Cameron Goodall Cameron Goodall i(A145830 works by)
Gender: Male
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2 1 y separately published work icon Why Do Horses Run? Cameron Stewart , ( nar. Cameron Goodall ) Leicester : W. F. Howes , 2024 27464753 2024 single work novel

'A lyrical and profound debut novel that celebrates the kindness of strangers and those living in pain who recognise that in others.

'He walked not feeling he was connected to the earth, but on the edge of something he couldn't reach. He pushed on through mist and darkness and clutched the blanket tight under his neck with his bony fist. Nothing in the darkness could scare him. He was darkness itself.

'Missing in every sense of the word, a man walks into the landscape and doesn't stop. In all weather and across all kinds of terrain, Ingvar walks until he can go no further, then gets up and does it again the following day, week after week, month after month. For three years he doesn't know why he keeps going, or whether he is walking towards something or away from it.

'Until he comes to a remote tropical valley harbouring secrets and misfits. There a recently widowed woman, Hilda, allows Ingvar to live in a shed on her property. He hasn't spoken for three years and Hilda chats frequently with her dead husband, but somehow they tolerate each other as they both struggle with the haunting impact of their pasts and grief that won't let them go.

'Steeped in mystery and foreboding, Why Do Horses Run? asks crucial questions about love and loss, and what might make a person never want to be found. Simple, profound, transformative and deeply moving, this indelible debut explores the propensity of the natural world to both heal and harm, as well as the ineradicable power of kindness and community.

'Why Do Horses Run? depicts the darkest aspects of life with frankness, humour and lyrical brilliance. It is a novel that will stay with you.' (Publication summary)

3 y separately published work icon Night Lessons in Little Jerusalem Rick Held , ( nar. Cameron Goodall ) Sydney : Hachette Australia , 2020 18580173 2020 single work novel war literature

'The hero of this book was not a saint, nor even a tzadik - the nearest Jewish equivalent - but he was a hero. Someone who risked his own life to make a difference to the life of another. Were his motives selfless? No. He was after all flesh and blood. A man. And a very young one. But life is not black and white. Heroes are not without their flaws. This is his story.

'Tholdi is a romantic. A musical prodigy whose brilliant future is extinguished when the horror unfolding across Europe arrives at his door. One day he's captivated by the beautiful, mysterious Lyuba who he meets on his sixteenth birthday; the next he wakes to the terrors of war as the Nazi-allied Romanians attack his town of Czernowitz.

'A ghetto is built to imprison the town's Jews before herding them onto trains bound for the concentration camps of Transnistria. With each passing day, Tholdi and his parents await their turn. And then Fate intervenes, giving them all a reprieve.

'At the weaving mill Tholdi secures work that spares him. He is elated. Until he discovers the two brothers who run the mill are Nazi collaborators hiding a terrible secret: the threat of transportation remains. When Tholdi sees one of the brothers with Lyuba, he glimpses a way to save himself and his family. But the stakes of his gamble are high. Will Lyuba be the key to their survival, or will Tholdi's infatuation with her become a dangerous obsession that guarantees their death?

'Night Lessons in Little Jerusalem is an unforgettable debut novel of war, family and love.' (Publication summary)

1 I Am Not An Animal Cameron Goodall , David Heinrich , Jude Henshall , Amber McMahon , Nathan O'Keefe , Alirio Zavarce , Cameron Goodall (composer), David Heinrich (composer), Katherine Fyffe , 2012 single work drama

'Humanity is defined by its desire to transcend its animal nature. Yet our animal instincts still govern much of human behaviour. "I Am Not An Animal" transforms the Adelaide Zoo into an extraordinary installation performance. For the first time, the animals of the Zoo themselves become the subjects in a work of art, engaging with built objects, environments and human co-performers.

Experienced via an intricate guided audio tour, "I Am Not An Animal" creates a unique, immersive performance for each audience member. The tour is carefully constructed to allow the audience to observe both the animals and the humans in this space - exploring the way we represent animals in popular culture, the depth of their importance in our mythology, to what fears they awaken in us. "I Am Not An Animal" examines the conflicted way we see ourselves in relation to other animals and to our own animal instincts.' Source: http://www.theborderproject.com (Sighted 08/03/2012).

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