Autumn Royal Autumn Royal i(A140624 works by)
Gender: Female
The material on this page is available to AustLit subscribers. If you are a subscriber or are from a subscribing organisation, please log in to gain full access. To explore options for subscribing to this unique teaching, research, and publishing resource for Australian culture and storytelling, please contact us or find out more.

Works By

Preview all
1 Transplants, I i "It was reported that no one knew her well enough", Autumn Royal , 2024 single work poetry
— Appears in: Cordite Poetry Review , 13 May no. 113 2024;
1 Transplants, III i "This is no small thing—the borders glossing the room", Autumn Royal , 2024 single work poetry
— Appears in: Cordite Poetry Review , 13 May no. 113 2024;
1 Transplants, II i "In another room, there is a three-seater couch that your", Autumn Royal , 2024 single work poetry
— Appears in: Cordite Poetry Review , 13 May no. 113 2024;
Author's note:

—For Shin Hae-uk

1 A House—I Will Not Paint i "Emily could live—did live. Emily could die—did die.", Autumn Royal , 2024 single work poetry
— Appears in: Australian Book Review , March no. 462 2024; (p. 29)
1 Raising a Subject Autumn Royal , 2023 single work prose
— Appears in: The Writing Mind : Creative Writing Responses to Images of the Living Brain 2023;
1 Somewhat of a Loss, After 'The Broken Fountain' Autumn Royal , 2023 single work prose
— Appears in: The Writing Mind : Creative Writing Responses to Images of the Living Brain 2023;
1 Reception Theory or How to Sit in an Office Chair Autumn Royal , 2023 single work prose
— Appears in: Going Down Swinging Online 2023;
1 2 y separately published work icon The Drama Student Autumn Royal , Artarmon : Giramondo Publishing , 2023 25539561 2023 selected work poetry

'Intense, dramatic, theatrical – an important new poetry collection which draws its strength from its confrontation with grief and mourning.

'As its title suggests, the poems in Autumn Royal’s The Drama Student explore theatrical responses to life. And in particular, the staging of the emotional life. The subject, a student of experience, and a writer with an uncertain future, feels her vulnerability and dependency. Grief is paramount among her emotional responses, provoked by hauntings of violence, the death of loved ones, the failure of relationships, the disappointment of her aspirations. The great fear: ‘I am threatened / with an exceptional ability and no means / of expression.’ The theatre provides those means, the expressive gestures, the subversion of typecast roles, the transformation of domestic objects into props for the performance of self, and the richness of language. Royal’s use of the elegiac form offers no answers, only the hope of tearing open conventional understandings of loss and insecurity, as it invokes a tradition of women poets and thinkers.' (Publication summary)

1 Poesy i "The dash between shelf and life—why do you think I chose you?", Autumn Royal , 2022 single work poetry
— Appears in: Cordite Poetry Review , 15 September no. 106 2022; Best of Australian Poems 2023 2023; (p. 113)
1 Form, like Body, Should Never Be Assumed i "To demonstrate care of ownership", Autumn Royal , 2020 single work poetry
— Appears in: In Your Hands 2020; (p. 99)
1 y separately published work icon Liquidation Autumn Royal , Melbourne : Incendium Radical Library , 2019 20520277 2019 selected work poetry

'Liquidation is a collection of anti-elegies exploring how love & loss generate experiences of ecstatic awareness & the uncanny sensation of being both inside & outside the body. With shifts, spills & soaks, Liquidation interrogates the representational qualities of language in relation to how varying forms of value are placed on normative expectations relating to emotions & identities.'

Source: Incendium Radical Library.

1 Acting in Awe i "The phone kept ringing & even though I was holding", Autumn Royal , 2019 single work poetry
— Appears in: Cordite Poetry Review , 1 November no. 93 2019;
1 On Lucidity i "Often theatrical skills aren’t as valued as methodical ones", Autumn Royal , 2019 single work poetry
— Appears in: Overland , Spring no. 236 2019;
1 Culmination Concept / for Philomela Autumn Royal , 2019 single work poetry
— Appears in: Mascara Literary Review , March no. 23 2019;
1 [Regarding] The Pain of Others i "Since many of the plotlines explored throughout my plays", Autumn Royal , 2019 single work poetry
— Appears in: Cordite Poetry Review , May no. 91 2019;
1 January in Poetry Autumn Royal , 2019 single work review
— Appears in: Overland [Online] , January 2019;

— Review of Blakwork Alison Whittaker , 2018 selected work poetry ; Calenture Lindsay Tuggle , 2018 selected work poetry ; I Love Poetry Michael Farrell , 2017 selected work poetry ; Angel Frankenstein George Mouratidis , 2018 selected work poetry
1 The Breech/Breach i "Ever since reading Barbara Guest’s poem ‘20’ I’ve been", Autumn Royal , Lucy Van , 2018 single work poetry
— Appears in: Axon : Creative Explorations , November vol. 8 no. 2 2018;
1 The Features/Fractures i "In fact the poem doesn’t really do anything, it undoes", Lucy Van , Autumn Royal , 2018 single work poetry
— Appears in: Axon : Creative Explorations , November vol. 8 no. 2 2018;
1 The Solitary/Solidarity i "I’m sitting with my sister & Aunty — we wait for", Autumn Royal , Lucy Van , 2018 single work poetry
— Appears in: Axon : Creative Explorations , November vol. 8 no. 2 2018;
1 The Rising/Rinsing i "I wrote down that ‘figures rule the world’", Lucy Van , Autumn Royal , 2018 single work poetry
— Appears in: Axon : Creative Explorations , November vol. 8 no. 2 2018;
X