Gemma Nisbet Gemma Nisbet i(A138720 works by)
Gender: Female
The material on this page is available to AustLit subscribers. If you are a subscriber or are from a subscribing organisation, please log in to gain full access. To explore options for subscribing to this unique teaching, research, and publishing resource for Australian culture and storytelling, please contact us or find out more.

Works By

Preview all
1 Review of ‘Kintsugi’ by Marie O’Rourke Gemma Nisbet , 2024 single work review
— Appears in: Editor's Desk - 2024 2024;

— Review of Kintsugi Marie O'Rourke , 2024 single work autobiography
1 Review of ‘Ten Thousand Aftershocks’ by Michelle Tom Gemma Nisbet , 2023 single work review
— Appears in: Editor's Desk - 2022 2023;

— Review of Ten Thousand Aftershocks Michelle Tom , 2021 single work autobiography
1 Review of ‘Gentle and Fierce’ by Vanessa Berry Gemma Nisbet , 2023 single work review
— Appears in: Editor's Desk - 2023 2023;

— Review of Gentle and Fierce Vanessa Berry , 2021 selected work essay
1 Review of ‘The Writer Laid Bare: Mastering Emotional Honesty in a Writer’s Craft’ by Lee Kofman and ‘Open Secrets: Essays on the Writing Life’ Edited by Catriona Menzies-Pike Gemma Nisbet , 2023 single work review
— Appears in: Editor's Desk - 2023 2023;

— Review of The Writer Laid Bare : Emotional Honesty in a Writer's Art, Craft and Life Lee Kofman , 2022 single work autobiography ; Open Secrets : Essays on the Writing Life 2022 anthology essay
1 Review of ‘Salonika Burning’ by Gail Jones Gemma Nisbet , 2023 single work review
— Appears in: Editor's Desk - 2023 2023;

— Review of Salonika Burning Gail Jones , 2022 single work novel
1 2 y separately published work icon The Things We Live With : Essays on Uncertainty Gemma Nisbet , Perth : Upswell Publishing , 2023 27984915 2023 selected work essay

'‘This is how I became interested in things. In their strange pull and power; in the ways they hold on to us and we to them.’

'After her father dies of cancer, Gemma Nisbet is inundated with keepsakes connected to his life by family and friends. As she becomes attuned to the ways certain items can evoke specific memories or moments, she begins to ask questions about the relationships between objects and people. Why is it so difficult to discard some artefacts and not others? Does the power exerted by precious things influence the ways we remember the past and perceive the future?

'As Nisbet considers her father’s life and begins to connect his experiences of mental illness with her own, she wonders whether hanging on to ‘stuff’ is ultimately a source of comfort or concern.

'Intimate and wide-ranging, The Things We Live With is a collection of essays about how we learn to live with the ‘things’ handed down in families which we carry throughout our lives: not only material objects, but also grief, memory, anxiety and depression. It’s about notions of home and restlessness, inheritance and belonging – and, above all, the ways we tell our stories to ourselves and other people.'

Source: Abstract.

1 This Blue Gemma Nisbet , 2021 single work prose
— Appears in: Meniscus , vol. 9 no. 2 2021; (p. 114-117)
1 The Point of the Thing Gemma Nisbet , 2021 single work essay
— Appears in: Axon : Creative Explorations , December vol. 11 no. 2 2021; (p. 69-77)
1 Writing from Life and the Limits of Privacy in Gabrielle Carey’s Only Happiness Here Gemma Nisbet , 2021 single work essay
— Appears in: Westerly , November vol. 66 no. 2 2021; (p. 57-71)
'In life writing studies. research relating to privacy tends to concentrate on the ethics of representing other people's lives. What is discussed less frequently are the ethics and the effects on life writers of representing their own Ines. There seems to be an assumption that because someone has chosen to write about their experiences, their private details are fair game: as Claire Lynch puts it, writing about one's own life is, of course, potentially exposing, but at least the revelations are self-inflicted' (13). Maureen Perkins observes that 'the autobiographical imperative implies that everything must be told. that secrets are the equivalent of a betrayal of the autobiographical pact, and that an author should hold nothing back' (271). This rhetoric—that if you're not revealing yourself fully, you may be doing your readers and writing a disservice—is often accompanied by the ostensibly admirable sentiment that life writers should strive for honesty regarding their mistakes and failings. However, it also tends towards oversimplifying what it might mean to write the truth' about one's life. Writir4 based on real experience will only ever be a partial representation of it and, as Blake Morrison suggests, confessional writers 'make conscious and considered choices about what to reveal' (206). For many life writers. these choices will be based, at least in part, on balancing self- revelation and autobiographical restraint.' (Introduction)
 
1 Fragments of Darkness and Light : Life Writing as ‘a Loving Act of Reclamation’ Gemma Nisbet , 2021 single work review
— Appears in: TEXT : The Journal of the Australian Association of Writing Programs , April vol. 25 no. 1 2021;

— Review of Darkfall Indigo Perry , 2020 single work autobiography
1 A Wall of Stuff : Object Itinerary as a Framework for Writing the Souvenir Gemma Nisbet , 2021 single work criticism
— Appears in: TEXT Special Issue , April no. 61 2021;

'This article seeks to conceptualise the active quality of a souvenir collection in relation to processes of autobiographical memory.'  (Publication abstract)

1 The Life of Cats Gemma Nisbet , 2018 single work short story
— Appears in: Verandah , no. 33 2018; (p. 43-47)
1 Journal Gemma Nisbet , 2013 single work review
— Appears in: The West Australian , 5 March 2013; (p. 6)

— Review of Island no. 131 Summer 2012 periodical issue
1 1 Griffith Review 41 : Now We Are Ten Gemma Nisbet , 2013 single work review
— Appears in: The West Australian , 7 September 2013; (p. 21)

— Review of Griffith Review no. 41 1 June 2013 periodical issue
1 Westerly 58:1 Gemma Nisbet , 2013 single work review
— Appears in: The West Australian , 17 August 2013; (p. 21)
1 2 Griffith Review 40 : Women and Power Gemma Nisbet , 2013 single work review
— Appears in: The West Australian , 22 June 2013; (p. 21)

— Review of Griffith Review no. 40 April 2013 periodical issue
1 Walking Home Gemma Nisbet , 2013 single work short story
— Appears in: Knitting and Other Stories : Margaret River Short Story Competition 2013 2013; (p. 79-92)
1 Fiction Gemma Nisbet , 2011 single work review
— Appears in: The West Australian , 5 March 2011; (p. 36)

— Review of The End of Longing Ian Reid , 2011 single work novel
1 The Rest Is History Gemma Nisbet , 2011 single work review
— Appears in: The West Australian , 19 February 2011; (p. 37)

— Review of The End of Longing Ian Reid , 2011 single work novel
X