Cirrus@Austlit

'One hundred years after the charge of the 4th Light Horse Brigade at Beersheba in October 1917...The Desert Column is based on the diaries that he kept through out the war. Published in 1932, it is one of Idriess' earliest works. Harry Chauvel noted in the foreword that it was the only book of the campaign that to his knowledge was "viewed entirely from the private soldier's point of view"...Idriess served as a sniper with the 5th Australian Light Horse. Enlisting in 1914, he began his diary "as we crowded the decks off Gallipoli" and he continued writing until returning to Australia...The diaries cover his experience of some of the war's major events from life in the trenches at Gallipoli to the battles at Romani and Beersheba. One of Idriess' strengths as a writer is his ability to place the reader at the scene of the action...The diaries reveal a keenness of observation and a descriptive and pacey style that Idriess would develop further in The Desert Column.' (Synopsis)

Young warrior Red Kangaroo, by his mental and physical prowess, becomes a chief of his tribe - the revered and powerful Red Chief of the Gunnedah district. His story is handed down from generation to generation by its hero's tribe and given by the last survivor, Bungaree, to the white settlers of the district.

'The year 1788: the very beginning of European settlement. These were times of hardship, cruelty and danger. Above all, they were times of conflict between the Aborigines and the white settlers.

'Eleanor Dark brings alive those bitter years with moments of tenderness and conciliation amid the brutality and hostility. The cast of characters includes figures historical and fictional, black and white, convict and settler. All the while, beneath the veneer of British civilisation, lies the baffling presence of Australia, the 'timeless land'.

'The Storm of Time and No Barrier complete the Timeless Land trilogy. ' (Publication summary)

'Arriving in Capricornia (a fictional name for the Northern Territory) in 1904 with his brother Oscar, Mark Shillingworth soon becomes part of the flotsam and jetsam of Port Zodiac (Darwin) society. Dismissed from the public service for drunkenness, Mark forms a brief relationship with an Aboriginal woman and fathers a son, whom he deserts and who acquires the name of Naw-Nim (no-name). After killing a Chinese shopkeeper, Norman disappears from view until the second half of the novel.

'Oscar, the respectable contrast to Mark, marries and tries to establish himself on a Capricornian cattle station, Red Ochre, but is deserted by his wife and eventually returns for a time to Batman (Melbourne), accompanied by his daughter Marigold and foster son Norman, who has been sent to him after Mark's desertion.

'Oscar rejects the plea of a former employee, Peter Differ, to see to the welfare of his daughter Constance; Constance Differ is placed under the 'protection' of Humboldt Lace, a Protector of Aborigines, who seduces her and then marries her off to another man of Aboriginal descent. Forced into prostitution, Constance is dying of consumption when discovered by a railway fitter, Tim O'Cannon, who will take care of Constance's daughter, Tocky, until his own death in a train accident.
Hearing news in 1928 of an economic boom in Capricornia, Oscar returns to his station, where he is joined by Marigold and Norman, who has grown to manhood believing himself to be the son of a Javanese princess and a solider killed in the First World War. Soon after, he discovers his mother was an Aboriginal woman, and meets his father, with whom he will not reconcile until later in the novel. Norman then goes on a series of journeys to discover his true, Aboriginal self. On the second of these journeys, he meets and wanders in the wilderness with Tocky, who has escaped from the mission station to which she was sent after the death of O'Cannon. During this passage, she kills a man in self-defense, which leads to Norman's being accused of murder, at the same time his father is prosecuted for the death of the Chinese shopkeeper. At the end of the novel they are both acquitted, Heather and Mark are married, and Norman returns to Red Ochre, where he finds the body of Tocky and their child in a water tank in which she had taken refuge from the authorities.' (Source: Oxford Companion to Australian Literature)

Such is Life: Being Certain Extracts from the Diary of Tom Collins. Joseph Furphy's title gives an indication of the complexity of the narrative that will unravel before a persistent reader. In chapter one, the narrator, Tom Collins, joins a group of bullockies to camp for the night a few miles from Runnymede Station. Their conversations reveal many of the issues that arise throughout the rest of the novel: the ownership of, or control of access to, pasture; ideas of providence, fate and superstition; and a concern for federation that flows into descriptions of the coming Australian in later chapters. Each of the characters provides a portrait of bush types that Furphy uses to measure the qualities of squatters and others against popular ideas of the 'gentleman'. Furphy's choice of a narrative structure to create a 'loosely federated' series of yarns is itself a critique of popular narratives populated by stock characters who are driven by action that leads to predictable and uncomplicated conclusions. Tom Collins, the unreliable narrator, adds further complications by claiming to 'read men like signboards' while all the time being unknowingly contradicted by circumstances that become obvious to the reader.

In each subsequent chapter Tom Collins leads the reader through a series of experiences chosen from his diaries. In chapter two, Collins meets the boundary rider Rory O'Halloran and his daughter, Mary, a symbol of the coming Australian whose devotion to her father will have tragic consequences in chapter five. There are many links between chapters like this one that remain invisible to Collins, despite his attempts to understand the 'controlling alternatives' that affect our lives. In chapter three Tom loses his clothes crossing the Murray River and spends the night wandering naked until he is able to steal a pair of pants after diverting attention by setting fire to a haystack. In chapter four Collins helps an ailing Warrigal Alf by deceiving several boundary riders who have impounded Alf's bullocks. In chapter five, among other yarns of lost children, Thompson completes the tragic tale of Mary O'Halloran, connecting with the events of chapter two. Chapters six and seven take Tom Collins back to Runnymede Station where he attempts to avoid an unwelcome union with Maud Beaudesart. He also meets the disfigured boundary rider, Nosey Alf, whose life story Furphy has threaded throughout the narrative, signs not perceived by Tom Collins. When Collins returns to Runnymede at the end of the novel, Furphy ties up more loose narrative threads, but Tom Collins, the narrator, remains oblivious to the end.

In short, Such Is Life 'reflects the preoccupations of [the 1890s]: contemporary capitalism, ardent Australian nationalism, the difficulties of pioneering pastoralism, and speculation about a future Australian civilization. It was instantly seen as a major example of the "radical nationalism" of the time and praised for its realistic representation of life on the frontier in the 1880s. But it was forty years before many readers realized that the novel was also a subtle comment on fiction itself and that within it were hidden stories that revealed a world of "romance" within its "realist" representation of life. Such Is Life can be read as the first experimental novel in Australian literature and the first Australian literary expression of a twentieth-century sensibility of the provisionality of life and reality.' (Julian Croft, 'Joseph Furphy.' in Dictionary of Literary Biography Vol. 230.)

Dick Marston narrates the events of his and his brother Jim's association with notorious bushranger Captain Starlight.

'A coming-of-age story of a spontaneous heroine who finds herself ensconced in the rigidity of a turn-of-the-century boarding school. The clever and highly imaginative Laura has difficulty fitting in with her wealthy classmates and begins to compromise her ideals in her search for popularity and acceptance.' (From the publisher's website.)

The Fortunes of Richard Mahony was 'first published as a sequence. Australia Felix, the first volume, which covers twelve years of Richard Mahony’s life from the early 1850s, was published in 1917; The Way Home, which deals with his subsequent eight years, appeared in 1925; and Ultima Thule, the final volume covering his last four years, in 1929. The novel was first published as a trilogy in 1930.'

Australia Felix 'begins the story of Richard Mahony, a 28-year-old medical graduate of Edinburgh University and now the keeper of a general store in Ballarat'. Part one of the novel 'follows Mahony’s career until his marriage; the second part deals with the Eureka Stockade, the growth of the varied society of Ballarat and legal hearing in Melbourne'. It 'concludes with Mahony’s decision to start a practice in Ballarat instead of returning to England'. In parts three and four, 'Richardson extends her panoramic picture of a dynamic colonial society in which individuals are subject to great reversals or advances of fortune'.

The Way Home begins with Mahony’s 'arrival in England and concludes with his final, second return to Australia, as a ruined man. In the intervening years he grows disillusioned with English society, returns to Australia to find his investments have made him suddenly rich, attempts to settle into the wealthy community of Melbourne and becomes the father of three children'. His sojourn in England leads to the discovery that he is uncomfortable with the ‘offensive and cramping’ English social hierarchy.

Ultima Thule picks up the story with Mahony’s 'return to Australia, his attempts to establish himself as a medical practitioner, first in Melbourne and then at Barambogie, a small town in northern Victoria'. When Mahony’s skills as a doctor as increasingly questioned, the family moves to the coast and later to Gymgurra where Mahony’s wife, Mary, 'secures a position as postmistress'. Mahony is moved to a private nursing home, then to a government asylum and finally returns home. He is 'devotedly cared by Mary, until paralysis incapacitates his body. After his death he is buried in the local cemetery, within sound of the sea'.

Source: The Oxford Companion to Australian Literature. 2nd. ed. Melbourne: Oxford University Press, 1994: 294-295.