Alejandra Moreno Álvarez Alejandra Moreno Álvarez i(A150717 works by)
Gender: Female
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1 From Cosmopolitanism to Planetary Conviviality : Suneeta Peres da Costa and Michelle de Kretser Alejandra Moreno Álvarez , 2017 single work criticism
— Appears in: Coolabah , no. 22 2017; (p. 84-94)

'Veronica Brady, vigorous supporter of Aboriginal causes and deeply concerned with social-injustice issues, underlined that Anglo-Australians were to be excommunicated from the land until they would come to terms with it and its first peoples (in Jones 1997). Nearly twenty years after this statement was postulated, it is my purpose in this paper to look at the land from an Anglo-Australian and non-Indigenous Australian perspective in order to assess if Australian contemporary society has moved beyond what Brady considered a “super ego status” and reconciled to the presence not only of its Indigenous, but also its non-Indigenous others. To do so I will exemplify novels which are part of and influenced by the matrix of relations and social forces in which non-indigenous Australian writers are situated on, including Suneeta Peres da Costa’s Homework (1999) and Michelle de Kretser’s Questions of Travel (2013).'

Source: Abstract.
1 Mapping a Memoir within Australian Landscapes : Shirley Walker Alejandra Moreno Álvarez , 2012 single work criticism
— Appears in: Coolabah , no. 9 2012; 'Shirley Walker (1927), retired Senior Lecturer in English from the University of New
England at Armidale, where she taught Australian Literature, decided to try her own
hand at writing a memoir. The result is Roundabout at Bangalow: An Intimate
Chronicle (2001), which is her account of growing up in the Northern Rivers area of New South Wales in Australia. The author has also published numerous critical articles on Australian Literature, commenting thoroughly on the work of Mary Gilmore (1865- 1962), Judith Wright (1915-2000) and Dorothy Hewett (1923-2002). Walker has also published The Ghost at the Wedding (2009) based on the life of Walker's mother in law, a woman whose life was largely shaped by war, and who, in 1918 near the end of WW1, married a returned soldier. This biography, which was awarded the Asher Literary Prize (2009) and the Nita B Kibble Award (2010), Australia's premier award for women's writing, has been described as a major work of Australian literature and a major contribution to Australian history. The present article focuses on Roundabout at Bangalow: An Intimate Chronicle, where Walker narrates the complicated and, sometimes, blurred resonances of her "half-a-lifetime" memoir. This work exemplifies how Walker is deeply concerned with the unreliability of memory and the way it can exaggerate grievances or distort past perceptions, unloosing itself from historical and geographical truth and adopting first and foremost a primal function in the formation of identities.' (Author's Introduction)
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