'In her eagerly awaited second collection, Superette (Puncher & Wattman, 2018), Melinda Bufton delivers dramatically on the promise announced in her 2014 debut, Girlery (Inken Publisch, 2014). Girlery performs a provocative en guard to a literary culture overly sanguine in its dismissal of all things ‘girl’. In it, Bufton subverts the charges of superficiality and irrelevance that are often levelled at the popular culture of girls and instead celebrates this culture in loving, defiant detail. Fans of Bufton’s poetry, among whom I happily count myself, will be delighted to know that her second collection does not tone down, or retreat from, the concerns of her first. If anything, this collection is louder, smarter, deeper, and more glorious. Superette is Girlery’s dark and dangerous big sister.' (Introduction)
