Cirrus@Austlit

'As spoken by Bunny Naburula, Danny Cooper, Dick Foster, Donald Graham, Doris Kelly, Elizabeth Johnson, George Brown, Gladys Brown, Jack Walker, Jessie Cooper, Jimmy Newcastle, Julie Kelly, Lofty Japaljarri, Louie Martin, May Foster, Norah Graham, Penny Kelly, Penny Williams, Selina Grant, Susannah Nelson, Topsy Walker, Toprail Japaljarri and William Graham

'This volume is a descriptive analysis of Warlmanpa, a highly endangered language traditionally spoken northwest of the town of Tennant Creek, where most of the remaining speakers now live.

'This grammatical description is based on language work carried out by community members and linguists since 1952, and is the first published reference grammar of the language.

'The major areas of analysis include phonetics, phonology, morphology, and syntax. This volume also provides description of typologically notable features, including: a two-way stop contrast at each place of articulation; a complex second-position auxiliary system containing participant and tense/mood/aspect information; associated motion; and a lack of evidence for noun phrases.' (Publication summary)

This volume lays the foundation for future Warlmanpa language work.

'Most English speakers in Australia know a few words of Yagara, the Pama-Nyungan language traditionally spoken in the area that now includes Brisbane and Ipswich. For example, Australian English yakka ‘work’ comes from the Yagara verb yaga ‘to work’. However, no fluent native speakers of Yagara remain. The current volume compares the written records of Yagara to facilitate revitalisation of the spoken language.

'Part 1: Grammar introduces the Yagara sources, which are then compared to extract a picture of Yagara’s structure – its sounds, its words, and its grammar. Attention is also given to the system of kinship terms, moieties, and totems.

'Part 2: Dictionary contains the most complete Yagara-English dictionary to date, with over 2,200 entries, the original source spellings for each word, standardised spellings, and anthropological notes. Entries include traditional place names, fun insults, and everyday expressions such as the greeting wi balga ‘Hey, come’. The dictionary is followed by an English word finder list.

'Part 3: Texts consist of full versions of all known texts in Yagara, including sentences, songs, and three Bible stories. Standardised versions are accompanied by English translations and the original unedited renditions.'

Source: Publisher's blurb.

'The first detailed history of imperial and national honours in Australia, Honouring a Nation tells the story of the honours system’s transformation from instrument of imperial unity to national institution.

'From the extension of British honours to colonial Australasia in the nineteenth century, through to Tony Abbott’s revival of knighthoods in the twenty-first, this book explains how the system has worked, traces the arguments of its supporters and critics, and looks both at those who received awards and those who declined them. Honouring a Nation brings to life a long history of debate over honours, including wrangles over State rights, gender imbalances in honours lists, and the emergence and hardening of the Labor/Liberal divide over British awards, illuminating issues that are still part of Australian life—and of the honours system—today. The history of the honours system is equally the history of the nation, revealing who Australians were, what they have become, what they value, and the things that have unified and divided them.' (Publication summary)

'‘In 1993, Manning Clark came under severe (posthumous) attack in the pages of Quadrant by none other than Peter Ryan, who had published five of the six volumes of Clark’s epic A History of Australia. In applying what he called “an overdue axe to a tall poppy”, Ryan lambasted the History as “an imposition on Australian credulity” and declared its author a fraud, both as a historian and a person. This unprecedented public assault by a publisher on his best-selling author was a sensation at the time and remains lodged in the public memory. In History Wars, Doug Munro forensically examines the right and wrongs of Ryan’s allegations, concluding that Clark was more sinned against than sinning and that Ryan repeatedly misrepresented the situation. More than just telling a story, Munro places the Ryan-Clark controversy within the context of Australia’s History Wars. This book is an illuminating saga of that ongoing contest.’

— James Curran, University of Sydney

'‘The Ryan-Clark controversy … speaks to the place of Manning Clark in Australia’s national imagination. Had Ryan taken his axe to another historian, it’s unlikely that we would be still talking about it 30 years later. But Clark was the author and keeper of Australia’s national story, however imperfect his scholarship and however blinkered that story. Few, if any, historians in the Anglo-American world have occupied the space that Clark occupied by dint of will, force of personality, and felicity of pen.’

— Donald Wright, University of New Brunswick' (Publication summary)

'Creative Frictions explores the relationship between visionary aspects of practice and policy. Despite over 30 years of arts and cultural policy attention, there remains a widespread view among the general public and artists alike that creative production does not reflect Australia’s culturally diverse population. Australia’s increasingly complex society can no longer be confined to ‘essentialised’ or traditional definitions of ethnic communities. While this diversity and its emerging complexity can be ‘celebrated’ as a source of creativity and innovation, it can also give rise to social, political and creative challenges. A key challenge that remains for the arts sector is its ability to support the creative expression of cultural difference. One measure of inclusive creative production is to look at the participation of artists of non–English speaking backgrounds (NESBs)—a problematic term discussed in the book. There are half as many NESB artists compared to those of other professions participating in the workforce, and while under-representation is an issue for management in the arts sector, the question of representation also benefits from being understood more broadly beyond the narrow sense of multiculturalism as a tool to manage cultural difference. This book explores the crucial role of creative leaders and how they work with the ‘mainstream’ while maintaining their creative integrity and independence to generate a ‘virtuous’ circle of change. Creative Frictions argues that it is the NESB artists who lead change in the arts sector and that creative and organisational leadership working in partnership make creative use of ‘friction’ and develop the necessary ‘trust’ to generate the ‘traction’ for a supportive multicultural arts milieu.'

Source : publisher's blurb

'Island Encounters is a narrative of Timor shaped by a journey from the outside in. Incorporating the author’s experiences from more than two decades of involvement with Timor-Leste and, more particularly, the months she spent travelling with her family from west to east in 2018, Palmer traces paths redolent in longing and learning, belonging and bewilderment, courage and conviction to tell of an island divided by colonialism and conflict.

'The book’s themes shuttle back and forth across the island, weaving together the past, present and future in deeply felt histories and personal stories that create the shared fabric of Timorese people’s lives. Offering a counterpoint to modernising development narratives, Island Encounters tells of people’s quiet determination to maintain their relationships between their lands, waters, traditions and each other.

'By foregrounding the ways in which ancestral pathways and cultural politics inform and course through everyday life on island Timor, Palmer reveals the richness of the rituals and customary practices that underpin Timorese lives and the lives of those entwined with them. And, all along the way, Island Encounters shows how Timor and its diverse peoples are working with, and re-working, confounding and being confounded by, the ever-desirous heart of development.'

‘A poignant, at times heart-wrenching, honest account of life in Timor-Leste.’
— José Ramos-Horta

‘Island Encounters is a shimmery blend of anthropology, memoir and reportage. Palmer journeys her way across the island of Timor and uncovers human stories of pasts not yet passed and of an uncertain present. Island Encounters will be the definitive contemporary explainer of why things work the way they do on both sides of the border, in West Timor and Timor-Leste. Not only is Palmer a deeply knowledgeable scholar, she is an absolute dream of a writer.’
— Gordon Peake, author of Beloved Land: Stories, Struggles, and Secrets from Timor-Leste

‘Palmer is the best kind of insider-outsider to translate a culture from the inside so outsiders can understand. Living with Timorese family, Palmer has had access to levels of cultural knowledge not usually shared with outsiders and she takes readers on a journey into the Timorese psyche. Island Encounters is a great intellectual gift to everyone wanting to better understand the complex new nation of Timor-Leste.’
— Sara Niner, author of Xanana: Leader of the Struggle for Independent Timor-Leste

Source : publisher's blurb

'In 1954 Dame Enid Lyons, the first woman elected to the Australian House of Representatives, argued that radio had ‘created a bigger revolution in the life of a woman than anything that has happened any time’ as it brought the public sphere into the home and women into the public sphere. Taking this claim as its starting point, Sound Citizens examines how a cohort of professional women broadcasters, activists and politicians used radio to contribute to the public sphere and improve women’s status in Australia from the introduction of radio in 1923 until the introduction of television in 1956. This book reveals a much broader and more complex history of women’s contributions to Australian broadcasting than has been previously acknowledged.

'Using a rich archive of radio magazines, station archives, scripts, personal papers and surviving recordings, Sound Citizenstraces how women broadcasters used radio as a tool for their advocacy; radio’s significance to the history of women’s advancement; and how broadcasting was used in the development of women’s citizenship in Australia. It argues that women broadcasters saw radio as a medium that had the potential to transform women’s lives and status in society, and that they worked to both claim their own voices in the public sphere and to encourage other women to become active citizens. Radio provided a platform for women to contribute to public discourse and normalised the presence of women’s voices in the public sphere, both literally and figuratively.'

Source : publisher's blurb

'This is a story of a girl’s construction of her identity, and of her family’s search for a place in the world, for the Heimat that is so resonant for those of German background. We follow Helga through an adventurous childhood in Iran, whose vast open spaces her mother called ‘my spiritual home’. Her engineer father worked on a grand scale, designing and laying roads and railways, and tunnelling through mountain ranges. Then came the invasions of World War II, and the family, half-German, half-Austrian, found themselves on a long voyage to Australia, designated enemy aliens. They were interned for nearly five years in the dusty Victorian countryside. On their release at the end of the War, stranded in Melbourne, they sought another home. The children were dispatched to convents, and at the Academy of Mary Immaculate, Helga found a temporary homeland, in faith.

'Everyday life in the Australia of the late 1940s and early 1950s is freshly seen by this feisty, loving migrant family. Through their eyes, we encounter a strange place, Australia, as if for the first time. Helga’s development from a thoughtful, sensitive child to a self-possessed young woman, wrestling with her faith and with how to live a decent life, is vividly recounted.'

Source : publication summary

'While only one book-length memoir recounting the sojourn of an Australian in France was published in the 1990s, well over 40 have been published since 2000, overwhelmingly written by women. Although we might expect a focus on travel, intercultural adjustment and communication in these texts, this is the case only in a minority of accounts. More frequently, France serves as a backdrop to a project of self-renovation in which transplantation to another country is incidental, hence the question ‘What’s France got to do with it?’

'The book delves into what France represents in the various narratives, its role in the self-transformation, and the reasons for the seemingly insatiable demand among readers and publishers for these stories. It asks why these memoirs have gained such traction among Australian women at the dawn of the twenty-first century and what is at stake in the fascination with France.' (Publication summary)

'Earle Christmas Grafton Page (1880–1961) – surgeon, Country Party leader, treasurer and prime minister – was perhaps the most extraordinary visionary to hold high public office in twentieth-century Australia. Over decades, he made determined efforts to seize ‘the psychological moment’, and thereby realise his vision of a decentralised, regionalised and rationally ordered nation.

'Page’s unique dreaming of a very different Australia encompassed new states, hydroelectricity, economic planning, cooperative federalism and rural universities. His story casts light on the wider place in history of visions of national development. He was Australia’s most important advocate of developmentalism, the important yet little-studied stream of thought that assumes that governments can lead the nation to realise its economic potential.

'His audacious synthesis of ideas delineated and stretched the Australian political imagination. Page’s rich career confirms that Australia has long inspired popular ideals of national development, but also suggests that their practical implementation was increasingly challenged during the twentieth century.

'Effervescent, intelligent and somewhat eccentric, Page was one of Australia’s great optimists. Few Australian leaders who stood for so much have since been so neglected.'

Source : publisher's blurb

'This sensitive account of Spanish Benedictine women at an Aboriginal mission in Western Australia is poignant and disturbing. Notable for its ecumenical spirit, depth of research and deep engagement with the subject, A Bridge Between is a model of how religious history, in its broader bearings, can be written.'
— Graeme Davison, Monash University

'With great insight and care, A Bridge Between presents a sympathetic but not uncritical history of the lives of individuals who have often been invisible. The story of the nuns at New Norcia is a timely contribution to Australia’s religious history. Given the findings of the Royal Commission, it will be widely read both within and beyond the academy. History is, here, a spiritual discipline, and an exercise in hope and reconciliation.'
— Laura Rademaker, The Australian National University

'A Bridge Between is the first account of the Benedictine women who worked at New Norcia and the first book-length exploration of twentieth-century life in the Western Australian mission town. From the founding of a grand school intended for ‘nativas’, through links to Mexico and Paraguay then Ireland, India and Belgium, as well as to their house in the Kimberley, and a network of villages near Burgos in the north of Spain, this is a complex international history. A Bridge Between gathers a powerful, fragmented story from the margins of the archive, recalling the Aboriginal women who joined the community in the 1950s and the compelling reunion of missionaries and former students in 2001. By tracing the all-but-forgotten story of the community of Benedictine women who were central to the experience of the mission for many Aboriginal families in the twentieth century, this book lays a foundation for further work.'

Source : publisher's blurb

'Goodna Girls tells the story of children incarcerated in Wolston Park Hospital, an adult psychiatric facility in Queensland, Australia. It contains the personal testimonies of women who relate—in their own no-holds-barred style and often with irreverent humour—how they, as children, ended up in Wolston Park and how this affected their adult lives. The accounts of hospital staff who witnessed the effects of this heinous policy and spoke out are also included.

'The book examines the consequences of the Queensland Government’s manipulation of a medical model to respond to ‘juvenile delinquents’, many of whom were simply vulnerable children absconding from abusive conditions. As Australia faces the repercussions of the institutionalisation of its children in the twentieth century, brought about through a series of government inquiries, Goodna Girls makes a vital contribution to the public history of the Stolen Generations, Former Child Migrants and Forgotten Australians.

'Goodna Girls presents the research that informed a successful, collective campaign to lobby the Queensland Government to make long overdue and much-needed reparations to a group of courageous survivors. It holds contemporary resonance for scholars, policymakers and practitioners in the fields of public history, welfare, child protection, education, nursing, sociology, medicine and criminology.'

Source : publisher's blurb

'While only one book-length memoir recounting the sojourn of an Australian in France was published in the 1990s, well over 40 have been published since 2000, overwhelmingly written by women. Although we might expect a focus on travel, intercultural adjustment and communication in these texts, this is the case only in a minority of accounts. More frequently, France serves as a backdrop to a project of self-renovation in which transplantation to another country is incidental, hence the question ‘What’s France got to do with it?’

'The book delves into what France represents in the various narratives, its role in the self-transformation, and the reasons for the seemingly insatiable demand among readers and publishers for these stories. It asks why these memoirs have gained such traction among Australian women at the dawn of the twenty-first century and what is at stake in the fascination with France.'

Source: publisher's blurb

'The Vietnam War, and Australia’s part in it, was a major military event, calling for willingness to face death and destruction on the battlefield on the part of those sent there, especially the men of our infantry battalions who formed the spearhead of our forces in Vietnam. For many reasons, the Australian public know relatively little about what our Army did in Vietnam during the war, particularly during the years of our peak commitment, 1965–72. This book attempts to make the true nature of the war clearer to readers, emphasising how hard fought it was during major operations.

'Twenty-seven of the contributing authors of this book were involved in the 1966 deployment of the 1st Australian Task Force into Phuoc Tuy Province. This formation was the first Australian Army force larger than an infantry battalion group to be deployed into a major war since World War II. 5th Battalion, the Royal Australian Regiment (5 RAR), was in the vanguard as the task force’s first element committed to operations to seize and occupy Nui Dat base and embark on establishing dominance over the enemy.

'The narratives presented in this book give rare insights into thoughts of the soldiers at the time and how they have come to view the Australian Government’s hurried expansion of its initial commitment to that war, the Army’s state of preparedness for that wider involvement, and how those in its forefront adapted to get the job done, both in and out of operations, despite numerous shortcomings in higher level planning.

'Both professional soldiers and conscripted national servicemen have contributed viewpoints to these pages.'

(Source: publisher's blurb). 

'Open hostilities in the Korean War ended on the 27th of July 1953. The armistice that was signed at that time remains the poignant symbol of an incomplete conclusion – of a war that retains a distinct possibility of resuming at short notice.

'So what did Australia contribute to the Korean War from June 1950 to July 1953? What were the Australians doing there? How significant was the contribution and what difference did it make? What has that meant for Australia since then, and what might that mean for Australia into the future?

'Australians served at sea, on land and in the air alongside their United Nations partners during the war. They fought with distinction, from bitterly cold mountain tops, to the frozen decks of aircraft carriers and in dogfights overhead. This book includes the perspectives of leading academics, practitioners and veterans contributing fresh ideas on the conduct and legacy of the Korean War. International perspectives from allies and adversaries provide contrasting counterpoints that help create a more nuanced understanding of Australia’s relatively small but nonetheless important contribution of forces in the Korean War. The book finishes with some reflections on implications that the Korean War still carries for Australia and the world to this day.'

(Source: publisher's blurb)

'The Gamilaraay language declined in use for many years after the colonisation of Australia. From around 1990, Gamilaraay people and others have been working to revive the language. This book draws on recent research into previous records and analyses of Gamilaraay and of the closely related, and better recorded, Yuwaalaraay. It provides an introduction to many aspects of the language including verbs, the case system and the extensive pronoun paradigm, in a format that students have found very helpful for the last 12 years.'

Source: Publisher's blurb.

'Dictionaries of national biography are a long-established and significant genre of biographical and historical writing, existing in many forms across the globe. This book brings together practitioners from around the English‑speaking world to reflect on national biographical dictionary projects’ recent cultural journeys, and the challenges presented to them by such developments as the transition to a digital environment, a new alertness to the need to represent diversity, and the rise of transnationalism. Exploring their paths forward, the chapters of this book collectively make a powerful argument for the continued value and importance of large‑scale collaborative biographical dictionary research.' (Publication summary)

'The Lives of Stories traces three stories of Aboriginal–settler friendships that intersect with the ways in which Australians remember founding national stories, build narratives for cultural revival, and work on reconciliation and self-determination. These three stories, which are still being told with creativity and commitment by storytellers today, are the story of James Morrill’s adoption by Birri-Gubba people and re-adoption 17 years later into the new colony of Queensland, the story of Bennelong and his relationship with Governor Phillip and the Sydney colonists, and the story of friendship between Wiradjuri leader Windradyne and the Suttor family. Each is an intimate story about people involved in relationships of goodwill, care, adoptive kinship and mutual learning across cultures, and the strains of maintaining or relinquishing these bonds as they took part in the larger events that signified the colonisation of Aboriginal lands by the British. Each is a story in which cross-cultural understanding and misunderstanding are deeply embedded, and in which the act of storytelling itself has always been an engagement in cross-cultural relations. The Lives of Stories reflects on the nature of story as part of our cultural inheritance, and seeks to engage the reader in becoming more conscious of our own effect as history-makers as we retell old stories with new meanings in the present, and pass them on to new generations.'

Source: Publisher's blurb.

'The Bounty from the Beach is a collection of cross-disciplinary essays, capitalising on a widely shared fascination for the Bounty story in order to draw scholarly attention to Oceania. It aims to reorient the Bounty focus away from the West, where most Bounty narratives and studies have emerged, to the Pacific, where most of the original events unfolded. It investigates the Bounty heritage from the standpoint of the beach, Greg Dening’s metaphor for culture contact and conflict in the Pacific Islands: this liminal place that transforms Islanders and voyagers, islands and ships, each time it is crossed. It analyses the way newcomers create new islands, and how these changes may occasionally impact the world. This volume examines the ‘little people’, to use another of Dening’s expressions, who stand ‘on both sides of the beach’: they are Polynesian or European or, as beaches are crossed and remade, no longer one without the other, but bound together in processes of change. Among these people are Bounty sailors, beachcombers, Pitcairners and indigenous Pacific Islanders of the past and the present.

'This collection also explores the works of some renowned Western writers and actors who, turning mutineers after their own fashion and in their own times, themselves crossed the beach and attempted to illuminate the ‘little people’ involved in the Bounty narratives. These prominent writers and actors put the spotlight on characters who were silenced on account of race, class or geographical distance from the dominant centres of power. Inspired by Dening’s empowering voice, our purpose is to fill that silence.

'Just as it criss-crosses the ocean, progressing with the ship through time and space, The Bounty from the Beach ranges far and wide across disciplines, methodologies and scholarly styles. Its multidisciplinary course contributes to illuminate the multiple ways in which the Bounty heritage embraces diverse horizons. It throws light on the colonial discourse that undertook to stifle Pacific Islander agency, and the neocolonial policies that have been applied to Oceania, and still are: hegemonic moves that have led to global environmental, nuclear and ecological hazards. As a whole, the collection contends that what unfolds in this vast ocean matters: the stakes are high for the whole human community.'

Source: Abstract.