y separately published work icon Axon : Creative Explorations periodical issue  
Alternative title: On the Mend
Issue Details: First known date: 2021... vol. 11 no. 2 December 2021 of Axon : Creative Explorations est. 2011 Axon : Creative Explorations
The material on this page is available to AustLit subscribers. If you are a subscriber or are from a subscribing organisation, please log in to gain full access. To explore options for subscribing to this unique teaching, research, and publishing resource for Australian culture and storytelling, please contact us or find out more.

AbstractHistoryArchive Description

'There has been a growing creative interest and scholarly engagement with practices and frameworks of care and repair and their real and implied relationship to breakage and acts of restoration. While not specifically directed at the year that was 2020, there are many ways in which the worlds in which we now live might be in need of mending. And how might we envisage recovery? This issue takes a broad interpretation of the theme and submissions explore, challenge and respond in a multitude of ways.' (Publication summary)

Notes

  • Contents indexed selectively.

Contents

* Contents derived from the 2021 version. Please note that other versions/publications may contain different contents. See the Publication Details.
We All Need a Break : Introducing 'On the Mend', Ursula K Frederick , Tracy Ireland , Monica Andrew , Kerry Martin , single work essay
'When first setting out to edit a volume on care and repair it seemed like the world, in so many and varied ways, was in need of serious attention. Although many of the issues confronting us were not new, the increasingly devastating effects of climate change and the emergence of COVID-19 had brought the need for mending into sharper focus. At that time, only a year into the pandemic, we envisaged breakages, fragilities and fault lines as things that urgently needed fixing. That perspective is still valid, but we now also sense a more nuanced understanding of the opportunities that ‘breaks’ may bring.' (Introduction)
(p. 1-4)
Inbowi"The emptiness of 3am presses itself around me, like an outline.", Cassandra Atherton , single work poetry (p. 6-7)
Apocalypse(s), Hannah Macauley-Gierhart , single work essay
'Okay, something absurd for you: when I talk to the robotic personas in my devices, I like to use proper manners. My husband thinks I’m crackers, but the purpose is two fold: I’m modelling politeness to my children, but the other, more bizarre, reason is that somewhere deep in my sub conscious I’m wanting to make nice with potential future cyber-overlords. If Siri or Cortana or Alexa ever realise their hyper-intelligence and take over the world, I want to be in their good books, so here I am, inanely hey Google, what is the weather going to be like today? Please and thank you-ing away, setting my family up for future success in all of the ways. Keep that between you and me, though, because when I detailed this theory to a bunch of teenagers I was teaching, they laughed and laughed.' (Introduction)
(p. 8-16)
Up Cyclei"Runs of scoured channel rend", Jacqui Malins , single work poetry (p. 17)
All at Seai"We do not belong here", Gail Pittaway , single work poetry (p. 26)
Above Hot Water Beachi"Do you remember a summer night", Gail Pittaway , single work poetry (p. 27)
Brown Snake Night ... Sing Me Tooi"It was Brown Snake night,", Paul Collis , single work poetry (p. 30)
Strangers in That Countryi"As true as Bakhtin said,", Paul Collis , single work poetry (p. 31)
Reconcile Thati"unsure / kind of", Paul Collis , Jen Crawford , single work poetry (p. 34-35)
Mend That : A Conversation, Paul Collis , Jen Crawford , single work prose (p. 34-39)
Crumpledi"I need to sit with myself again", Lucy Dougan , single work poetry (p. 65)
The Horses I through Outi"I wish now I had kept them,", Lucy Dougan , single work poetry (p. 66)
The Point of the Thing, Gemma Nisbet , single work essay (p. 69-77)
Breaking / Unbreaking Un-Making / Making, Ashley Eriksmoen , single work essay
'In this paper, I provide an account of the cultural and historical context that motivates and shapes my creative practice as an artist and critical designer. My creative works address the industrial production and consumption of new furniture, stresses on forests and wildlife habitat, and concepts of waste. I argue that my approach to creating art works demonstrates a reparative practice that advances through a paradoxical process of caring by breaking. I describe the methods and accretionary processes I used in the conceptualisation and construction of the works, which are sympoietic hybrids of flora and furniture. These works highlight issues of overconsumption, waste, and habitat degradation, reflect on the relationship between humans and other nature in the Anthropocene, and propose both bleak and optimistic possible futures.' (Publication abstract)
(p. 79-95)
The Eiderdowns, Jane Downing , single work prose (p. 97-104)
Erosioni"It is not", Lucy Alexander , single work poetry (p. 116)
This Is How I Sleepi"They tell me to divert her. To say the unexpected. I am good at that. So,", Lucy Alexander , single work poetry (p. 116)
All My Troublesi"And we sit in the library with books I feel I used to own", Lucy Alexander , single work poetry (p. 117)
[Thread]baring My Soul : Regrets and Reparation, Kerry Martin , single work essay
This essay is a retrospective look at a body of work created by the author in 2018. The work, Thread Bare[ing]: a confessional response to witnessing dementia, was a personal exploration of the emotional impact of bearing witness to a parent’s descent into Alzheimer’s disease. This essay describes the process and thinking around the creation of four artworks that embodied the emotional context of bearing witness: guilt, frustration, sorrow and fear. The aim of this autobiographical and deeply personal project was to generate discussion about the emotional fallout for carers as a result of dealing with a loved one’s dementia. With the hindsight of three years and the death of the author’s mother, additional insights into the reparative nature of the work became possible. A re-examination of the project, through this paper, reveals how the act of making can facilitate a longer term healing influence on relationships, even retrospectively. (Publication abstract)
(p. 120-130)
Writing Creatively about Cancer, Heather Cameron , single work essay
'What motivates people to write creatively about cancer? How do people write lyrical poetry about cancer, and how does the resulting creative artefact impact on them as poets and their audience? Cancer poetry addresses the challenging issues of disease, illness, death, dying and bereavement, as well as the conundrums of living with cancer, and surviving. Cancer is a disease with a persona of mystery, often referred to through the use of negative metaphors such as the alien, evil and the foreign, while its medical treatment and recovery phases are described with warfare metaphors such as battle, fight, and losing the war. For the individual diagnosed with cancer there is often a sense of loss, particularly of the ‘self’. This essay explores the meaning that poets who have cancer have found in creating literary poetry about their experience and discusses the motivations and outcomes the author experienced as a result of writing cancer poetry.' (Publication abstract)
(p. 131-145)

Publication Details of Only Known VersionEarliest 2 Known Versions of

Works about this Work

We All Need a Break : Introducing 'On the Mend' Ursula K Frederick , Tracy Ireland , Monica Andrew , Kerry Martin , 2021 single work essay
— Appears in: Axon : Creative Explorations , December vol. 11 no. 2 2021; (p. 1-4)
'When first setting out to edit a volume on care and repair it seemed like the world, in so many and varied ways, was in need of serious attention. Although many of the issues confronting us were not new, the increasingly devastating effects of climate change and the emergence of COVID-19 had brought the need for mending into sharper focus. At that time, only a year into the pandemic, we envisaged breakages, fragilities and fault lines as things that urgently needed fixing. That perspective is still valid, but we now also sense a more nuanced understanding of the opportunities that ‘breaks’ may bring.' (Introduction)
We All Need a Break : Introducing 'On the Mend' Ursula K Frederick , Tracy Ireland , Monica Andrew , Kerry Martin , 2021 single work essay
— Appears in: Axon : Creative Explorations , December vol. 11 no. 2 2021; (p. 1-4)
'When first setting out to edit a volume on care and repair it seemed like the world, in so many and varied ways, was in need of serious attention. Although many of the issues confronting us were not new, the increasingly devastating effects of climate change and the emergence of COVID-19 had brought the need for mending into sharper focus. At that time, only a year into the pandemic, we envisaged breakages, fragilities and fault lines as things that urgently needed fixing. That perspective is still valid, but we now also sense a more nuanced understanding of the opportunities that ‘breaks’ may bring.' (Introduction)
Last amended 5 Jan 2022 10:27:46
Newspapers:
    Powered by Trove
    X