Cirrus@Austlit

'When Australians working in diplomatic posts share anecdotes, the best usually come from the consuls. They recount travellers’ tales of love and loss, dissipation and disaster, adventure and misadventure from Australians perpetually on the move – at least until the pandemic. It’s the consuls’ job to help those who are injured, robbed, kidnapped, arrested, or otherwise distressed abroad.'  (Introduction)

'Much political mileage has been made in Australia from the turning back of ‘boat people’. Travel by boat is the cheapest means of getting to this island continent, and the most dangerous. Boat travellers are the poorest and the most likely to be caught and deported or sent to an offshore camp. But their number is less than half of those who arrive by air as tourists and apply for refugee protection: some 100,000 have done so during the seven years of this Coalition government.' (Introduction)

'In the May 2019 issue of Quadrant, its literary editor, Barry Spurr, inveighed against the ‘inane expansion of creative writing courses’. Professor Spurr’s scholarly accomplishments in the study of poetry and Australian fiction do not include creative writing. (His resignation from the University of Sydney was accepted in December 2014.) While many Australian authors have spectacularly succeeded without degrees in creative writing, such courses have certainly helped others – including Nam Le, Ceridwen Dovey, and Matthew Hooton – to write prize-winning fiction. Before studying creative writing in Canada, the United Kingdom, and Australia, where he now teaches in the course at Adelaide University, Hooton worked for four years as an editor and teacher in South Korea. Typhoon Kingdom is his second novel about Korea, following Deloume Road, which won the Guardian’s ‘Not the Booker Prize’ in 2010.' (Introduction)

'In Australia’s rush to commemorate all things Anzac, have we lost our ability to look beyond war as the central pillar of Australia’s history and identity?

'The passionate historians of the Honest History group argue that while war has been important to Australia – mostly for its impact on our citizens and our ideas of nationhood – we must question the stories we tell ourselves about our history. We must separate myth from reality – and to do that we need to reassess the historical evidence surrounding military myths.

'In this lively collection, renowned writers including Paul Daley, Mark McKenna, Peter Stanley, Carolyn Holbrook, Mark Dapin, Carmen Lawrence, Stuart Macintyre, Frank Bongiorno and Larissa Behrendt explore not only the militarisation of our history but the alternative narratives swamped under the khaki-wash – Indigenous history, frontier conflict, multiculturalism, the myth of egalitarianism, economics and the environment'.(Publication summary)