Willa McDonald Willa McDonald i(A20448 works by)
Gender: Female
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Works By

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1 How a ‘Gonzo’ Press Gang Forged the Ned Kelly Legend Kerrie Davies , Willa McDonald , 2020 single work column
— Appears in: The Conversation , 26 June 2020;

'Washington Post publisher, Philip L. Graham, famously declared that journalism is the “first rough draft of history”. It’s also the first rough draft of inspiration for movies and books “based on a true story”.

'Since four Victorian journalists witnessed Ned Kelly’s last stand on June 28 1880, their vivid accounts have influenced portrayals of the bushranger – from the world’s first feature film in 1906 to Peter Carey’s 2000 novel, True History of the Kelly Gang, adapted to a gender-bending punk film earlier this year.' (Introduction)

1 Catherine Hay Thomson, the Australian Undercover Journalist Who Went inside Asylums and Hospitals Kerrie Davies , Willa McDonald , 2020 single work column
— Appears in: The Conversation , 17 January 2020;

'In 1886, a year before American journalist Nellie Bly feigned insanity to enter an asylum in New York and became a household name, Catherine Hay Thomson arrived at the entrance of Kew Asylum in Melbourne on “a hot grey morning with a lowering sky”.' (Introduction)

1 Having Your Story and Data Too : The Australian Colonial Narrative Journalism Database Willa McDonald , Bunty Avieson , 2019 single work criticism
— Appears in: Literary Journalism Studies , vol. 11 no. 2 2019; (p. 32-55)

'The Australian Colonial Narrative Journalism (ACNJ) database (1788-1901) is a digital archive of colonial literary journalism. It is an expression of cultural memory in Australia using examples of colonial writers and their featured works--from the journalists who captured the bushranger Ned Kelly and his gang, to those who sailed undercover to expose the "blackbirding" trade in northern Australia, to the women who first wrote and published Australian profiles, including the earliest known written portraits of Aboriginal Australians. Research institutions are increasingly interested in creative digital dissemination strategies to target audiences for exploring, interrogating, and communicating new knowledge both within and beyond academia. At the same time, the focus of archival theory, in acknowledgement of the political framework behind archiving, has moved from evidence to memory. The online archivist has been transformed from a passive curator to a community facilitator, asking questions around the role of archives-- whether the archives are being posited as projects of collective identity that serve the interests of the community in power or as diverse collections from a range of communities with differing levels of empowerment. With those factors in mind, this study explores the creation of the database and its transfer from an experimental WordPress site to being hosted by AustLit, the online national literary research resource. In the process, the study examines the issues involved in establishing and building the database, which range from attempts to define the form as it evolved in Australia's colonial history, to the potential role of the database as a cultural narrator, a creator and facilitator of cultural memory, and a creative dissemination strategy rendering social historical themes in a democratized online form that can be delivered to a broad constituency of users.'

Source: Abstract.

1 1 y separately published work icon Australian Colonial Narrative Journalism Willa McDonald (lead researcher), St Lucia : AustLit: The Australian Literature Resource , 2017-2018 17550668 2017 website bibliography

A research project established by Dr Willa McDonald with Dr Bunty Avieson and Dr Kerrie Davies for Macquarie University.

This is the first stage of a larger study that aims to define Australian narrative journalism and trace its history from 1788 to today. The term ‘narrative journalism’ (sometimes called ‘literary journalism) has come to be associated with factual reporting that uses scenes, characterisation, dialogue, point of view, setting and other literary techniques usually connected with imaginative storytelling. While legacy media outlets are shrinking around the world, narrative journalism can be found in book form, in prestige Australian print publications and on websites that provide long-form, in-depth content.

Originally published on a pilot Wordpress site, the project was moved to AustLit and expanded by Dr Willa McDonald in 2017-2018.

1 Redressing the Silence : Racism, Trauma, and Aboriginal Women's Life Writing Willa McDonald , 2017 single work criticism
— Appears in: Mediating Memory : Tracing the Limits of Memoir 2017; (p. 284-298)

'Willa McDonald looks at works by three Indigenous women writers which have played a significant role in breaking the silences that exist around the lives of Australia's First Peoples under European Settlement. These texts respectively tackle overlapping yet distinct themes, broaden-ing western notions of individual memoir to include collective and oral traditions, contributing to a long-term public dialogue about Indigenous history and politics.'

Source: Introduction, p.8

1 A Vagabond: The Literary Journalism of John Stanley James Willa McDonald , 2014 single work criticism
— Appears in: Literary Journalism Studies , Spring vol. 6 no. 1 2014; (p. 65-81)
'The English-born John Stanley James—also known as Julian Thomas—began to write anonymously for the Melbourne Argus newspaper in 1876 under the nom de plum of “A Vagabond.” The pieces he contributed, later collected in The Vagabond Papers (1877), were first-hand accounts of life inside some of the strictest Australian institutions, including the Alfred Hospital, Pentridge Gaol, the Immigrants’ Home, and lunatic asylums. Although his accounts demonstrated literary pretensions, a cultivated flamboyance, and a pleasure in the self-aggrandizement of his anonymous narrator, they were nevertheless compassionate pleas for social reform. Later James contributed travel accounts to Australian newspapers following visits to the South Pacific and China. This paper traces and analyzes the work of James writing as “A Vagabond,” and argues for his recognition as one of the earliest exponents of Australian literary journalism.' (Publication abstract)
1 Creditable or Reprehensible? The Literary Journalism of Helen Garner Willa McDonald , 2011 single work criticism
— Appears in: Literary Journalism across the Globe : Journalistic Traditions and Transnational Influences 2011; (p. 260-275)
'This essay examines some of the critical reactions to Garner’s writing, in particular her long-form literary journalism, and proposes that her work has provoked censure when it has refused to follow traditional journalistic conventions; chosen not to establish a clear contract of intention with its readership; privileged the exploration of the writer’s emotions over intellectual frameworks; and challenged traditional notions of subjectivity and objectivity. What I hope to demonstrate is that a closer engagement with Garner’s nonfiction by academic critics would be a fruitful contribution to the field of literary journalism' (p.260).
1 Letter to My Daughter : Ethical Dilemmas in the Writing of a Memoir Willa McDonald , 2010 single work criticism
— Appears in: TEXT : The Journal of the Australian Association of Writing Programs , October vol. 14 no. 2 2010;
'Writers of nonfiction are regularly called to make ethical decisions as part of the day-to-day requirements of their calling, as they balance the demands of publishers, editors, readers and the craft of storytelling itself, with responsibilities and sometimes loyalties to those written about. Writing memoir, in particular, raises a host of ethical questions regarding the ownership of the material and the ways in which it can be used. Our lives (and life stories) are made more interesting by our relationships, their ups and downs and the way we handle them. But what happens when we are telling the stories of those for whom it is difficult to give clear or informed consent? What happens when the line between the public and the private is blurred? When we are writing about family members? Our children? Do we have a greater ethical responsibility when telling their stories? Couser, Carey, Mills and others have deliberated on the responsibilities of the memoirist in celebrating the private self in the public realm. This paper reflects on these issues as part of the author’s own ethical dilemmas in writing about the adoption of her young daughter and her struggle to work out where her responsibilities lie in the creation of the text.' (Author's abstract)
1 Behind the Gossipy Stories Willa McDonald , 2009 single work review
— Appears in: TEXT : The Journal of the Australian Association of Writing Programs , vol. 13 no. 1 2009;

— Review of Joan in India Suzanne Falkiner , 2008 single work biography
1 5 y separately published work icon Warrior for Peace - Dorothy Auchterlonie Green Willa McDonald , North Melbourne : Australian Scholarly Publishing , 2009 Z1576161 2009 single work biography

'In 1975, a tiny, grey-haired woman took the microphone at a protest rally following Prime Minister Whitlam's dismissal, and blasted the audience with an impassioned speech about the importance of the democratic process.

'Dorothy Auchterlonie Green was a teacher, literary critic and poet. Together with her husband H. M. Green, she is best known for her unstinting work to promote Australian literature. In her later years, she established herself as a defender of the power of the word, using her writing and speeches to expose those structures in our society which misuse language for exploitation and greed.

'How did this small conservative academic become a warrior for peace? Willa McDonald traces Dorothy Green's path to political activism, from her childhood and early working years as a wartime radio journalist in Brisbane, through to the 1980s and her role in the founding of the Australian Association for Armed Neutrality, the Nuclear Disarmament Party and the lobby group, Writers Against Nuclear Arms.' (Publication summary)

1 Dis/Connections : Expressions of Belonging in Non-Indigenous Australian Non-Fiction Willa McDonald , 2008 single work criticism
— Appears in: Landscapes of Exile: Once Perilous, Now Safe 2008; (p. 69-83)
1 1 y separately published work icon The Writer's Reader : Understanding Journalism and Non-Fiction Willa McDonald (editor), Susie Eisenhuth (editor), Cambridge Port Melbourne : Cambridge University Press , 2007 Z1410344 2007 selected work interview essay prose (taught in 8 units) Combines selected non-fiction articles with interviews with authors reflecting on the process of writing.
1 An Overarching Breath of Life Willa McDonald , 2003 single work essay
— Appears in: The Sydney Morning Herald , 14-15 June 2003; (p. 22)
1 Writing Through Hoops Willa McDonald , 2000 single work criticism
— Appears in: The Sydney Morning Herald , 21 October 2000; (p. 2)
1 Tricky Business : Whites on Black Territory Willa McDonald , 1997 single work criticism
— Appears in: Australian Author , Autumn vol. 29 no. 1 1997; (p. 11-14)
1 Dorothy Green : A Women of Letters Willa McDonald , 1994 single work criticism biography
— Appears in: National Library of Australia News , March vol. 4 no. 6 1994; (p. 11-14)
1 The Passage of Alex Buzo Willa McDonald , 1985 single work criticism biography
— Appears in: The Bulletin , 22 January vol. 106 no. 5451 1985; (p. 44-45)
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