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Source: State Library of Queensland
Hilda Bridges Hilda Bridges i(A3236 works by) (birth name: Hilda Maggie Bridges) (a.k.a. Hilda M. Bridges)
Also writes as: Joan Gardiner
Born: Established: 19 Oct 1881 Hobart, Southeast Tasmania, Tasmania, ; Died: Ceased: 11 Sep 1971 Hobart, Southeast Tasmania, Tasmania,
Gender: Female
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Works By

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1 The Rectory Novelist: Women in Australian History Hilda Bridges , 1950 single work biography criticism
— Appears in: The Australian Woman's Mirror , 6 December vol. 27 no. 6 (p. 23, 49)
1 y separately published work icon Dead Fires Joan Gardiner , Melbourne : Frank Johnson , 1945 Z800472 1945 single work novel mystery romance
1 y separately published work icon Of Many Colours Joan Gardiner , Sydney : Frank Johnson , 1944 Z800475 1944 single work novel
1 y separately published work icon Petals on the Stream Hilda Bridges , 1939 11148546 1939 single work novel
1 y separately published work icon Men Must Live Hilda Bridges , London : Wright and Brown , 1938 Z800487 1938 single work novel
1 1 y separately published work icon Derelict Island Hilda Bridges , London : Wright and Brown , 1937 Z195533 1937 single work novel
1 1 y separately published work icon Conisby's Corner Hilda Bridges , London : Wright and Brown , 1937 Z195432 1937 single work novel
1 1 y separately published work icon Ship of the Mist Hilda Bridges , London : Wright and Brown , 1936 Z195627 1936 single work novel
1 The Thistle Hilda Bridges , 1935 single work short story
— Appears in: The Australasian , 16 March vol. 138 no. 4497 1935; (p. 44)
1 The Settler Hilda Bridges , 1934 single work short story
— Appears in: Centenary Gift Book 1934; (p. 71-73)
1 The Chairs Hilda Bridges , 1934 single work short story
— Appears in: The Australasian , 22 September vol. 137 no. 4472 1934; (p. 43-44)
1 Will Any Listener? Hilda Bridges , 1934 single work short story
— Appears in: The Australasian , 21 April vol. 136 no. 4450 1934; (p. 44)
2 1 y separately published work icon Distant Fields Hilda Bridges , 1933 single work novel
1 Secret House Hilda Bridges , 1933 single work novel

Our new, serial, "Secret House," the first instalment of which will appear in our issue of Friday next, is from the pen of Hilda Bridges, an author whose tales are already well known to readers of the "Herald." "Secret House" is an exciting story whose scenes are set in Sydney, although the venue really matters little, since the exciting incidents which compose the plot might equally well have happened anywhere else—all localities being open to the constructor of mysterious houses and to the hider of jewels with dark histories. And of these two ingredients is the plot of "Secret House" mainly composed. The story is almost breathless in its rush of sensational happenings—in company with its chief characters, we meet with "faceless" visitants, and fall through trapdoors, escape most unpleasant extinction by the skin of our teeth, and are introduced to a motley collection of human beings with a speed that not only piles excitement on excitement's head, but which rightly inspires the most lively admiration for the author's ingenuity and imaginative powers. In the end, of course, the jewels are discovered, the evil genius who causes all the trouble is foiled, and the mysteries of "Secret House" are laid bare, with a thoroughness that leaves nothing to be desired. A slight affair of the heart adds sentimental interest to one of the most skilfully contrived stories of its kind that has yet appeared in our columns; and leaders will assuredly agree that the reputation of Hilda Bridges for contriving good plots and working them out effectively is more than sustained in this, her latest tale. 

- The Sydney Morning Herald, 15 March 1933, p10

1 The Lucky Charm Hilda Bridges , 1933 single work novel children's
2 1 y separately published work icon The House with Creaking Doors The Creaking Door Hilda Bridges , 1931 single work novel crime

"In our new serial, "The House with Creaking Doors," by Hilda Bridges, the well-known Tasmanian writer, a gripping story is unfolded, which has its roots in the old colonial days. The first instalment will be published on Thursday next. The scene is laid in an outlying district of Southern Tasmania, where a young girl is travelling by car, accompanied by a friend of her school days, a little older than herself, to visit the family home which has come to her as an inheritance. In the opening chapters something of the eerie atmosphere that envelops Edgar Alan Poe's tale of "The House of Usher" is suggested, and the reader's mind is prepared for strange happenings which duly occur. The younger girl gives her friend an inkling of her own family history, which shows that on her father's side she was descended from an English family proud of their ancient lineage, but on her mother's side from a prisoner, exiled to the penal settlement at Port Arthur.

Tragic happenings had involved a feminine member of the old family, who betrayed the escaping prisoner to pursuing soldiers and afterwards vanished. It was currently believed that she had been murdered by a mate of the man who had been betrayed by her to his death. The two young women found in the old house a life-sized portrait of the vanished betrayer, and were gazing at it with terrified interest when the strange manifestations began which seemed to them to have no possible explanation apart from the supernatural. The action of the story moves forward steadily, and new investigators arrive on the scene—to spin a double thread of love interest, in which each of the girls is involved. The secret of the strange happenings in the mysterious house is closely guarded, and the solution when it is reached, is a complete surprise. There is a considerable amount of historic interest in this picture of life in Tasmania more than a century ago, when human drama and living romance were interwoven with crime and its punishment, and when the hearts of men and women responded to the call of love even in the midst of suffering and terrors, as inevitably as in all other periods of history and in very different environments.

The intricate clues of the story are skilfully pieced together and work out to a logical and satisfying conclusion. The author tells her tale with a large measure of imaginative power, and has a real gift for the vivid presentation of strong character and striking incident."

The Sydney Morning Herald, 7 December 1931, p5

1 The Indian Chest Hilda Bridges , 1931 single work novel
1 Success Hilda Bridges , 1931 single work short story
— Appears in: The Weekly Times , 10 October no. 3341 1931; (p. 42)
1 Efficiency Hilda Bridges , 1931 single work short story
— Appears in: The Weekly Times , 17 January no. 3303 1931; (p. 16)
2 2 y separately published work icon The House with Black Blinds Hilda Bridges , 1930-1931 Z1464528 1930-1931 single work novel mystery A blown-out tyre, and a series of unfortunate happenings force Jack Mayne, his wife and sister who are driving with him to accept hospitality of a stranger they have picked up on their route. In the midst of a terrific storm they reach his house - a house not even the mysterious stranger has seen before as it has been left to him by his eccentric grandfather, and he has never previously had occasion to visit it. From the moment they drive up the grass-grown and rutted roadway to the deserted and abandoned looking old mansion strange things begin to happen. The reader is kept in constant suspense as to what weird and ghostly experience will next overtake the travellers, and every chapter ends on that note of suspense which makes it imperative to continue reading. (Publisher's blurb, Digger Tourists)
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