Cirrus@Austlit

'It's been three years since Bo Sullivan lost her dream job as one of the producers of the hit wildlife docu-series, Wild Hearts. Three years since her twin brother Max started battling cancer and she returned home to Lord Howe Island and put her life on hold. Three years since Griffin Marr, one-time crush and partner-in-crime, stole her job to become the lead producer of Wild Hearts.

'With Max now in remission, and Bo with a surprise podcast hit on her hands, it's time to start living again. Especially when Wild Hearts, now struggling in the ratings, comes to Lord Howe Island to film a special series on its unique environment and wildlife. This is the chance Bo's been waiting for – get her job back, broadcast the plight to extend the island’s marine conservation area, and get revenge on Griffin, all in one fell swoop.

'But with Bo’s experience as a producer, she should know that there’s always more to the story than meets the eye. Maybe the Wild Hearts job isn’t the quite the dream scenario she thought it was. And maybe Griffin isn’t the villain she’s assumed him to be. As Bo and Griffin work together behind the camera to produce the special, she realises that maybe there’s room to rekindle the old magic between them as well – and this time, not just for Wild Hearts.'  (Publication summary)

'THERE ARE SMALL things that have changed since I was told I have cancer.

'My mother, with whom I’m very close but in a non-­sentimental kind of way, has started to send me emojis in her text messages – something she’s never done before. She’s not an effusive, emoji-­using person, and I like and admire that about her. The expanding pink hearts at the end of her messages feel out of place. She has also started to text things like You have a beautiful smile in response to photos I’ve sent her – again, completely out of character, and worrying because to behave out of character means that something has happened to knock you out of yourself.' (Introduction)

(Publication summary)

'It's 1999, and Eira Hart and Ru Tattersall are set up to co-host The Lonely Harts Club, a new late-night radio show to help New Yorkers find love. It's a last chance attempt for both Eira, expert in Celtic mythology and amateur Welsh matchmaker, and Ru, once-hot-shot Aussie DJ, to achieve their New York dreams.

'The thing is, you either click with a co-host, or you don’t. It’s a bit like falling in love. There’s co-host chemistry, or there isn’t.

'With the countdown to a new millennium, it feels like the world as they know it is about to end.

'Radio is becoming commercialized and superficial. Lower Manhattan is gentrifying. The Lonely Harts Club feels like the last chance to hold on to something real. As confessions pour out over the late-night airwaves and their show gathers an impressive following of happily-matched couples, can The Lonely Harts Club make one last true match?'  (Publication summary)

'How do we imagine the inner lives of inanimate objects? Fascinated by stories of objects sent into space, I began to use fictional, speculative and experimental modes of writing to look back at humanity and blur the lines between hard science and human emotion.' (Introduction)   

'A genre-defying, collaborative marvel that brings the absurdity of motherhood to the page.

'After sharing their artistic frustrations at the school gate, Ceridwen Dovey and Eliza Bell decide to take a risk- to co-write a book about early motherhood. Off-colour, offbeat, off their heads, they begin - but then, what is motherhood if not messy, non-linear, multi-authored and potty mouthed?

'What results is songs, memoir, fiction, drama, poetry, letters, pregnant and lactating AI assistants texting each other. Together, Dovey and Bell create a collage of absurd mothering, failing mothering and moving mothering. They salvage the scraps of each other's lives to imagine themselves into a future where women don't always have to choose between Art and Motherhood.

'After all- these mothers are tired. They are busy. They are lucky. They talk. Perform. Categorise. Clown. They do sad dinner cabaret. They do heroic odyssey. They do motherhood the musical. They do it badly, they do it well, they do it and they do it, and they keep on doing it as women do- comically, communally, creatively. No bells and whistles, no false cheer. Motherhood as a fever-dream fantasia, a poker-faced, tragic extravaganza.

'Funny, thoughtful, vulnerable and disturbingly familiar, Mothertongues up-ends a genre and speaks motherhood anew.' (Publication summary)

'Based on an original poem by award-winning Australian author Ceridwen Dovey, Moonrise is a striking, surreal montage of historical, artistic and scientific lunar imagery that invites us to consider the Moon's point of view in the face of increasingly exploitative human activity in space.'

Source: St Kilda Film Festival.

'Arthur MacDonald, 85, is having an end-of-life crisis. His beloved, dying wife of over 60 years no longer knows who he is. His older brother still has all his hair and a wife almost half his age. The man his middle-aged daughter is dating has a ponytail. 

'His teenaged grandson wants to cook desserts for a living. And his daughter wants him to move into Silvermine retirement home. Then Arthur meets the gorgeous, radical, 80-something-year-old Robbie and learns that nobody is ever too old to fall in love all over again.' (Publcation summary)

'Fifteen years after graduating from Harvard, five close friends on the cusp of middle age are still pursuing an elusive happiness, and wondering if they’ve wasted their youthful opportunities. Jules, already a famous actor when she arrived on campus, is changing in mysterious ways but won’t share what is haunting her. Mariam and Rowan, who married young, are struggling with the demands of family life and starting to regret prioritising meaning over wealth in their careers. Eloise, now a professor who studies the psychology of happiness, is troubled by her younger wife’s radical politics. And Jomo, founder of a luxury jewellery company, has been carrying an engagement ring around for months, unsure whether his girlfriend is the one. 

'The soul searching begins in earnest at their much-anticipated college reunion weekend on the Harvard campus, when the most infamous member of their class, Frederick - senior advisor and son of the recently elected and loathed US President - turns up dead. 

'Old friends often think they know everything about one another, but time has a way of making us strangers to those we love - and to ourselves....'   (Publication summary)

'The article reports on competition in countries regarding moon exploration as countries such as the U.S. India, South Korea and Japan will send up robotic spacecraft in the next few years. It mentions that writer Tim Winton lamented the "quarry mentality" that leads to short-sighted decisions on Earth, such as the proposal to establish a beach-head for mining operations within Western Australia's World Heritage–listed Ningaloo Marine Park.' (Publication abstract)

'You know you've read a great book when it changes how you move through the world. That's how I felt after reading Big Little Lies, Australian author Liane Moriarty's sixth and best-known novel (thanks in part to its adaptation as an award-winning HBO TV series starring Reese Witherspoon and Nicole Kidman). Moriarty's creative genius in this book, as in all her work, is to scrutinise a group of ordinary people forced to co-exist in an emotionally and morally charged situation. ' (Introduction)
 

'For Ceridwen Dovey, J.M. Coetzee ‘has always been there, an unseen but strongly felt presence in our small family drama’. As a child, she observed with fascination her mother’s immersion in Coetzee’s writing as she worked on what would become the first critical study of his early novels.

'Even now, as a writer herself, Ceridwen’s relationship with Coetzee’s books is still mediated by her mother’s readings of them: to get to him, she must first step through her mother’s formidable mind. With tenderness and insight, Dovey draws on this personal history to explore the Nobel Prize-winner’s work – how his books ‘do theory’ on themselves – while also tracing the intellectual heritage that has been passed from mother to daughter.'

Source: Publisher's blurb.

'Almost twenty years after forbidding him to contact her, Vita receives an email from her old benefactor, Royce. Once, she was one of his brightest protégées; now her career has stalled and Royce is ailing, and each has a need to settle accounts.

'Beyond their murky shared history, both have lost beloveds, one to an untimely death, another to a strange disappearance. And both are trying to free themselves from deeper pasts, Vita from the inheritance of her birthplace, Royce from the grip of the ancient city of Pompeii and the secrets of the Garden of the Fugitives. Between what’s been repressed and what has been excavated are disturbances that reach back through decades, even centuries.

'Addictive and unsettling, In the Garden of the Fugitives is a masterpiece of duplicity and counterplay, as brilliantly illuminating as it is surprising – about the obscure workings of guilt in the human psyche, the compulsion to create, and the dangerous morphing of desire into control. It is the breakthrough work of one of Australia’s most exciting emerging writers'. (Publication summary)

'From New York to Cape Town to Sydney, the bronze body doubles of the white men of empire—Columbus, Rhodes, Cook—have lately been pelted with feces, sprayed with graffiti, had their hands painted red. Some have been toppled. The fate of these statues—and those representing white men of a different era, in Charlottesville and elsewhere—has ignited debate about the political act of publicly memorializing historical figures responsible for atrocities. But when the statues come down, how might the atrocities themselves be publicly commemorated, rather than repressed?'  (Introduction)