Cirrus@Austlit

'A novel about the relationship between life and art, and between language and the inner world - how difficult it is to speak truly, to know and be known by another, and how much power and friction lies in the unsaid, especially between a mother and daughter.

'A young woman has arranged a holiday with her mother in Japan. They travel by train, visit galleries and churches chosen for their art and architecture, eat together in small cafes and restaurants and walk along the canals at night, on guard against the autumn rain and the prospect of snow. All the while, they talk, or seem to talk: about the weather, horoscopes, clothes and objects; about the mother's family in Hong Kong, and the daughter's own formative experiences. But uncertainties abound. How much is spoken between them, how much is thought but unspoken?

'Cold Enough for Snow is a reckoning and an elegy: with extraordinary skill, Au creates an enveloping atmosphere that expresses both the tenderness between mother and daughter, and the distance between them.'

Source: Publisher's blurb.

'In Let the Dead Lie, Cooper is a changed man. Forced to resign from his position of Detective Sergeant and re-classified as mixed race, he winds up powerless and alone in the tough coastal city of Durban, mixing labouring with a bit of surveillance work for his old boss, Major van Niekerk.

'Patrolling the freight yards one night, Cooper stumbles upon the body of a young white boy and, the detective in him can not, or will not, walk away. When two more bodies - this time black women - are discovered at his boarding house, he unwittingly becomes the prime suspect in a triple murder case.

'At van Niekerk's behest, Cooper's given 48 hours to clear his name and - unofficially - solve the three murders. And so, temporarily back to being a European Detective Sergeant, he launches headlong into Durban's seedy underworld, a viper's nest of prostitution, drug running and violence run by a colourful cast of characters including wannabe Indian gangsters; a mysterious figure who drives a white De Soto convertible; a Zion Gospel preacher, and the exquisite yet streetwise Lana, who also happens to be van Niekerk's mistress...'

'It is 1905 and brothers Yung and Shun eke out a living as green grocers near Wellington's bustling Chinatown. The pair work to support their families back in China, but know they must adapt if they are to survive and prosper in their adopted home.

'Nearby, Katherine McKechnie struggles to raise her rebellious son and daughter following the death of her husband Donald. A strident right-wing newspaperman, Donald terrorised his family, though was idolised by his son.

'Chancing upon Yung's grocery store one day, Katherine is touched by the Chinaman's unexpected generosity. In time, a clandestine relationship develops between the immigrant and the widow, a relationship Katherine's son Robbie cannot abide...

'As World War I rolls on, and young men are swept up on a tide of macho patriotism, Robbie takes his family's honour into his own hands. In doing so, he places his mother at the heart of a tragedy that will affect everyone and everything she holds dear.'

'In the tiny South African town of Jacob's Rest, Detective Emmanuel Cooper is sent to investigate the murder of an Afrikaner police officer, Captain Willem Pretorius.

'Cooper, an "English" South African, is viewed with suspicion by both the Boer Afrikaners and the dead man's prominent family, and his investigation is quickly taken over by Security Branch. But Cooper isn't interested in political expediency, or making friends in high places, and as he pursues his own inquiry, he discovers that Captain Pretorius had led a deadly double life.

'The more Cooper digs, the more dangerous the investigation becomes. For Cooper is a man with his own secrets, and learning the truth about Captain Pretorius just might save life... if he isn't killed first.

'In this riveting debut, Malla Nunn combines a thrilling, action-packed story with a thoughtful, complex portrayal of an unforgettable time and place and the human desires that drive us all, regardless of race, colour or creed.' (Publisher's blurb)

Nine-year-old Sam Kellow's family has fallen on hard times - the buyer for his mother's latest painting has disappeared, and his gambler father has no immediate prospects for making money. Therefore it falls to Sam to find the 'Big Bazoohley' - the windfall his father insists will arrive when they need it most - and he slips out of their Toronto hotel room to do just that. However, he is soon kidnapped by a strange couple who want to enter him in the Perfect Kiddo contest, in lieu of their own son who is in bed with chicken pox. The prize for the contest is a part in a commercial and $10,000, and it doesn't take Sam long to work out a way to turn this bizarre series of events into the solution for his family.

'Ramon learns that he is the son of the Moon Witch and the Sun Lord, after which his quest for the truth leads him along a perilous and challenging path.'

Source: Google Books.