Martin Langford Martin Langford i(A29488 works by)
Born: Established: 1952 Plymouth, Devon (County),
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England,
c
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United Kingdom (UK),
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Western Europe, Europe,
;
Gender: Male
Arrived in Australia: ca. 1960
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Works By

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1 Charmian i "Charmian,", Martin Langford , 2023 single work poetry
— Appears in: Australian Poetry Anthology 10 2023; (p. 22-23)
1 Subtle Imaginations : Resistant Realities Three Recent Collections Martin Langford , 2023 single work review
— Appears in: Meanjin , December vol. 82 no. 4 2023; (p. 172-179)

— Review of Monster Field Lucy Dougan , 2022 selected work poetry ; Mourning Is Women's Business Lee Cataldi , 2022 selected work poetry ; At the Altar of Touch Gavin Yuan Gao , 2022 selected work poetry
'As happens most years, there was a good haul of collections with energy, sustained craft and distinctive perspectives. Nothing explosive - no first performances of 'The Rite of Spring' - but poetry doesn't operate like that. It emerges, rather, through the bubbling accretion of the work of poets maturing at different times, pursuing different possibilities and inventing different styles to articulate them with. There were a small number of high-profile selections this year, such as Sarah Holland-Batt's excellent 'The Jaguar', a handful of Selecteds surveying the poetry of some who have been at the coalface for many decades - Alan Wearne, Jill Jones, Andrew Taylor - together with the regular offering of ambitious and thoughtful collections such as the books reviewed here, which inevitably only represent a selection of those that deserve attention.' 

(Publication abstract)

1 Sea Cliff Martin Langford , 2022 single work poetry
— Appears in: Best of Australian Poems 2022 2022; (p. 160)
1 Wide Selection, Significant Achievement Martin Langford , 2022 single work review
— Appears in: Meanjin , December vol. 81 no. 4 2022; (p. 209-215)

— Review of J. S. Harry : New and Selected Poems J. S. Harry , 2021 selected work poetry

'J.S. Harry was a member of the poetic generation that grew up in the shadow of World War II and did so much to change the poetic landscape as they tried to make sense of the postwar world. Murray was born in 1938, Tranter in 1943, Adamson in 1944 and Robert Gray in 1945. J.S. Harry was born in 1939. Although she made less noise than some of her contemporaries, she created an impact from the beginning of her career. Her first book, The Deer Under the Skin, was published in 1971, as part of an important UQP series under the direction of Roger McDonald, and was immediately praised. Also unlike some of her contemporaries, she knew how to do it from the start: whatever difficulty individual poems might have caused her—she was a careful and meticulous craftsperson—she never had to struggle to develop a style.' (Publication abstract)

1 Bashful i "When George Freeman Esq.", Martin Langford , 2022 single work poetry
— Appears in: Guide to Sydney Crime 2022;
1 Unhappiness and Related Fields Martin Langford , 2022 single work review
— Appears in: Meanjin , Autumn vol. 81 no. 1 2022; Meanjin Online 2022;

— Review of Trigger Warning Maria Takolander , 2021 selected work poetry ; Cities Petra White , 2021 selected work poetry ; An Academic’s Tour of Hell Peter Kirkpatrick , 2021 selected work poetry ; Take Care Eunice Andrada , 2021 selected work poetry ; Sydney Spleen Toby Fitch , 2021 selected work poetry
1 y separately published work icon The Boy from the War Veteran's Home Martin Langford , Glebe : Puncher and Wattmann , 2022 23613945 2022 selected work poetry

'Recent books from Martin Langford have addressed specific themes: Ground explored the evolution of Australian spaces, while Eardrum focused on music. The Boy from the War Veterans' Home, however, represents a return to the miscellaneous sources from which collections are normally compiled. The title poem is about the difficult life of his father, but other pieces have been prompted by material as various as air dancers, lampreys and midges. Overall, however the collection is still pervaded by Langford's characteristic concerns: dismay at the ubiquity of triumphalist narratives - not least in our art-forms - and at the fragility of the spaces in which the subject is invited to step beyond them - together with an abiding fascination with the earth's brilliance and indifference. As well as the main body of poems, there are sections on the ambiguous bounty of story, on the writing life, and on the natural world - and a further supplement of Minims, his brief poems about music.'

Source: Publisher's blurb.

1 Towards the Open Sea: Martin Langford Launches ‘The Leaving’ by Brian Purcell Martin Langford , 2021 single work review
— Appears in: Rochford Street Review , no. 33 2021;

— Review of The Leaving Brian Purcell , 2019 single work poetry

'Martin Langford launched  The Leaving by Brian Purcell, Flying Island Books 2021 at a COVID impacted Poets Picnic at Markwell on 19 December 2021 '

1 A Rich Crop From a Lean Year Martin Langford , 2021 single work review
— Appears in: Meanjin , Winter vol. 80 no. 2 2021;

— Review of Many Such as She : Victorian Australian Women Poets of World War One 2018 anthology poetry biography ; The Munchian O Meredith Wattison , 2020 selected work poetry ; Yuiquimbiang Louise Crisp , 2019 selected work poetry ; Homer Street Laurie Duggan , 2020 selected work poetry ; Guwayu — For All Times 2020 anthology poetry ; Detroit and Selected Poems Philip Hammial , 2018 selected work poetry
1 Airport i "At the airport, there is flat space", Martin Langford , 2020 single work poetry
— Appears in: Australian Poetry Anthology 2020-2021; (p. 144)
1 Heading to Somewhere Important Martin Langford , 2020 single work essay
— Appears in: Meanjin , Summer vol. 79 no. 4 2020;

'During the past 80 years Australian poetry has developed some distinctive characteristics. In the next 80, however, will it survive our passion for narratives of enlargement?'  (Introduction)

1 Two Surveys, Two Milestones : One Premature Death Martin Langford , 2020 single work review
— Appears in: Meanjin , Autumn vol. 79 no. 1 2020;

— Review of The Gang of One : Selected Poems of Robert Harris Robert Harris , 2019 selected work poetry ; Birth Plan L. K. Holt , 2019 selected work poetry ; Empirical Lisa Gorton , 2019 selected work poetry ; Crow College : New and Selected Poems Emma Lew , 2019 selected work poetry

'In 2017 Alan Wearne quite rightly decided that the work of Robert Harris deserved to be more widely available than through a scattering of individual volumes, and crowd-sourced funding for a selected—which may be an example of Australian poets taking a bad situation into their own hands, but which should never have been necessary if the rest of the country was even remotely aware of the achievements of its writers. Judith Beveridge came on board as editor, and the result is this very handsome and user-friendly edition.'  (Introduction)

1 2 y separately published work icon Eardrum Eardrum : Poems and Prose about Music Martin Langford , Waratah : Puncher and Wattmann , 2019 18661404 2019 selected work poetry prose 'Eardrum moves across a much wider range of musical possibilities than is normally the case: from Ariana Grande at Manchester to the man who plays Hornsby Fountain in his Wellington boots; from the way music has been used to inspire terror, and signify power, to the way rock has been grounded in the word, and jazz in the body.

'As well as the main body of poems, there is a section of very brief pieces — Langford is also an aphorist — and a series of prose meditations: on the links between music and poetry, and on various aspects of jazz, classical and rock.' (Publication summary)

 
1 Five Poets : Five Worlds Martin Langford , 2019 single work review
— Appears in: Meanjin , Spring vol. 78 no. 3 2019; (p. 188-193)

— Review of João John Mateer , 2018 selected work poetry ; Warlines Jordie Albiston , 2018 selected work poetry ; Fume Phillip Hall , 2018 selected work poetry ; Interval Judith Bishop , 2018 selected work poetry ; The Hijab Files Maryam Azam , 2018 selected work poetry
1 The Line i "We need to draw a line — a line of pipes —", Martin Langford , 2018 single work poetry
— Appears in: Australian Poetry Collaboration , no. 29 2018;
1 John Watson and the Comedy of Landscape Martin Langford , 2018 single work criticism
— Appears in: Feeding the Ghost : 1 : Criticism on Contemporary Australian Poetry 2018; (p. 148-167)

'Few things have puzzled us more, in recent times, than out relationships with our environments: not just rural and "natural» environments but built ones as well. Increasingly, it all seems like the one bewilderment: perplexity about how to see the green world is inseparable from anxiety over how to imagine the constructed one, As recently as 1978, Les Murray was able to write, "our culture is still in its Boetian phase, and any distinctiveness we possess is still firmly anchored in the bush" (179). The fact that poets like Peter Porter, engaged in a dialogue with Murray about this that stressed alternative - "Attic" — sources of authority: "the permanently upright city where speech is nature" (23), felt that they had to pursue such things overseas, only confirmed the weight of Murray's argument. The key thing, however, was that we inhabited a polarity, and that what one saw when one looked at either country or city depended on which viewpoint one looked from.' (Introduction) 
 

1 Free Verse and Its Disciplines Martin Langford , 2018 single work essay
— Appears in: Meanjin , Summer vol. 77 no. 4 2018; (p. 187-193)

'Two generations ago, the proponents of free and metrical verse were locked in battle. Now, without fanfare—and with no pretension to being the only way of doing it—free verse seems to be everywhere. This has not happened by chance. In the process, it has developed some powerful disciplines, many of which still seem to be poorly understood.'' (Introduction)

1 1 y separately published work icon Neat Snakes Martin Langford , Glebe : Puncher and Wattmann , 2018 14565649 2018 selected work poetry

'Like many poets, Martin Langford has long been intrigued by the genre of aphorism. The neat snakes collected here have been compiled over many decades. An alternative way of articulating what might otherwise be explored in poems, they nevertheless retain the poem’s elegance, and its characteristic tension between emotion and idea. Neat Snakes is a very different addition to Australian writing.'

Source: Publisher's blurb.

1 Four New Collections and a Question Mark Martin Langford , 2018 single work review
— Appears in: Meanjin , Autumn vol. 77 no. 1 2018; (p. 194-200)
1 The Editors Respond: David Musgrave , Judy Johnson , Judith Beveridge , Martin Langford , 2017 single work essay
— Appears in: Long Paddock , vol. 77 no. 1 2017;

'Misreadingsand othering aside – did Π.Ο. actually read any of the poems, or did he just know they were wrong? – there are important issues raised by Π.Ο.’s review. It may be worth saying something about the most important – regarding the level of understanding that the reader brings to the poem. Poetry’s role has changed over the last century or two. Most of our stories are now told in other formats – novels, films, TV. Most of our declarations of desire or loss are now sung for us as pop songs (though not all: there are still great love poems). Most of our declarations of loyalty and tales of patriotism have, thankfully, receded into a past of bad newspaper verse, and earnest recitals. But poetry has continued to do some things better, perhaps, than any other art-form: to find clear ways of saying what is otherwise only partially understood, to weigh those articulations emotionally, and, sometimes, to make them sing. It works a frontier: not just of our understandings, but of our responses to them: a complex edge of meanings and the weight of meanings. We think Π.Ο. has completely missed the innovation, the distinctiveness and the radicalism of contemporary verse.' (Introduction)

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