Andrew King Andrew King i(A132053 works by)
Gender: Male
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Works By

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1 A History of Popular Indigenous Music Andrew King , 2013 single work criticism
— Appears in: A Companion to Australian Aboriginal Literature 2013; (p. 187-201)

Throughout the history of diverse sounds and voices, 'different Indigenous artists have negotiated changing degrees of non-Indigenous criticism, patronage, and recognition'. This chapter attempts to capture these social and cultural changes in the history of popular Indigenous music. (Introduction)
1 Romance and Reconciliation : The Secret Life of Indigenous Sexuality on Australian Television Drama Andrew King , 2009 single work criticism
— Appears in: Journal of Australian Studies , March vol. 33 no. 1 2009; (p. 37 - 50) 'This article examines the representation of indigenous sexuality on Australian television drama since the 1970s, suggesting the political importance of such representations. In 1976 Justine Saunders became the first regular indigenous character on an Australian television drama series, as the hairdresser Rhonda Jackson in Number 96. She was presented as sexually attractive, but this was expressed through a rape scene after a party. Twenty five years later, Deborah Mailman starred in The Secret Life of Us, as Kelly, who is also presented as sexually attractive. But her character can be seen in many romantic relationships. The article explores changing representations that moved us from Number 96 to The Secret Life of Us, via The Flying Doctors and Heartland. It suggests that in representations of intimate and loving relationships on screen it has only recently become possible to see hopeful models for interaction between indigenous and non-indigenous Australians.' (Publisher's abstract)
1 Reconciling Nicci Lane : The 'Unspeakable' Significance of Australia's First Indigenous Porn Star Andrew King , 2005 single work criticism
— Appears in: Continuum : Journal of Media and Cultural Studies , December vol. 19 no. 4 2005; (p. 523-543) 'This article will explore X-rated representations of Aboriginality in Australian-produced pornographic videos, particularly the image of Australia's first indigenous porn star, Nicci Lane. It investigates how pornographic natives involving 'Aboriginal' character motifs are connected to broader embodiments of Aboriginality in popular culture. Drawing from a parallel with Australian television drama and mainstream films, the article highlights how contemporary sexualised images of Aboriginal people are intimately tied to a politics of reconciliation. By surveying recent literature on pornography, which describe how certain pornographic narratives engage 'unspoken' community desires, my argument will discuss Nicci Lane's career as a unique development in the history of representations of Aboriginality. Through analysis of Lane's Arigato Baby (1991), these 'unspoken' desires relate to showing Indigenous people in everyday sexual contexts, as romantic partners, friends and lovers...' (Author's abstract p. 523)
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