Cirrus@Austlit

'Joan Lindsay’s Picnic at Hanging Rock has captivated and perplexed generations. But the woman behind the novel is as much an enigma as the disappearance of the fictitious schoolgirls and their teacher.

'Joan Lindsay, wife of painter, art entrepreneur and National Gallery of Victoria director Daryl Lindsay, sacrificed her own artistic talent in deference to her husband, as was the order of the day. She painted landscapes with skill, but gave it up; wrote plays and novels of little merit; took routine journalism commissions for much-needed funds; and happily played hostess to guests including Dame Nellie Melba, Robert Helpman, Laurence Olivier and Vivien Leigh, as well as Keith and Elisabeth Murdoch and Robert Menzies, at the Lindsay country house on the Mornington Peninsula – all the while giving no indication of the literary brilliance that would emerge late in her life. There were clues, though, as Brenda Niall reveals in this fascinating biography. Joan’s unconventional attitude towards time – she allowed no clocks in the house and never wore a watch – and her deep reverence for the Australian landscape hint at the mystical centre of her masterpiece.

'Was Joan really the dutiful wife, or was she patiently waiting her chance? Was Picnic at Hanging Rock a burst of creativity in response to a life held in check? Or did something happen behind the carefully curated scenes that gave rise to her extraordinary novel? Joan Lindsay: The Hidden Life of the Woman who Wrote Picnic at Hanging Rock explores these questions and more in an engaging and surprising portrait of a fascinating Australian woman.'  (Publication summary)

'I hear that those new people have decided to have books in their library,’ remarked Edith Wharton disdainfully. That put-down, from an eminent novelist and book lover who was also a wealthy member of upper-class New York society, was delivered without ambiguity in the 1920s. The ‘new people’ were using books as interior decoration. They would never disturb the display of handsome volumes in their unused library by taking one from the shelf. Could they even read? Probably not, Wharton thought: they had been too busy making money.' (Introduction)

'Letter writing thrives on distance. Out of necessity, in the early years of European settlement, Australia became a nation of letter writers. The remoteness of the island continent gave the letter a special importance. Even those unused to writing had so much to say, and such a strong need to hear from home, that the laborious business of pen and ink and the struggles with spelling were overcome. Early letters reflected the homesickness of settlers as well as their sense of achievement and their need to hold on to a former life. It’s possible to see the emergence of a democratic tradition of letter writing in those needful times. Rich or poor, well educated or semi-literate, they all felt the urge to connect.'  (Introduction)

'Brenda Niall, arguably Australia’s foremost biographer, looks back on her own life and the circumstances, events and choices that shaped her career.

'My Accidental Career spans nine decades, from her childhood in the Melbourne suburb of Kew—where powerful neighbours included prime minister Menzies, millionaire gambler John Wren and Archbishop Daniel Mannix—to her university days, her first job writing reviews for a magazine and her travels in Ireland after breaking off her engagement to a suitable young man. It’s a lively account of academic life at the newly established Monash University in the 1960s, a time when women were rare in university departments and even more rarely promoted, the snakes and ladders ups and downs of her time in the US, and of her charting new territory in Australian biography with acclaimed works on artists, writers and leaders.

'Brenda Niall’s career isn’t one of struggle against the odds in a man’s world but one of quiet, confident work that couldn’t be ignored. Her Jane Austen-like wit and elegant prose enlivens this story of Australian women’s history seen through the lens of her remarkable life.'

Source : publisher's blurb

'For one of Australia’s foremost biographers, the impulse to tell life stories has never gone away'

'When Shirley Hazzard was invited to give the 1984 Boyer Lectures, it was an astonishing break in tradition. Her twenty-three predecessors included only one woman, Dame Roma Mitchell, a supreme court justice who was later governor of South Australia. Except for architect and writer Robin Boyd, and poet and Bulletin editor Douglas Stewart, Hazzard was the only creative artist on the list. All her predecessors were well known for their public contributions to Australian life.' (Introduction)

'Scanning my bookshelves, I see a dozen or more of the distinctive green spines of Virago Press. In the late 1970s and 1980s, the Virago imprint was a guarantee of good reading by women writers whose works were rediscovered and sent out to find a new public. I had read Margaret Atwood, Rosamond Lehmann, and Elizabeth Taylor for the first time in hardcovers; Virago made them new. Kate O’ Brien’s The Land of Spices, banned in Ireland, had been hard to get. Here it was in Virago green, with a perceptive introduction to put it in context.' (Introduction)

'FOUR Australian women writing in the late nineteenth and early twentieth centuries—a time when stories of bush heroism and mateship abounded, a time when a writing career might be an elusive thing for a woman.

'Friends and Rivals is a vivid and engaging account of the intersecting and entwined lives of Ethel Turner, author of the much loved Seven Little Australians; Barbara Baynton, who wrote of the harshness of bush life; Nettie Palmer, essayist and critic; and Henry Handel Richardson, of The Getting of Wisdom and The Fortunes of Richard Mahoney fame.

'Brenda Niall illuminates a fascinating time in Australia’s literary history and brings to life the remarkable women who made it so.'

Source: Publisher's blurb.

'Unlike an autobiography, which tends to be time-bound and inclusive, the memoir can wander at will in the writer’s past, searching out and shaping an idea of self. Although Geoffrey Blainey’s memoir, Before I Forget, is restricted to the first forty years of his life, its skilfully chosen episodes suggest much more. The memoir shows how Blainey set his own course as a historian and forecasts the brilliant but sometimes unexpected career that he achieved.' (Introduction)

'When Vance Palmer met Nettie Higgins in the summer of 1909 in the sedate setting of the State Library of Victoria, they were both twenty-three years old. Yet even to speak to one another was a breach of convention; they had not been introduced, and Nettie at least felt quite daring. An arts student at Melbourne University, she had never been far from her parents’ house. Vance had made the break with home and travelled the world: he had worked as a teacher and a freelance journalist, and nourished hopes of becoming a full-time writer.'  (Introduction)

'There are no sheep grazing anywhere near the shepherd’s hut of Tim Winton’s new novel. A few wild goats in the desolate landscape, some broken machinery: that’s all. The narrator, fifteen-year-old Jaxie Clackton, prime suspect for killing his abusive father, is on the run from the police. His scanty food supplies have dwindled almost to nothing and he is desperate for water. He has no gun and his only knife is no use for hunting.'  (Introduction)

An edited extract from Niall's Can You Hear the Sea?

'Brenda Niall has turned her biographer’s eye to a personal subject—her grandmother, Aggie. She tells the story of a fiercely independent and intelligent woman who braved a new country as a single woman, teaching in a country school, before marrying a Riverina grazier, whose large powerful family was wary of the newcomer with ideas of her own.

'Aggie dealt with hardships and loneliness after the early and drawn-out death of her husband, and brought up her seven children to be happy—all with a calm determination. But it was the memory box and her longing for the sea that captured the imagination of her granddaughter. ' (Publication Summary)

'Daniel Mannix, Archbishop of Melbourne from 1917 until his death, aged ninety-nine, in 1963, was a towering figure in Melbourne's Catholic community. But his political interventions had a profound effect on the wider Australian nation too.

'Award-winning biographer Brenda Niall has made some unexpected discoveries in Irish and Australian archives which overturn some widely held views. She also draws on her own memories of meeting and interviewing Mannix to get to the essence of this man of contradictions, controversies and mystery.

'Mannix is not only an astonishing new look at a remarkable life, but a fascinating depiction of Melbourne in the first half last century.' (Publication summary)