Lee McGowan Lee McGowan i(A118966 works by)
Gender: Male
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Works By

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1 Behind the Goal : Exploring the Football (soccer) Goal Net through Object Biography and Creative Non-fiction David Forrest , Lee McGowan , 2021 single work criticism
— Appears in: TEXT Special Issue , October no. 63 2021;
'Football (soccer) and its extended culture have been studied extensively. In contrast, the goal net, an essential part of the game’s equipment, has undergone very little scrutiny in academic research or creative non-fiction. The goal net consists of a nylon net drawn across a rectangular frame, often supported by angled stanchions. Positioned at parallel ends of a rectangular football pitch, they provide the target for opposing teams in the course of a match. During play, the goal net is regularly transformed from perfunctory piece of sporting equipment into artefact, imbued with narrative and aesthetic meaning. Creative non-fiction is a long-established critical approach and means of exploration of football, its play, its participants, traditions, and stories (see Wilson, 2013; Winner, 2012[2000]; Goldblatt, 2006; Bellos, 2002; and Hornby, 1992). The theory and concepts of object biography posit that objects must be examined as if they, like humans, have or have had a life story (Kopytoff, 1986; see also Brown, 2000; Gosden & Marshall, 1999). Creative non-fiction related to football rarely examines the life stories of those objects employed in the game. This paper employs textual and contextual analyses (See Belsey, 2011; McKee, 2003), theoretical frameworks offered by object biography, and a famous goal in the Népstadion, Hungary, from 1981, to examine the oft-neglected goal net’s dramatic influence on the visual narrative of a key element of football: a goal scored.' (Publication abstract)
1 Collaboration and Its Discontents : Considerations for Creative Writing HDR Students Collaborating on Traditional Research Outputs Alex Philp , Ella Jeffery , Lee McGowan , 2020 single work criticism
— Appears in: TEXT Special Issue Website Series , October no. 59 2020;
'Collaboration between creative writing researchers in the academy, and particularly the benefits and potential of HDR writing groups, are topics that have drawn increasing scholarly attention. Batty notes that while ‘creative writing is often seen as an isolated practice, it is also one in which practitioners crave connection and people with whom to share their ideas, for moral support and critical feedback’ (2016: 69). While collaboration is vital to developing new networks and communities, the development and maintenance of collaborative practice is often as complicated as it is productive. This article examines some of the deeper complexities of collaborating on traditional research outputs and considers the ways in which creative writing HDR students in particular can develop a range of strategies to navigate collaborative practice. Through reflecting upon several exemplars of collaborations experienced by the authors – including a HDR writing group – this article contends that collaboration is often more complex than the literature suggests. Rather than being conceptualised as an always generative, ideal model for producing research outputs, collaboration should instead be conceptualised, discussed in scholarship, and approached in ways that are as diverse, paradoxical, and fluid as collaborative endeavours are in practice.' (Publication abstract)
1 y separately published work icon TEXT Special Issue Website Series Creating Communities : Collaboration in Creative Writing and Research no. 59 October Lee McGowan (editor), Alex Philp (editor), Ella Jeffery (editor), 2020 20756512 2020 periodical issue 'An Early Career Researcher (ECR), a Higher Degree Research (HDR) candidate and an older researcher walk into a bar … a cliché perhaps, but we are keenly aware that this is all too often how discussions of collaborative endeavours begin. We are confident it is how a number of the contributions in this Special Issue began – the creation of informal spaces, opportunities and networks to make it possible is the focus of at least one article. The idea for a TEXT Special Issue centred on collaboration emerged when we, as three creative writing academics in different stages of our careers, began discussing not only how we collaborated, but why we did (or did not) do it. Our discussions ranged from the collaborative process as a means to build capacity, academic employability, and a research profile; to produce a sense of belonging in HDR communities; and to the deeply rewarding though at times challenging nuances of working with colleagues who are also friends. Collaborative endeavours raise questions of opportunity and innovation, and of power shifts and hierarchies, as well as of what we value as practitioners. The increasing pressure to publish placed on academics in all stages of their careers by both our institutions and the broader research environment demands further considerations. Questions raised in our early discussions are centred in this Special Issue. We ask: How does collaboration in our patch of the academy work? What are the possible benefits and challenges of collaborative practice? How do we build creative writing communities in the academy, and why should we?' (Lee McGowan, Alex Philp and Ella Jeffery, Introduction)
1 Iterative Multimodality : An Exploration of Approaches to Transmedia Writing Daniel Lynch , Donna Hancox , Lee McGowan , 2017 single work criticism
— Appears in: TEXT : Journal of Writing and Writing Courses , October vol. 21 no. 2 2017;

'For creative writers, transmedia storytelling represents the opportunity to craft stories across a diverse narrative ecology often made up of print and digital elements. Increasingly, this requires writers to move beyond linguistic narrative renderings, and embrace the semiotic affordances and limitations of numerous media. While contemporary research highlights the importance of multimodality as a facet of transmedia storytelling, little research has focussed on the ways creative writers might approach such an undertaking. This paper examines several transmedia texts characterised by the role multimodality plays in establishing a narrative that, while dispersed across media, maintains narrative cohesion despite the different modal capacities of the media used. Through considering the factors required in continuing narrative consonance, including character and representation, the paper examines iterative multimodality as a framework for understanding how creative writers leverage narrative modes and interaction within and across media.' (Publication abstract)

1 The Case for Sheilas, Wogs and Poofters by Johnny Warren Lee McGowan , 2014 single work review
— Appears in: The Conversation , 21 March 2014;

— Review of Sheilas, Wogs and Poofters : An Incomplete Biography of Johnny Warren and Soccer in Australia Johnny Warren , Josh Whittington , Andy Harper , 2002 single work biography
1 Hearing Voices Lee McGowan , 2010 single work column
— Appears in: Writing Queensland , February no. 192 2010; (p. 8-9)
1 Untitled Lee McGowan , 2010 single work review
— Appears in: Bookseller + Publisher Magazine , October vol. 90 no. 3 2010; (p. 31)

— Review of Best Australian Racing Stories 2010 anthology poetry short story prose
1 Meet the Pickerings Lee McGowan (interviewer), 2010 single work interview
— Appears in: Bookseller + Publisher Magazine , August vol. 90 no. 1 2010; (p. 53)
1 Untitled Lee McGowan , 2010 single work review
— Appears in: Bookseller + Publisher Magazine , August vol. 90 no. 1 2010; (p. 44)

— Review of Impractical Jokes Charlie Pickering , 2010 single work autobiography
1 Untitled Lee McGowan , 2010 single work review
— Appears in: Bookseller + Publisher Magazine , July vol. 89 no. 9 2010; (p. 35)

— Review of Making News Tony Wilson , 2010 single work novel
1 [Review Essay] The Parfizz Pitch Lee McGowan , 2010 single work review
— Appears in: Bookseller + Publisher Magazine , May/June vol. 89 no. 8 2010; (p. 26)

— Review of Mosquito Advertising : The Parfizz Pitch Kate Hunter , 2010 single work children's fiction
1 Untitled Lee McGowan , 2010 single work review
— Appears in: Bookseller + Publisher Magazine , May/June vol. 89 no. 8 2010; (p. 23)

— Review of 90 Packets of Instant Noodles Deb Fitzpatrick , 2010 single work novel
1 Untitled Lee McGowan , 2010 single work review
— Appears in: Bookseller + Publisher Magazine , April vol. 89 no. 7 2010; (p. 42)

— Review of Megs and the Wonder Strike Neil Montagnana Wallace , Mark Schwarzer , 2010 single work children's fiction
1 [Review] The Piper's Son Lee McGowan , 2010 single work review
— Appears in: Bookseller + Publisher Magazine , March vol. 89 no. 6 2010; (p. 25)

— Review of The Piper's Son Melina Marchetta , 2010 single work novel
1 Fragile Families Lee McGowan (interviewer), 2010 single work interview
— Appears in: Bookseller + Publisher Magazine , March vol. 89 no. 6 2010; (p. 8)
1 Untitled Lee McGowan , 2009 single work review
— Appears in: Bookseller + Publisher Magazine , Summer 2009-2010 vol. 89 no. 5 2009; (p. 39)

— Review of Ordinary Courage : My Journey to Baghdad as a Human Shield Donna Mulhearn , 2010 single work autobiography
1 Slice Lee McGowan , 2009 single work short story
— Appears in: Rex : A Journal of New Writing , no. 1 2009; (p. 68-72) Nth Degree : New Australian Writing 2010; (p. 9-17)
1 Untitled Lee McGowan , 2009 single work review
— Appears in: Bookseller + Publisher Magazine , August vol. 89 no. 1 2009; (p. 45)

— Review of The Wide World of Ken Sutcliffe Ken Sutcliffe , Ian Heads , 2009 single work autobiography
1 [Review] My Extraordinary Life and Death Lee McGowan , 2009 single work review
— Appears in: Bookseller + Publisher Magazine , May/June vol. 88 no. 8 2009; (p. 29)

— Review of My Extraordinary Life and Death Doug MacLeod , 2009 single work children's fiction
1 [Review] The Marriage Club Lee McGowan , 2009 single work review
— Appears in: Bookseller + Publisher Magazine , April vol. 88 no. 7 2009; (p. 28)

— Review of The Marriage Club Kate Legge , 2009 single work novel
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