Ian McLean Ian McLean i(A124831 works by)
Gender: Male
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Works By

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1 Modernism's History Ian McLean , 2018 single work criticism
— Appears in: Antipodean Perspective : Selected Writings of Bernard Smith 2018;
1 Into the Transpocene : The Future of Indigenous Art Ian McLean , 2017 single work criticism
— Appears in: Artlink , 1 June vol. 37 no. 2 2017; (p. 28-34)
'Black Is The New White is Nakkiah Lui’s romantic comedy commissioned by the Sydney Theatre Company for the May/June 2017 season. It milks laughs from a stereotypical narrative of a privileged young black woman bringing her inappropriate boyfriend home to meet her parents. The twist— although not much of one these days—is that the boyfriend is white. Black Is The New White is also the name of the 2007 autobiography by African American comic genius Paul Mooney. We can reach further back to the early 1990s: to Gordon Bennett’s sweet watercolours of black angels and his more ghoulish messenger between worlds, the large scarified Altered Body Print (Shadow Figure Howling at the Moon) (1994) with its mashed binaries and grotesque white/black, male/female, human/ animal totemic‑like monster. Before Bennett there was Tracey Moffatt’s sweet black angel Jimmy Little on the royal telephone to heaven, an ironic serenade to her grim horror film, Night Cries (1989), which unsettled normative understandings of black/ white relations with chilling effect.' (Introduction)
1 5 y separately published work icon Indigenous Archives : The Making and Unmaking of Aboriginal Art Darren Jorgensen (editor), Ian McLean (editor), Crawley : UWA Publishing , 2017 10716304 2017 anthology criticism

'In recording and ordering documents considered important, the archive is a source of power. It takes control of the past, deciding which voices will be heard and which won’t, how they will be heard and for what purposes. Indigenous communities understood the power of the archive well before the European Enlightenment arrived and began archiving them. For them colonialism has been a struggle over archives as much as anything else.

'The eighteen essays by twenty authors, seven of whom are Indigenous, investigate different aspects of this struggle in Australia, from Indigenous uses of traditional archives and the development of new ones to the deconstruction and appropriation of European archives by contemporary artists as acts of cultural empowerment. It also examines the uses of archives often developed for other reasons as a means to reconstruct the lives artists and the meanings of their art, such as the use of rainfall records to interpret early Papunya paintings. Indigenous Archives is the first overview examining the role of archives in the production and understanding of Indigenous culture. Wide-ranging in its scope, it reveals the lively state of research into Indigenous histories and culture in Australia.' (Publication summary)

1 Here’s Looking at : Dibirdibi Country – Topway by Mirdidingkingathi Juwarnda Sally Gabori Ian McLean , 2016 single work column
— Appears in: The Conversation , 12 July 2016;
'The names of Indigenous artists are often as revealing as the names of their paintings. Traditionally Indigenous people accumulate names, beginning with names of places and ancestral stories associated with their birth, along with many more including Western names. ...'
1 Billy Benn, Outsider Art and Art History Ian McLean , 2011 single work essay
— Appears in: Billy Benn 2011; (p. 43-68)
1 The Unsettling Triumph of Aboriginal Contemporary Art Ian McLean , 2011 single work essay
— Appears in: Western Australian Indigenous Art Awards 2011 2011; (p. 8-11)
'Events that celebrate Indigenous contemporary art, such as the Western Australian Indigenus Art Awards, have become an important feature of the Australian art wourd...'
1 y separately published work icon How Aborigines Invented the Idea of Contemporary Art : Writings on Aboriginal Contemporary Art Ian McLean (editor), Brisbane : Power Publications , 2011 8530953 2011 anthology criticism

'This is the first anthology to chronicle the global critical reception of Aboriginal art since the early 1980s, when the art world began to understand it as contemporary art. Featuring 96 authors—including art critics and historians, curators, art centre co-ordinators and managers, artists, anthropologists, sociologists, philosophers and novelists—it conveys a diversity of thinking and approaches. Together with editor Ian McLean’s important introductory essay and epilogue, the anthology argues for a re-evaluation of Aboriginal art’s critical intervention into contemporary art since its seduction of the art world a quarter-century ago.' (Source: Publisher's website)

1 y separately published work icon The Art of Gordon Bennett Gordon Bennett , Ian McLean , East Roseville : Craftsman House , 1996 Z1600593 1996 single work criticism
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