Louise Adler Louise Adler i(A34530 works by)
Gender: Female
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BiographyHistory

Louise Adler was born in Melbourne and attended local schools before completing a BA at Reading University and an MA and MPhil at Columbia University. She worked as a teaching assistant at Columbia University between 1977 and 1980, then returned to Melbourne where she worked as an English Tutor at Melbourne University for seven years.

Adler began her career in publishing with a term as editor of the Australian Book Review (1988-89), and followed this with five years as publisher at Reed Books. After a short period as arts editor for the Age, she joined the ABC, presenting the daily Arts Today programme for Radio National from 1996 to 1999. In 1999 she returned to university life as Deputy Director (Academic and Research) at the Victoria College of Arts. She worked in that position until late 2002 when she was appointed publisher at Melbourne University Press. In 2018, she was Chief Executive of Melbourne University Publishing, and also served as President of the Australian Publishers Association and a member of the Executive Committee of the International Publishers Association.

Adler, along with four members of the Melbourne University Press board, resigned from the press in January 2019, in protest at the press's new direction.

Most Referenced Works

Personal Awards

2008 Order of Australia Member of the Order of Australia (AM) For service to literature as a publisher, through support for and the promotion of emerging authors, to tertiary education, and to the community.

Awards for Works

y separately published work icon Australian Book Review ABR 1961 Kensington Park : ABR Publications , Z887646 1961 periodical (593 issues)

The Australian Book Review (ABR) was established in 1961 to provide a forum for the review of new Australian books. Editors, Max Harris and Geoffrey Dutton, planned to 'notice' or review every new Australian book, but this desire proved difficult to realise due to a rising number of books and the difficulty of defining what an Australian book was. Nevertheless, ABR employed a range of reviewers to provide general readers with authoritative assessments of important books. These reviewers included Frank Kellaway, Olaf Ruhen, Vale Lindsay, Tom Shapcott, Brian Dibble, Bruce Beaver and Don Watson.

Rosemary Wighton became co-editor in 1962 after acting as associate editor for a short time. She and Harris remained co-editors of ABR until 1973 when the magazine ceased operation after finding it increasingly difficult to meet production costs. An attempt was made by the newly formed National Book Council (NBC) to buy ABR, but, due to legal technicalities, this was not possible at that time. In 1978, John McLaren convinced the NBC to revive ABR and the magazine was adopted as the official organ of the NBC.

John McLaren was appointed editor, proceeding in a manner similar to the first series by attempting to review all Australian books; but he also faced problems of space and definition. In 1986 Kerryn Goldsworthy replaced McLaren as editor, and introduced a stronger concentration on women's issues. Louise Adler followed Goldsworthy as editor in 1988 and attempted to provoke debate by commissioning controversial reviews, but her term concluded within twelve months. Rosemary Sorenson was appointed editor in 1989, bringing a lighter tone and a desire to attract a new readership with younger writers. Sorenson was assisted by major sponsorship from Telecom, allowing her to fund a series of essays. While ABR had always published features on various topics, the sponsorship gave the essays a more significant place. The essay feature has continued with similar sponsorship from the National Library of Australia and La Trobe University.

Helen Daniel edited ABR from 1994 until her death in 2000. She lifted the profile of the magazine by organising several series of public forums and encouraged new writers with competitions for fiction and reviewing. During this time, the NBC wound down its operations after a significant proportion of its government funding was withdrawn. This had an immediate effect on the stability of ABR, forcing the magazine to separate from its parent body and publish independently.

Peter Rose was appointed editor in January 2001 and has since expanded the scope of ABR by actively commissioning poetry and fiction. Rose also developed a sponsorship scheme to support the work of ABR. In 2002 La Trobe University became the Chief Sponsor of ABR, with the National Library of Australia as its National Sponsor. Three years later Flinders University became another key sponsor and in 2007 the wealth management group Ord Minnett took on the role of exclusive corporate sponsor.

2021 recipient The Copyright Agency Cultural Fund Cultural Fund Grants for Organisations Commentary, theatre and visual arts reviews
2020 recipient The Copyright Agency Cultural Fund Cultural Fund Grants for Organisations Two grants, in May (Commentary on cultural, political and social issues) and in July (ABR Arts – Theatre and visual arts reviews).
Last amended 4 Feb 2019 08:35:24
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