University Microfilms International University Microfilms International i(A37598 works by) (Organisation) assertion
Born: Established: Ann Arbor, Michigan,
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United States of America (USA),
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Americas,
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Works By

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1 y separately published work icon Christina Stead: The American Years Anita Kristina Segerberg , 1990 Z67027 1990 single work thesis
1 y separately published work icon The Responses of Early Adolescent, White Australian Readers to Selected Cross-Cultural Folklore-Based Fantasy Novels by Patricia Wrightson Barbara Joan Tobin , Ann Arbor : University Microfilms International , 1994 Z1524171 1994 single work thesis
1 y separately published work icon Who are We? The Australian Quest for Literary Identity Richard Scott Carr , Ann Arbor : University Microfilms International , 1994 Z67137 1994 single work thesis

'This full-fledged literary and critical history of Australian fiction specifies the governing themes of the fiction and its various schools; it analyzes the evolution of a canon of Australian fiction in literary history; and it demonstrates the way Australian writers and scholars have been forced to adjust their beliefs about authentic Australian literature since the emergence of Aboriginal imaginative writing in the 1960s. This study presents and analyzes the longstanding battle of Australian literature for academic and popular recognition in Australia, a struggle mirroring the larger national quest for a confident identity. The "Emigrant Mechanic," narrator of Alexander Harris' Settlers and Convicts, or Recollections of Sixteen Years Labour in the Australian Backwoods (1847), identifies themes that have persisted in Australian culture and literature--the fascination with the landscape, the rise of the New Australian, the mateship social dynamic.

'Those themes persist, for example, in the 'bush fiction' of Henry Lawson, Joseph Furphy, and their successors, fiction focusing on survival, as bush dwellers fight an environment bent on defeating human effort. Harris adds another major theme that resonates in Australia's canonical fiction when, despite his avowed aim to celebrate the Australian experience, he returns homesick to England. Much of Australian fiction is a story of leaving; the hero--the exceptional person--must escape Australia to find fulfillment.

'Those who stay, like Meg in Ethel Turner's Seven Little Australians, are best served by learning to become proper Imperial citizens. The emergence of Aboriginal fiction, poetry, and drama in the 1960s introduces a new story and theme into Australian literature, the search for the Aboriginal soul lost or disrupted with the arrival of the Europeans, when the narrator in Mudrooroo's (Colin Johnson's) landmark Wild Cat Falling (1965) breaks from the cycle of prison-release-recapture. Recognizing his heritage and recovering his Aboriginal self, he provides--in the Aboriginal journey to reclaim the soul--a potent literary counter to the cultural sense of displacement and inferiority evident throughout Australian canonical fiction. In recognizing and embracing the Aboriginal spirit of the continent, Australian writers and readers can hope to resolve their identity quest.' (National Library of Australia catalogue record)

1 y separately published work icon Pioneering National Drama : Ray Lawler's Contributions to Australian Theatre William Scott Lancaster , Ann Arbor : University Microfilms International , 1986 Z474721 1986 single work thesis
1 y separately published work icon The Place of Woman in the Australian Tradition : An Analysis of the Discourse Kay Schaffer , Ann Arbor : University Microfilms International , 1984 Z483609 1984 single work thesis
1 y separately published work icon Australian Aboriginal Folktales : An Analysis of English Language Versions Published or Reprinted Between 1970-80 and Recommended for Children and English Language Versions Available to the Public Prior to 1910 Barbara Poston-Anderson , Ann Arbor : University Microfilms International , 1983 Z1039242 1983 single work thesis
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