Cirrus@Austlit

'The world is changing for the better, so we're told, and we must change to keep up with it. In 2040, the human race has broken out of Earth's confines, with bases on the moon and manned missions to the furthest planets of our solar system. The terrorist threat is being contained by ever-larger military alliances, crossing the old national boundaries. Wars are fought increasingly without the risk of human error, as military vehicles and weapons learn to think for themselves. Large corporations are increasingly working as the partners of government; the largest of them, Perseus, is leading mankind's struggle to find new sources of energy, and its expansion into outer space.

Meanwhile, though, there are individuals and communities who find their own ways of living through this uncertain age. An artificial intelligence that doesn't want to fight the war it was built for; a special agent with a penchant for catsuits and old-fashioned cars; an isolated community who find meaning in advanced mathematics; an ageing conservationist who lives for his memories of Antarctica. Still worse, there are dissidents and extremist groups intent on sabotaging the cause of expansion, urging governments to "pull back to Earth," and spreading bizarre rumours that Perseus is the advance guard of an alien invasion.

For the most part, these two worlds can coexist in 2040. But there are times and places where they come into conflict, and it's here that the real interest lies. It's also, of course, where we find the Doctor: a frequent visitor, in various guises and with various companions. But is there any pattern or purpose to his visits? And is he here just to observe our future, or to change it?'

Source: drwhoguide.com (http://www.drwhoguide.com/whotrip13.htm). Sighted 20/5/11

'From the very beginnings of DNA itself, the essence of life has been renewal and change. As genetic data mutates, replicates, replaces its forerunners and adapts to its environment, the diversity of life is ever-changing, ever-growing. And as we discover more about the processes that make us what we are, so we also gain the power to change them -- and even to create life in new and unfamiliar ways.

With the Doctor, this new world of scientific frontiers opens up into a whole universe of possibilities -- some horrific, some mysterious, some beautiful. A robot discovering its capacity to dream. A living language, expanding to control and subjugate the human population. A life form that connects one universe and another, lurking in the London Underground. Virtual-reality people, living a not-so-virtual life of their own. An auctioneer of body parts, developing his own new life forms from the remains of others. A sentient android, whose form and thoughts have grown from a telepathic link with the occupants of the TARDIS.

The Doctor himself, of course, is not immune to change, and the passage of time takes its toll on his body and his soul. But even as he sees his friends and enemies age and die beside him, his own life is somewhat different -- and every now and again, he becomes an entirely new man...'

'There are many places that most of us can never see: places that are sheltered, locked away, cordoned off from the outside world. But to the Doctor, and those who travel with him in his TARDIS, there is no such thing as a locked door. Anywhere in space and time is open to them to visit -- even if sometimes it might be better to leave such places well alone.

Steel Skies is a collection of stories based in enclosed and artificial environments: places constructed to keep the dangers of the universe outside, perhaps, or to keep their inhabitants locked in. It is divided into four sections, each exploring a different kind of confinement:

Section One, Flight, comprises four tales of travellers who left their homes for far-away destinations -- to explore, to start a new life, or to fight for the survival of their species.

Section Two, Frontiers, explores the corridors, living quarters and ventilation shafts of four futuristic environments -- designed to shelter men, women and children from harsh natural forces, or from the threat of nuclear war.

Section Three, Incarceration, tells four stories of punishment and imprisonment, from San Francisco's infamous Alcatraz, to the cage of a flightless angel in the dilapidated ruins of Heaven.

Section Four, Isolation, deals with the loneliness and despair of being cut off from the world outside, by physical or mental incapacity, by the ravages of war, or caught between destinations aboard the TARDIS itself.

A recurring theme in all four sections is the effect of the Doctor's arrival in these enclosed environments -- sometimes positive, sometimes less so.'

Source: drwhoguide.com (http://www.drwhoguide.com/whotrip8.htm). Sighted 20/5/11