Cirrus@Austlit

'A book that looks like it has fallen through time (at least until you open it up), Hunted Down and Other Tales by Marcus Clarke collects and remixes three stories by nineteenth-century author Marcus Clarke. It's been described as 'intricately beautiful', 'brain spinning' and (seriously) 'digital, historical, physical, fun, provocative, contemporary, formally playful and generally delicious'. Written by Simon Groth and designed by George Saad, the book is filled with typographic play, advertising, and self-reference while examining how much (and how little) has changed in the 150-odd years since Clarke's original om the outside, the book takes its cues from the tiny short story collections Clarke published in the 1870s, but, inside, Clarke's stories give way to a series of increasingly intrusive remixes. It begins with two original stories by Clarke, unmodified.Hunted Down is a fourth-wall-breaking precursor to modernism where Clarke's own characters attack the author for making their lives so miserable. It appears here in its original length for the first time (we think) since it appeared in The Australasian on 6 May 1871.The Poor Artist, the story that inspired this book, resonates with the same sharp observations on creativity and failure today as it did in 1872.Then we start remixing.How the Circus Came to Bullocktown was already a wild and chaotic story but here it has a remix toolbox thrown at it: the text is annotated, deleted (almost), formed into typographic puzzles, and detached from the page altogether and onto other print media (a poster, a newspaper clipping, a beer coaster). The Poor Writer is a 'beat by beat' remix of Clarke's 'Poor Artist', relocating much of its setting to Facebook messages in a contemporary Australia.The final story with the unlikely title Hi, I'd Like To Add You To My Professional Network on LinkedIn remixes 'Hunted Down' with remixer Simon Groth taking the place of Clarke. The story begins with Groth's previously published characters accosting him as per the original story, until Marcus Clarke himself appears, incensed at the butchery that is happening with his work.'

Source: Publisher's blurb.

A digital 're-mix' of a melodramatic Gothic novel, The Guardian, published in Australian in 1838.

'This year, if:book Australia issues the challenge to twelve Australian writers to step outside their comfort zone and try a new professional experience – something they’ve never done before – then tell us all about it.

'Carmel Bird is digitising a title from her backlist. Simon Groth is using a manual typewriter. Romy Ash is writing stories for Twitter. Benjamin Law is braving the squiggly world of shorthand. Sophie Masson is starting her own press. Jeff Sparrow is writing something that’s definitely not a book. And Sean Williams is depriving himself of sleep. In each case, we’re asking our contributors to deliberately become a N00b and tell us how the experience has affected their craft.

'Not everyone resides at the cutting edge of technology and publishing and yet the influence of technology filters slowly through the entire industry and affects everyone. The ability and willingness to adapt to change is fast becoming an essential part of both the writer’s and the reader’s toolkit.' (Publication summary)