Last of the New Worlds': Australia and the Caribbean. Dashiell Moore explores the continuities between indigenous and creole lifeworlds in the work of renowned Caribbean writers such as Édouard Glissant, Wilson Harris, Sylvia Wynter, and Kamau Brathwaite, and prominent Aboriginal Australian writers including Alexis Wright, Ali Cobby Eckermann, and Lionel Fogarty. Common to these authors is their reimagining of the inter-colonial other as a mirror image. This image, achieved through opacity and projection, visualises in creative ways both the movement to indigenisation in post-independence Caribbean literature and the inter-indigenous encounters of Aboriginal Australian literature. By upending the antipodean relationship of the Caribbean and Australia, this groundbreaking study offers radically new perspectives on the world generated by literary relation.' (Publication summary)

1 1 y separately published work icon J.M. Coetzee and Neoliberal Culture Andrew Gibson , Oxford : Oxford University Press , 2022 25896763 2022 multi chapter work criticism 'This book presents J. M. Coetzee's work as a complex, nuanced counterblast to contemporary, global, neoliberal economics and its societies. Not surprisingly, given his many years in South Africa and Australia, Coetzee writes from a `global-Southern' perspective. Drawing on a wealth of literature, philosophy, and theory, the book reads Coetzee's writings as a discreet, oblique but devastating engagement with neoliberal presumptions. It identifies and focuses on various key features of neoliberal culture: its obsession with self-enrichment, mastery, growth; its belief in plenitude, endless resources; its hubris and obsession with (self)-promotion; its desire for ease and easiness, `well-being', euphoria; its fetishization of managerial reason and the culture of security; its unrelenting positivity, its belief in illusory goods and trivial progressivisms. By contrast, Coetzee's writings explore the virtues of irony and self-reduction. He commits himself to difficulty, discomfort, patient and austere, if bleak, inquiry, rigorous questioning, and radical doubt. Destitution and failure come to look like a serious, dignified form of life and thought. The very tones of Coetzee's books run counter to those of our neoliberal democracies. They point in a different direction to an age that has gone astray.' (Publication summary)
1 1 y separately published work icon The Oxford Guide to Australian Languages Claire Bowern (editor), Oxford : Oxford University Press , 2022 24744348 2022 anthology criticism

'The Oxford Guide to Australian Languages is a wide-ranging reference work that explores the more than 550 traditional and new Indigenous languages of Australia. Australian languages have long played an important role in diachronic and synchronic linguistics and are a vital testing ground for linguistic theory. Until now, however, there has been no comprehensive and accessible guide to the their vast linguistic diversity. This volume fills that gap, bringing together leading scholars and junior researchers to provide an up-to-date guide to all aspects of the languages of Australia. The chapters in the book explore typology, documentation, and classification; linguistic structures from phonology to pragmatics and discourse; sociolinguistics and language variation; and language in the community. The final part offers grammatical sketches of a selection of languages, sub-groups, and families. At a time when the number of living Australian languages is significantly reduced even compared to twenty year ago, this volume establishes priorities for future linguistic research and contributes to the language expansion and revitalization efforts that are underway.' (Publication summary)

1 y separately published work icon Diasporic Poetics : Asian Writing in the United States, Canada, and Australia Timothy Yu , Oxford : Oxford University Press , 2021 27536077 2021 multi chapter work criticism 'This book advances a new concept of the "Asian diaspora" that creates links between Asian American, Asian Canadian, and Asian Australian identities. Drawing from comparable studies of the black diaspora, it traces the histories of colonialism, immigration, and exclusion shared by these three populations. The work of Asian poets in each of these three countries offers a rich terrain for understanding how Asian identities emerge at the intersection of national and transnational flows, with the poets' thematic and formal choices reflecting the varied pressures of social and cultural histories, as well as the influence of Asian writers in other national locations. Diasporic Poetics argues that racialized and nationally bounded "Asian" identities often emerge from transnational political solidarities, from "Third World" struggles against colonialism to the global influence of the American civil rights movement. Indeed, this volume shows that Asian writers disclaim national belonging as often as they claim it, placing Asian diasporic writers at a critical distance from the national spaces within which they write. As the first full-length study to compare Asian American, Asian Canadian, and Asian Australian writers, the book offers the historical and cultural contexts necessary to understand the distinctive development of Asian writing in each country, while also offering close analysis of the work of writers such as Janice Mirikitani, Fred Wah, Ouyang Yu, Myung Mi Kim, and Cathy Park Hong.' (Publication summary) 
1 y separately published work icon Crusoe's Books : Readers in the Empire of Print, 1800-1918 Bill Bell , Oxford : Oxford University Press , 2021 26311561 2021 multi chapter work criticism

'This is a book about readers on the move in the age of Victorian empire. It examines the libraries and reading habits of five reading constituencies from the long nineteenth century: shipboard emigrants, Australian convicts, Scottish settlers, polar explorers, and troops in the First World War. What was the role of reading in extreme circumstances? How were new meanings made under strange skies? How was reading connected with mobile communities in an age of expansion? Uncovering a vast range of sources from the period, from diaries, periodicals, and literary culture, Bill Bell reveals some remarkable and unanticipated insights into the way that reading operated within and upon the British Empire for over a century.'

Source: Publisher's blurb.

1 y separately published work icon The Planetary Clock Antipodean : Time and Spherical Postmodern Fictions Paul Giles , Oxford : Oxford University Press , 2021 22111575 2021 multi chapter work criticism

'The theme of The Planetary Clock is the representation of time in postmodern culture and the way temporality as a global phenomenon manifests itself differently across an antipodean axis. To trace postmodernism in an expansive spatial and temporal arc, from its formal experimentation in the 1960s to environmental concerns in the twenty-first century, is to describe a richer and more complex version of this cultural phenomenon. Exploring different scales of time from a Southern Hemisphere perspective, with a special emphasis on issues of Indigeneity and the Anthropocene, The Planetary Clock offers a wide-ranging, revisionist account of postmodernism, reinterpreting literature, film, music, and visual art of the post-1960 period within a planetary framework.

'By bringing the culture of Australia and New Zealand into dialogue with other Western narratives, it suggests how an antipodean impulse, involving the transposition of the world into different spatial and temporal dimensions, has long been an integral (if generally occluded) aspect of postmodernism. Taking its title from a Florentine clock designed in 1510 to measure worldly time alongside the rotation of the planets, The Planetary Clock ranges across well-known American postmodernists (John Barth, Toni Morrison) to more recent science fiction writers (Octavia Butler, Richard Powers), while bringing the US tradition into juxtaposition with both its English (Philip Larkin, Ian McEwan) and Australian (Les Murray, Alexis Wright) counterparts. By aligning cultural postmodernism with music (Messiaen, Ligeti, Birtwistle), the visual arts (Hockney, Blackman, Fiona Hall), and cinema (Rohmer, Haneke, Tarantino), this volume enlarges our understanding of global postmodernism for the twenty-first century.' (Publication summary)

1 1 y separately published work icon Metaphysical Exile : On J.M. Coetzee's Jesus Fictions Robert Pippin , Oxford : Oxford University Press , 2021 22006425 2021 multi chapter work criticism

'This is the first detailed interpretation of J. M. Coetzee’s “Jesus” trilogy as a whole. Robert Pippin treats the three “fictions” as a philosophical fable, in the tradition of Plato’s Republic, More’s Utopia, Rousseau’s Emile, or Nietzsche’s Thus Spoke Zarathustra. Everyone in the mythical land explored by Coetzee is an exile, removed from their homeland and transported to a strange new place, and they have all had most of the memories of their homeland “erased.” While also discussing the social and psychological dimensions of the fable, Pippin treats the literary aspects of the fictions as philosophical explorations of the implications of a deeper kind of spiritual homelessness, a version that characterizes late modern life itself, and he treats the theme of forgetting as a figure for modern historical amnesia and indifference to reflection and self-knowledge. So, the state of exile is interpreted as “metaphysical” as well as geographical. In the course of an interpretation of the central narrative about a young boy’s education, Pippin shows how a number of issues arise, are discussed and lived out by the characters, all in ways that also suggest the limitations of traditional philosophical treatments of themes like eros, beauty, social order, art, family, non-discursive forms of intelligibility, self-deception, and death. Pippin also offers an interpretation of the references to Jesus in the titles, and he traces and interprets the extensive inter-textuality of the fictions, the many references to the Christian Bible, Plato, Cervantes, Goethe, Kleist, Wittgenstein, and others. Throughout, the attempt is to show how the literary form of Coetzee’s fictions ought to be considered, just as literary—a form of philosophical reflection.'

Source : publisher's blurb

2 y separately published work icon Winnie and Wilbur : Around the World Valerie Thomas , Korky Paul (illustrator), Oxford : Oxford University Press , 2020 20022506 2020 single work picture book children's

'Winnie and Wilbur are visiting the wild animals from their library book in real life. It's exciting to journey by magic all around the world, but there is trouble for our travellers when the animals get hungry! A whistle-stop tour full of hilarious slapstick fun, with plenty of details to pore over in Korky Paul's intricate and spellbinding artwork.'

Source: publisher's blurb

1 y separately published work icon The Trouble with Literature Victoria Kahn , Oxford : Oxford University Press , 2020 19605430 2020 multi chapter work criticism

Based on the 2017 Clarendon Lectures in English, this work presents a significant new interpretation of literariness in the Western tradition.

Lecture four, on modern literariness, assesses Kant, Kierkegaard, and J.M. Coetzee.

1 2 y separately published work icon Backgazing : Reverse Time in Modernist Culture Paul Giles , Oxford : Oxford University Press , 2019 19605240 2019 multi chapter work criticism

'This volume trace ways in which time is represented in reverse forms throughout modernist culture, from the beginning of the twentieth century until the decade after World War II. Though modernism is often associated with revolutionary or futurist directions, this book argues instead that a retrograde dimension is embedded within it. By juxtaposing the literature of Europe and North America with that of Australia and New Zealand, it suggests how this antipodean context serves to defamiliarize and reconceptualize normative modernist understandings of temporal progression. Backgazing thus moves beyond the treatment of a specific geographical periphery as another margin on the expanding field of 'New Modernist Studies'. Instead, it offers a systematic investigation of the transformative effect of retrograde dimensions on our understanding of canonical modernist texts.

'The title, 'backgazing', is taken from Australian poet Robert G. FitzGerald's 1938 poem 'Essay on Memory', and it epitomizes how the cultural history of modernism can be restructured according to a radically different discursive map. Backgazing intellectually reconfigures US and European modernism within a planetary orbit in which the literature of Australia and the Southern Hemisphere, far from being merely an annexed margin, can be seen substantively to change the directional compass of modernism more generally. By reading canonical modernists such as James Joyce and T. S. Eliot alongside marginalized writers such as Nancy Cunard and others and relatively neglected authors from Australia and New Zealand, this book offers a revisionist cultural history of modernist time, one framed by a recognition of how its measurement is modulated across geographical space.'

Source: Publisher's blurb.

1 y separately published work icon Reading Coetzee's Women Sue Kossew (editor), Melinda Harvey (editor), Oxford : Oxford University Press , 2019 18451126 2019 anthology criticism

'This is the first book to focus entirely on the under-researched but crucial topic of women in the work of J. M. Coetzee, generally regarded as one of the world’s most significant living writers. The fourteen essays in this collection raise the central issue of how Coetzee’s texts address the ‘woman question’. There is a focus on Coetzee’s representation of women, engagement with women writers and the ethics of what has been termed his ‘ventriloquism’ of women’s voices in his fiction and autobiographical writings, right up to his most recent novel, The Schooldays of Jesus. As such, this collection makes important links between the disciplines of literary and gender studies. It includes essays by well-known Coetzee scholars as well as by emerging scholars from around the world, providing fascinating and timely global insights into how his works are read from differing cultural and scholarly perspectives.'

Source: Publisher's blurb.

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