Neil Armfield Neil Armfield i(A3604 works by)
Gender: Male
The material on this page is available to AustLit subscribers. If you are a subscriber or are from a subscribing organisation, please log in to gain full access. To explore options for subscribing to this unique teaching, research, and publishing resource for Australian culture and storytelling, please contact us or find out more.

Works By

Preview all
1 48 form y separately published work icon Holding the Man Tommy Murphy , ( dir. Neil Armfield ) Australia : Goalpost Pictures , 2015 7793845 2015 single work film/TV

'In the 1970s, a young Australian boy, Timothy, finds himself confused. He falls for the captain of the football team. What follows shows all aspects of a relationship, regardless of gender or sexual preference. Conflict, temptation, and a huge burden which will affect every aspect of their lives.' (Production summary: IMDB)

1 Introduction Neil Armfield , 2014 essay
— Appears in: The Idea of Perfection 2014;
1 Patrick White : A Centenary Tribute Neil Armfield , 2012 single work criticism
— Appears in: Meanjin , Winter vol. 71 no. 2 2012; (p. 18-28)
1 Introduction Neil Armfield , 2010 single work criticism
— Appears in: Gwen in Purgatory 2010; (p. [vii]-ix)
1 Women in the Theatre Neil Armfield , 2009 single work correspondence
— Appears in: The Australian , 7 December 2009; (p. 17)
1 Readers' Forum Julian Meyrick , Neil Armfield , Nicholas Pickard , 2008 single work criticism
— Appears in: A Sustainable Arts Sector: What Will It Take? 2008; (p. 59-71)
1 Australian Rules Neil Armfield , 2006 single work criticism
— Appears in: The Bulletin , 25 July vol. 124 no. 6530 2006; (p. 62-64)
1 19 form y separately published work icon Candy Luke Davies , Neil Armfield , ( dir. Neil Armfield ) Australia : Renaissance Films , 2006 6618158 2006 single work film/TV

'Based on the critically acclaimed bestseller, CANDY is the powerful story of two lovers whose intersecting lives take them on a journey of lust, addiction and self-destruction.'

Source: Screen Australia.

1 3 form y separately published work icon Naked : Coral Island Nick Enright , ( dir. Neil Armfield ) Australia : Jan Chapman Productions Australian Broadcasting Corporation , 1995 Z126724 1995 single work film/TV

Four old friends, now in their late thirties, meet for a school reunion, where the nostalgic environment forces them to admit that the schooling that prepared them for 'real life' also made it impossible for them to share their deepest emotions with those closest to them.

1 4 form y separately published work icon Naked : The Fisherman's Wake Andrew Bovell , ( dir. Neil Armfield ) Australia : Jan Chapman Productions Australian Broadcasting Corporation , 1995 Z126621 1995 single work film/TV

The Fisherman's Wake is a deeply personal account of a man's ambivalent relationship with his father, as seen in the context of his own childhood and his new role as a parent. The son returns to his childhood home to bury the man who taught him not only about courage and love but also to hate and experience fear.

1 form y separately published work icon Eighth Wonder Dennis Watkins , Alan John (composer), ( dir. Neil Armfield ) Australia : ABC Television , 1995 Z902454 1995 single work film/TV This opera is about the architect of the Sydney Opera House, including his struggles with politicians, and about a young woman who was inspired to become a great singer so she could sing at the Opera House.
1 3 The Government Inspector May-Brit Akerholt (translator), Neil Armfield (translator), Lech Mackiewicz (translator), Geoffrey Rush (translator), 1990-1999 single work drama satire humour
1 form y separately published work icon Edens Lost Michael Gow , ABC Television (publisher), ( dir. Neil Armfield ) Australia Birmingham : Central Independent Television ABC Television , 1988 Z1167993 1988 series - publisher film/TV Summer Locke Elliott's story, located in the Blue Mountains in the late 1930s, has as its centre a wealthy, upper-middle-class family, the St Jameses. The focus is on Mrs St James and her daughters Stevie and Bea, as a young man, Angus, becomes a frequent visitor to the household. Like the novel, the screenplay is structured in three parts. Episode 1 ('Angus') is the most Gothic and melodramatic in structure and tone; Episode 2 ('Bea') is the most naturalistic; and Episode 3 ('Eve') is the most concentrated and formally rigorous. Edens Lost is essentially a story of the unsatisfiability of female desire and the inability of the women ever to articulate this desire.
1 Where are the Pictures? Neil Armfield , 1988 single work review
— Appears in: Australian Book Review , April no. 99 1988; (p. 10-11)

— Review of Contemporary Australian Drama : Perspectives Since 1955 1987 anthology criticism
X