Cirrus@Austlit

'Trainee private investigator Lee Southern finds himself drawn into a web of danger and deceit as he investigates a series of bribery attempts targeting a wealthy entrepreneur. Under the expert tutelage of retiring PI Frank Swann, Lee uses all of his developing skills, instincts and cunning to get to the heart of a sordid mystery. As Lee delves deeper into the case and questions the intentions of those he’s working for, he finds him the target of increasingly ominous threats and several attempts on his life.' (Publication summary)

'San Francisco, 1856. Irish-born James ‘Yankee’ Sullivan is being held in jail by the Committee of Vigilance, which aims to rout the Australian criminals from the town. As Sullivan’s mistress, seeks his release and as his fellow prisoners are taken away to be hanged, the convict tells a story of triumph and tragedy: of his daring escape from penal servitude in Australia; how he became America’s most celebrated boxer; and how he met the true love of his life.'

Source : publisher's blurb

'For this reviewer, the sign of a healthy crime-fiction ecosystem isn’t merely the success of the ‘big names’ but also the emergence of writers whose voices are so distinctive as to be singular. Sometimes these writers become commercially successful in their own right, and sometimes they remain literary outliers, drawing their readership from a smaller but avid following. When I think of the health of American crime fiction in the late 1960s and early 1970s, I recall not only the success of Mario Puzo, but also the kind of writing culture that sustained the dark vision of an author such as George V. Higgins. The same goes for Britain in the 1980s, where Dick Francis was still publishing prolifically when Derek Raymond emerged. Turning to twenty-first-century America and the success of writers like Michael Connelly and Karin Slaughter, it’s the rise of Megan Abbott and Richard Price that illustrates the full potential of that culture’s capacity for crime storytelling.' (Introduction)

'You wouldn’t envy any writer releasing a novel at the moment, due to the difficulties getting books in front of readers, yet recent UK statistics indicate a surge in crime fiction sales following the relaxing of lockdown restrictions and the reopening of bookshops. It’s hard to say whether the same optimistic reading of the crime fiction market in Australia holds true, though two new crime novels by début authors – Kyle Perry’s The Bluffs (Michael Joseph, $32.99 pb, 432 pp) and Katherine Firkin’s Sticks and Stones (Bantam, $32.99 pb, 392 pp) – appear to have well and truly jumped out of the blocks. And it’s fair to assume that, given the international commercial and critical success of Megan Goldin’s terrific début novel, The Escape Room, her new book, The Night Swim (Michael Joseph, $32.99 pb, 352 pp), will appeal to antipodean readers this winter.' (Introduction)

'It is Fremantle in 1989 and Frank Swann is at home, suffering from an undiagnosed and debilitating illness. When Frank is called in to investigate an incident at a local brothel, it soon appears there is a link between the death of two women and the arrival of the US nuclear-powered aircraft carrier Carl Vinson in the port city. Shore Leave is the fourth book in the Frank Swann series and also features Lee Southern, the main character from True West.' (Publication summary)

'Some years ago, a crime-writing friend of mine was at a writer’s festival with Lee Child. After a few drinks, my friend asked Child how he’d gone about preparing to write his Jack Reacher novels. Child’s reply was something along the lines of not putting pen to paper before he’d spent six months reading all of the successful crime novels he could find, and before parsing out exactly what made them popular with readers. Once this was done, he sat down to write. The rest, of course, is history.' (Introduction)

'One of the few advantages a contemporary writer of historical fiction has derives from working in a context with laxer censorship laws. Representations of sexuality and violence once proscribed can be incorporated to better approach the social conditions of the period. With regard to narratives about Australia’s convict history, Marcus Clarke’s For the Term of His Natural Life was written after transportation had ceased to the eastern Australian colonies, while farther west Fenian convict John Boyle O’Reilly’s Moondyne was published after he had escaped from Western Australia and found sanctuary in the United States.'  (Introduction)

'Western Australia, 1988. After betraying the Knights bikie gang, 17-year-old Lee Southern flees to the city with nothing left to lose.

'Working as a rogue tow truck driver in Perth, he is captured by right-wing extremists whose combination of seduction and blackmail keeps him on the wrong side of the law and under their control.

'As the true nature of what drives his captors unfolds, Lee becomes an unwilling participant in a breathtakingly ambitious plot – and a cold-blooded crime that will show just how much he, and everyone else, still has to lose.'

Source: Publisher's blurb.

'Last year in New York, I visited the Mysterious Bookshop, Manhattan’s only bookstore specialising in crime fiction. The otherwise knowledgeable bookseller had heard of three Australian crime novelists: Peter Temple, Garry Disher, and Jane Harper.

'If I were to visit this year, however, I’m pretty sure the bookseller would be able to add more Australian novelists to his list – the multi-award-winning author Emma Viskic for one, along with Dervla McTiernan and Candice Fox. Fox has become an internationally bestselling author, a success amplified by her four parallel collaborations with James Patterson, one of which hit number one on the New York Times bestseller list. McTiernan’s 2018 début, The Ruin, was both a critical and commercial success in Australia and overseas, garnering praise from fellow writers, critics, and fans alike for the Ireland-set novel’s clear-eyed style and deep characterisation.' (Introduction)

'Just one thing can shape your whole life’ is one line in a novel of four hundred and fifty pages, but it is telling in its application toward the characters of this brilliant début novel. Set on the Hawkesbury River in 1806, the cast of characters is large and yet we find each of them living with the consequences of an earlier choice or misdemeanour that ripples beyond the singular life and into the nascent river community.' (Introduction)

'San Francisco, 1849. The hills are swarming with desperate men from all over the world, come to seek their fortune in the grip of yellow fever. In their wake come the opportunists, not least of whom are the Australians, many of them former convicts who are quick to seize control in a lawless world. This group of Australians, headed by the standover man Thomas Keane, are known as The Coves.

'Enter twelve-year-old Samuel Bellamy, formerly of the Swan River Colony, lately of Van Dieman’s Land, in search of his mother who, last he heard, has gone to join the molly-houses in California.

'Sydney-town, San Francisco, is a world of opportunism, loyalty and violent betrayal, and Samuel must learn to be a man if he is to survive. '  (Publication summary)

'Every Chris Womersley novel represents a significant departure from the last. Following his award-winning and magnificently dark début, The Low Road (2007), and his Miles Franklin shortlisted Bereft (2010), and Cairo (2013), City of Crows is his first novel set entirely outside Australia. An acutely crafted historical fiction, it is set in France in 1673 during the reign of Louis XIV.' (Introduction)