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1 The Exegesis and Co-authorship : Collaboration between Supervisors and Research Students Nigel Krauth , Chris Bowman , Zoe Fraser , 2017 single work criticism
— Appears in: TEXT Special Issue Website Series , no. 44 2017;

'In the school where the authors of this article work, the requirements for award of a creative writing PhD include ‘at least one peer reviewed output accepted for publication’ (Griffith University 2017, section 8.5). This output ‘must be produced under supervision and during the period of candidature’ and ‘may be a journal article, conference publication, book or book chapter, original creative work, performance or exhibition’ (Griffith Graduate Research School 2017). During supervision, where ‘one of the objectives’ of the milestones is ‘to assist candidates to publish’, the supervisor is expected to: provide ‘advice on suitable publications specific to [the] research discipline’; be the main contact ‘to assist candidates to publish their research’; and ‘verify [to the University] that the publication meets the candidature requirement’. An area of advice particularly noted in these guidelines is the supervisor’s ability to warn against ‘predatory’ publishers (Griffith Graduate Research School 2017). In the six years since this policy was introduced, the relationship between supervisor and candidate has changed subtly, due to the fact that supervision and candidature are no longer focused solely on producing a doctoral submission, they are also aimed at academic publishing training.' (Publication abstract)

1 Dancing in the Dark Zoe Fraser , 2013 single work short story
— Appears in: Review of Australian Fiction , vol. 6 no. 6 2013;
1 Springsteen, Six Muses and Me : Music and the Writing Process Zoe Fraser , 2012 single work criticism
— Appears in: TEXT : Journal of Writing and Writing Courses , October vol. 16 no. 2 2012;
'This article recounts the journey I took to explore how a prose writer draws inspiration from music and lyrics, as opposed to the traditional sources of written texts in books. 'Dancing in the Dark', my 'prose album' based on Bruce Springsteen's record album Born to Run, appropriates and reworks Springsteen's universal themes and female characters. It fleshes out untold stories suggested by Springsteen's songs, amplifies the voice of a girl locked in the push-pull of staying safe in the house versus being free on the open road, and is juxtaposed to the traditional unquestioning masculine freedom quintessential in Springsteen's lyrical terrain. Along the way in my writing process, I was accompanied by six Muses. Sylvia Plath, Dorothy Porter, Mary Fallon, Vicki Viidikas, Julia Kristeva and Marguerite Duras were my driving companions.' (Author's abstract)
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