Stacey Callaghan Stacey Callaghan i(A21625 works by) (a.k.a. Stacy Callaghan; Stace Callaghan)
Gender: Female
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Works By

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1 Tracing Transitions Stacey Callaghan (interviewer), Leah Mercer (interviewer), 2022 single work interview
— Appears in: Australasian Drama Studies , October no. 81 2022; (p. 69-97)

'This part-interview, part-recollection/reflection between trans-masculine, non-binary queer theatre-maker Stace Callaghan and their long-term collaborator, director and creative practice researcher, Leah Mercer, was conducted via a series of curated online conversations in early 2022. Stace and Leah met as undergraduates majoring in Drama at the University of Queensland in 1989 and have continued to collaborate on and off since then.'(Publication abstract) 
1 1 Between Heaven and Earth Stacey Callaghan , 2006 single work drama 'Between Heaven and Earth' traverses psychological breakdowns, spiritual breakthroughs, depression and ecstasy in the ultimate search for enlightenment.'Source: http://www.brisbanepowerhouse.org/content/?id=97 (Sighted 12/10/2006).
1 5 The Great Exception, or, The Knowing of Mary Poppins Marcel Dorney , Leah Mercer , Margi Brown Ash , Stacey Callaghan , Carol Schmidt , 2005 single work drama
— Appears in: Independent Brisbane : Four Plays 2008; (p. 52-102) The Australian Play Bundle # 2 2013; 'Explores the many lives of P.L. Travers, the Queensland-born writer of Mary Poppins. Travers remade herself and her history countless times throughout her life. She was also an actress, a writer of erotic poetry, a journalist and a spiritualist. Before she was 'Disney-fied', Travers' Mary Poppins was a study in contradictions: comforting and threatening; conventional and peculiar; down to earth and literally out of this world. As contradictory as her heroine, Travers sought order via her spiritual practices, but lived her life in a way that propelled her from one extreme to another. Punctuated by the biographical details of Travers' life, this new work follows the transformation of memory and experience into story, inviting the audience into the surreal world of her imagination, at twilight, in the crack between day and night, where enchantment and magic and fairy tale characters come out to play. ' (Brisbane Powerhouse Visy Theatre website http://www.diningout.com.au/show_event.asp?fmt=b&event_id=10564 sighted 17.8.05)
1 When I Was a Boy Stacey Callaghan , 2000 single work drama
1 1 Still Raw Stacey Callaghan , 1997 single work drama
— Appears in: Australasian Drama Studies , October no. 31 1997; (p. 179-199)
1 Introduction to 'Still Raw' Stacey Callaghan , 1997 single work criticism biography
— Appears in: Australasian Drama Studies , October no. 31 1997; (p. 176-178)
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