Catherine McKinnon Catherine McKinnon i(A115300 works by) (a.k.a. Cath McKinnon)
Born: Established: 1958 Adelaide, South Australia, ;
Gender: Female
The material on this page is available to AustLit subscribers. If you are a subscriber or are from a subscribing organisation, please log in to gain full access. To explore options for subscribing to this unique teaching, research, and publishing resource for Australian culture and storytelling, please contact us or find out more.

Works By

Preview all
1 Freedom Catherine McKinnon , 2024 single work short story
— Appears in: The Saturday Paper , 3 August 2024;
2 3 y separately published work icon To Sing of War Catherine McKinnon , Pymble : Fourth Estate , 2024 27646466 2024 single work novel historical fiction

'From the author of the Miles Franklin Award shortlisted Storyland, comes a rich, layered and thrilling novel of love, war and friendship, To Sing of War.

'December 1944: In New Guinea, a young Australian nurse, Lotte Wyld, chances upon her first love, Virgil Nicholson, there to fight the Japanese and keen to prove his worth as a man. Against the backdrop of a hard-fought jungle campaign, the two negotiate their troubled past. Meanwhile, in Los Alamos, young physicists Miriam Carver and Fred Johnson join Robert Oppenheimer and a team of brilliant scientists in a collective dream to build a weapon that will stop all war, with Oppenheimer also juggling the competing demands of the American military and his clever wife, Kitty. Far away, on the sacred island of Miyajima, Hiroko Narushima helps her husband's grandmother run a ryokan, however, when one of her daughters encounters danger, Hiroko must act to ensure her family's safety.

'Each of these people yearns to belong, yet each fiercely protects their independence. Secrets, misunderstandings and fears burden them, shame shapes them, hope and imagination lift them up. They are caught in a moment of history, both enthralled and appalled by actions they must undertake. The novel asks what we can learn from this time, when a weapon of mass destruction changed the nature of war and made irreversible changes to our planet. How does fear shape our behaviour, affect our moral being? What is unforgiveable, in love and war, and what must be forgiven? How can one person make a difference in a world that is wondrous, thrilling and endangered?

'From Miles Franklin-shortlisted author, Catherine McKinnon, comes a beautiful, rich and intricately woven novel of conflict, death, sacrifice and forgiveness, a novel that insists on our interconnectedness and hums with the energy of the world, a blazingly powerful and deeply moving account of friendship, love and war.' (Publication summary)

1 Endings Catherine McKinnon , 2023 single work prose
— Appears in: The Writing Mind : Creative Writing Responses to Images of the Living Brain 2023;
1 Breathless Catherine McKinnon , 2023 single work prose
— Appears in: The Writing Mind : Creative Writing Responses to Images of the Living Brain 2023;
1 ‘If at First You Don’t Succeed, Lie, Lie Again’ – in A Country of Eternal Light, Paul Dalgarno Explores a Life Fragmented by Grief Catherine McKinnon , 2023 single work review
— Appears in: The Conversation , 14 February 2023;

— Review of A Country of Eternal Light Paul Dalgarno , 2023 single work novel

'Paul Dalgarno’s novel A Country of Eternal Light opens with his narrator, Margaret Bryce, in a bathtub. This is no ordinary bathtub, but one that exists between the world of the living and the dead.'  (Introduction)

1 Weathering, Tethering, Transforming : The Overstory and Writing the Future Catherine McKinnon , 2022 single work essay
— Appears in: Meanjin , June vol. 81 no. 2 2022; (p. 86-90) Meanjin Online 2022;
1 A Conversation, In Speculation Rose Michael (interviewer), Catherine McKinnon (interviewer), 2021 single work interview
— Appears in: Sydney Review of Books , May 2021;

'This conversation took place over the summer of 2020/21. We were looking for a new way to discuss, to essay about, speculative fiction. Should we write each other letters? Emails? We talked on the phone and started writing/overwriting a shared googledoc, extending our edits into a conversation that teased out ideas – asking and answering, testing and challenging each other. Wow, we thought, is that what you think. Okay…' (Introduction)

1 The Stella Shortlist : Your Guide to 2021’s Powerful, Emotional Books Donna Lee Brien , Julia Prendergast , Julienne Van Loon , Gay Lynch , Catherine McKinnon , 2021 single work review
— Appears in: The Conversation , 22 April 2021;
1 We Thought We Knew What Summer Was Susan Ballard , Hannah Brasier, , Sholto Buck , David Carlin , Sophie Langley , Joshua Lobb , Brigid Magner , Catherine McKinnon , Rose Michael , Peta Murray , Francesca Rendle-Short , Lucinda Strahan , Stayci Taylor , 2020 single work prose poetry
— Appears in: Axon : Creative Explorations , December vol. 10 no. 2 2020;
1 y separately published work icon Woman at the Bottle-o Catherine McKinnon , 2020 Australia : PlayWriting Australia , 2020 19659676 2020 single work drama
1 What I’m Reading Catherine McKinnon , 2019 single work column
— Appears in: Meanjin Online 2019;
1 8 y separately published work icon Storyland Catherine McKinnon , Sydney : HarperCollins Australia , 2017 10535941 2017 single work novel historical fiction fantasy

'An ambitious, remarkable and moving novel about who we are: our past, present and future, and our connection to this land.

'In 1796, a young cabin boy, Will Martin, goes on a voyage of discovery in the Tom Thumb with Matthew Flinders and Mr Bass: two men and a boy in a tiny boat on an exploratory journey south from Sydney Cove to the Illawarra, full of hope and dreams, daring and fearfulness.

'Set on the banks of Lake Illawarra and spanning four centuries, Storyland is a unique and compelling novel of people and place - which tells in essence the story of Australia. Told in an unfurling narrative of interlinking stories, in a style reminiscent of David Mitchell's Cloud Atlas, McKinnon weaves together the stories of Will Martin together with the stories of four others: a desperate ex-convict, Hawker, who commits an act of terrible brutality; Lola, who in 1900 runs a dairy farm on the Illawarra with her brother and sister, when they come under suspicion for a crime they did not commit; Bel, a young girl who goes on a rafting adventure with her friends in 1998 and is unexpectedly caught up in violent events; and in 2033, Nada, who sees her world start to crumble apart. Intriguingly, all these characters are all connected - not only through the same land and water they inhabit over the decades, but also by tendrils of blood, history, memory and property...

'Compelling, thrilling and ambitious, Storyland is our story, the story of Australia. 'The land is a book waiting to be read' as one of the characters says - and this novel tells us an unforgettable and unputdownable story of our history, our present and our future.' (Publication summary)

1 As I Lay Dreaming Catherine McKinnon , 2014 single work drama
1 Writing White, Writing Black, and Events at Canoe Rivulet Catherine McKinnon , 2012 single work criticism
— Appears in: TEXT : Journal of Writing and Writing Courses , October vol. 16 no. 2 2012;
'How a community imagines the past contributes to the shaping of its present culture; influences that community's vision for the future. Yet much about the past can be difficult to access, as it can be lost or hidden. Therefore, when retelling first contact stories, especially when the documentary information is limited to a colonial perspective, how might a writer approach fictionalizing historical Indigenous figures? 'Will Martin' (2011), a tale written as part of my practice-led PhD, is a fictional retelling of the eighteenth century sailing trip, taken along the New South Wales coast, by explorers Matthew Flinders, George Bass, and Bass's servant, William Martin. This paper traces my attempts to discover how to approach fictionalizing the historical Indigenous figures that Flinders met. Examining how some non-Indigenous writers have appropriated Indigenous culture and investigating what some writers have said about non-Indigenous writers creating Indigenous characters, provided me with some guidelines. Interviews with Indigenous elders, and other members of the Illawarra community, helped me imagine the gaps in knowledge. In the fictional retelling, using unreliable narration to suggest there may be multiple stories around a single historical event, some of which we may never get to hear, became a useful narrative strategy.' (Author's abstract)
1 y separately published work icon Hurt Catherine McKinnon , 2012 2016 11414905 2012 single work drama

'Three people— Mel, Dominic, and Alex—await news about an injured child. In trying to come to terms with the potential loss of a young life are they able to reveal previously hidden truths? Or do they lay blame on each other, pushing already fractious relationships into darker territory?'

*Source: Old 505 Theatre (https://old505theatre.com/shows/hurt-1448252119.html). (Sighted: 26/06/2017)

1 1 Will Martin Catherine McKinnon , 2011 single work novella historical fiction
— Appears in: Transnational Literature , November vol. 4 no. 1 2011; Griffith Review , October no. 50 2015; (p. 115-182)

'My oar stabs the side of the Reliance. We push off and pull away from the ship. Venus is out, but the sky still has some light. Mr Bass and I boat the oars and hoist sail. The Lieutenant takes the helm. Tom Thumb's sail snaps at the breeze and air-filled we bounce across the water...' (Publication abstract)

1 The Books That Changed Me Catherine McKinnon , 2008 single work column
— Appears in: The Sun-Herald , 10 August 2008; (p. 10-11)
Catherine McKinnon nominates the four books that changed her. Her list includes Tim Winton's Cloudstreet.
1 6 y separately published work icon The Nearly Happy Family Catherine McKinnon , Camberwell : Viking , 2008 Z1495607 2008 single work novel

'Claire Delaney, a fiery fifteen-year-old, and her mother, Jackie, are both out of control. They've had a lot to deal with after the tragic death of Claire's father - and they're driving each other crazy.

'When Jackie, a forty-something comedian, announces she's going to marry a younger man she's only just met, Claire is outraged. In retaliation she apprentices herself to a volatile Italian chef, who teacher her the secrets of his kitchen. In time, both Jackie and Claire discover that life - like the best recipes - is at once mysterious and mysteriously simple.' (Publisher's blurb)

1 4 Station Z : Eye of Another Catherine McKinnon , 1996 single work drama
1 The Road to Mindanao Catherine McKinnon , 1990 single work drama
X