David Kelly David Kelly i(A34495 works by) (a.k.a. David J. Kelly)
Born: Established: 1955 ;
Gender: Male
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Works By

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1 It's Deep i "How old were you that day? Very early years but walking well enough already with", David Kelly , 2015 single work poetry
— Appears in: Australian Poetry Anthology 2015; (p. 50)
1 The Lady in the Frame : Two Portraits by Henry James and Jane Campion David Kelly , 1997 single work criticism
— Appears in: Sydney Studies in English , vol. 23 no. 1997; Senses of Cinema , January-February no. 18 2002; 'Before looking at two portraits of the same lady by different hands, executed in different media and at different times, I would like to consider an historical coincidence which provided a point of intersection for those media, and take this as my point of departure. Just over thirty years ago, as American film writer Andrew Sarris was popularising his notion of the Cahier du Cinema's 'auteur' theory, French literary theorist Roland Barthes was elaborating his polemical 'theory' of the death of the author — or, rather, 'le morte d'auteur'. So just as Sarris was importing into the discourse on film a serviceable model of textual production and interpretation - and importing not simply from France but equally from an international tradition of literary discourse — Barthes was challenging literary discourse to jettison that model. The theoretical friction implicit in this coincidence bears some reflection, and might prompt some further reflections on the subject of the text as it is shaped in turn by literature and by film.' (Author's abstract)
1 y separately published work icon The Structure of Two Novels by Patrick White : The Eye of the Storm (1973) and A Fringe of Leaves (1976) David Kelly , 1979 Z1163297 1979 single work thesis
1 The Structure of 'The Eye of the Storm' David Kelly , 1978 single work criticism
— Appears in: Patrick White : A Critical Symposium 1978; (p. 62-69)
1 Landscape in Poor Fellow My Country David Kelly , 1977 single work criticism
— Appears in: Overland , no. 67 1977; (p. 43-45)
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