'Antigone Kefala’s work spans decades; it is some of the most spare and eloquent writing about what it means to be a woman writer traversing the cultural institutions of writing and publishing in this country. This essay focuses on Fragments, her long awaited and much anticipated collection of poetry, almost twenty years in the writing, and published in 2016. As its title suggests, Fragments is replete with poems that address the fragmentation of human life, her own and others, across various physical and psychic landscapes that are themselves in the process of erosion. In representing the immediacy and specificity of everyday encounters, the poems succeed in metaphorically subjecting time – in the sense of the time of reading the poetry together with our aesthetic appreciation of its formal techniques – to both its suspension, and its decay.' (Introduction)
