Kathleen Kemarre Wallace Kathleen Kemarre Wallace i(A130944 works by)
Born: Established: 1948 ;
Gender: Female
Heritage: Aboriginal ; Aboriginal Arrernte
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Works By

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1 Intersections : Art and Narrative in Intercultural and Educational Research Judith Lovell , Kathleen Kemarre Wallace , 2018 single work criticism
— Appears in: Journal of Intercultural Studies , vol. 40 no. 1 2018; (p. 100-117)

'The experience of art, artistry and narrative in research is a key methodological concern of both the artist and the researcher, whose work together occurs in and beyond an intersection of educational, intercultural and cultural narratives. Arts-based research and educational pedagogy intersect with the multimodal expression of a sophisticated Eastern Arrernte homelands knowledge system, prompting rich learning and teaching outcomes. Considered as one body of work and of Eastern Arrernte homelands knowledge, Wallace uses her paintings and stories to engage intercultural and cultural intersections in research and in education. The proposition for research based on the multimodal work of one artist challenged Lovell’s audacity and the academy’s conceptualisation of intercultural and arts-based research and data. This paper examines how interrelationships within Wallace’s contemporary artworks (2003-2010) intersected with the researcher’s developing insight of the Eastern Arrernte homelands, and the relationship of the homelands as a system of knowledge which Wallace seeks to communicate. This process led to a formative research framework that was informed by literature, the researcher’s experience of the homelands knowledge system, and the characteristics of Wallace’s multimodal expressions of her knowledge and culture.'  (Publication abstract)

1 6 y separately published work icon Listen Deeply : Let These Stories In Kathleen Kemarre Wallace , Judy Lovell (translator), Alice Springs : IAD Press , 2009 Z1668600 2009 single work life story (taught in 3 units) 'Renowned Eastern Arrernte painter Kathleen Kemarre Wallace tells stories of her elders and their way of life that she learnt as a child and young woman. Her storytelling illuminates the origins and beliefs of Eastern Arrernte people, and calls for respect for the ancient traditions of the altyerre spirits who brought her country into being. Kathleen's knowledge of country, law and culture shine through in her words and mesmerising paintings.' (Source: Back Cover)
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