Cirrus@Austlit

'At 27, Naomi is just trying to be a normal person. A normal person who works at a Jewish museum, who cares for lost things, found things, sacred things and her family. A person who finds herself going on bad blind dates, having cringe-worthy sex, a tumultuous, toxic affair, and falling for a man called Moses.

'Being a normal person would be easy and fine if she didn't bear the weight of the unspoken grief of Cookie, her Holocaust-survivor grandmother. It would all be fine if she just knew how to be, without feeling the pull of expectation, the fear of disappointing others (men, friends, her parents, humanity), and that pesky problem of being attracted to all the wrong people (according to her parents, anyway).

'By endlessly trying to please everyone around her, Naomi can't seem to figure out what she wants for herself, or how to get it. With echoes of the dead and dying all about her, in objects, in story, in her grandmother's firm grasp, Naomi isn't quite sure she knows how to be a normal person, but she is going to try.

'This fiercely honest, funny and fearless novel is a deep dive into the complex questions that surround culture, identity politics and generational trauma in contemporary Australia. Both a sadly affectionate and brilliantly unsparing examination of the glorious, awkward, messiness of life.' (Publication summary)

'After a triumphant debut in 2022, garnering wide acclaim, four Green Room Awards and numerous five-star reviews—Malthouse is proud to present a return season of Kadimah Yiddish Theatre’s Yentl. This new stage adaptation of Nobel Prize laureate Isaac Bashevis Singer’s iconic short story is the first since the 1975 Broadway play and Barbra Streisand’s iconic 1983 musical film. 

'Yentl is the journey of a young woman who defies the Jewish orthodox tradition that forbids females from studying religious scripture. When her father dies, Yentl emancipates herself by dressing in male guise, determined to live as a man to continue her studies. Religion, gender, sexual politics, and traditional Yiddish culture collide as Yentl finds her truth through faith and love.' (Production summary)