Cirrus@Austlit

'When Roz Chen’s wife, Niamh, is killed in a hit-and-run on a lonely Tasmanian road, the grieving widow begins to wonder if Niamh’s death was an accident after all. Meanwhile, SAS veteran Sam Willard is hoping for a fresh start with a job at a salmon farm. But as allegations of old war crimes surface and Sam is ‘promoted’ as a special operative against anti-salmon farm activists, he and Roz form an unlikely alliance.

'Forced to retreat into the unforgiving Tasmanian wilderness, Roz and Sam find themselves scrambling for the truth with murderous thugs on their trail.' (Publication summary)

'Giulia is ten. She lives on the greenest island in a volcanic archipelago. She has never left. Her best friend, apart from her older sister Giovanna, is a donkey. Giulia and Giovanna's days on the island are shaped by ritual, community, superstition and isolation.

'Until the men arrive. And a foreign yacht anchors at the port. And the vines begin to fail. And everything changes.

'From the author of Dolores, Strangers at the Port is an exquisite, enchanted novel about myth and memory, suspicion and dislocation, emigrants and explorers.'

Source: Publisher's blurb.

'An honest, very funny account of a couple's move to the country for a fresh start. Bursting with optimism and a can-do attitude, they're on a steep learning curve as they establish a vineyard and learn how things are done

'I imagined lounging on a veranda overlooking folds of hills striped with vines. I'd be clothed in linen and surrounded by friends. On the table would be tumblers of wine we'd picked in last year's harvest. Then we arrived at Cockatoo Hill and discovered a dump.

'When Deirdre and her husband Roger decide to turn a sheep paddock into a vineyard, they were following the centuries old tradition of family wine making. Bit by bit they clean up the land, plant vines, protect them through storms and drought and turn a shack into a cottage. Slowly they start to read the landscape, appreciate the talents of locals and learn what to do when a snake passes by.

'This is a humorous memoir with larger-than-life characters, hard slog and sweet triumph. It is also a story of a deepening awareness of our connection with the land and the rhythms of farming life.' (Publication summary) 

'Soldiers have come to the village.
Ren looked up, avoiding Barlow’s words, resting her eyes on the pines that crowded the sky, swamp-green, thick, heavy with resin that stuck to skin and cleared throats, nostrils, eyes.
Barlow was sitting on a large rock. When she didn’t answer, he kept talking.
They’re after something—they won’t say what. But it’s up here. On the mountain.

'REN lives alone on the remote frontier of a country devastated by a coup. High on the forested slopes, she survives by hunting and trading—and forgetting. But when a young soldier comes to the mountains in search of a local myth, Ren is inexorably drawn into her impossible mission.

'As their lives entwine, unravel and erupt—as myths merge with reality—both Ren and the soldier are forced to confront what they regret, what they love, and what they fear.'

Source: Publisher's blurb.

An anthology series of children's stories, mixing live-action episodes with animation, clay animation, and puppetry. The stories, aimed specifically at the under 10s, are drawn from a variety of sources, including children's books, fairy tales, myths, and original ideas. Some of the episodes have involved, for example, Snow White as a punk bikie and the seven dwarves as a motorcycle gang; a pet stegosaurus; a boy with wheels instead of toes; and Trevor the glider-plane-catching cat.

According to Patricia Edgar,

Thirty separate self-contained dramas of differing lengths were to be packaged into half-hour episodes. The project was designed to showcase new, creative talent in the television industry. Competitions were run at the Australian Film and Television School and Swinburne Institute of Technology for the best concepts suitable for inclusion in the Kaboodle package, with prizes of $1000 awarded. The Foundation sought promising but inexperienced writers, would-be producers, directors and even accountants who wanted to earn their first credit to enable them to find a future in the industry.

Source: Patricia Edgar, Bloodbath: A Memoir of Australian Television, Melbourne: Melbourne UP, 2006, pp.175-76.

Kaboodle was produced in two series, the first of which included some live-action segements, but the second of which was entirely animated.

For a full list of episodes, see Film Details.

Episode listing for Kaboodle series two courtesy of the Australian Children's Television Foundation.