Cirrus@Austlit

'Oli Darling is a queer artist from the country - it says so right at the top of every press release. His art has brought him fame, money, fashionable substance abuse issues and only a little imposter syndrome. But then he goes on live TV and says the one thing that can get a rich white guy cancelled.

'With his reputation in tatters, nobody is buying Oli's schtick or his art. That's a problem for all the people who've invested millions in him. Powerful, dangerous people. To save his own skin, Oli will need to restore his public image. Together with a ghostwriter, he must do the most undignified thing imaginable- he will have to write a memoir.

'So begins a journey through the underbelly of modern celebrity that sees Oli confront the consequences of his own ruthless mythmaking - lies he's told others, lies he's told himself. Perhaps he was right to feel like an imposter. And maybe the only way out is to take a good hard look at himself.

'Outrageous satire of the highest order, Appreciation sets its sights on the question of authenticity in a time where image trumps talent, narcissism rules, and no canvas is so tarnished it can't be painted over.' (Publication summary)

'India, monsoon season.

'Connor, an Australian expat with a brutal past, spends his time running low-stakes scams on tourists in a sleepy beachside town. Sasha, an American in search of spiritual guidance, heads to an isolated ashram in the hope of mending a broken heart.

'When one of Connor's grifts goes horribly wrong, it sets in motion a chain of events that brings the two lost souls together - and as they try to navigate a world of gangsters, gurus and secret agendas, they begin to realise that within the ashram's utopian community, something is deeply, deeply wrong . . .

'Racing from the beaches of Goa to the streets of Delhi to the jungles of Tamil Nadu, Sweetness and Light is an intoxicating, unsettling story of the battle between light and dark, love and lust, morality and corruption. This is an explosive and unforgettable novel that confirms Liam Pieper's place as one of Australia's finest, sharpest writers.' (Publication summary)

'Corey White forged a life from broken beginnings. His stand-up comedy and his first book draw on a timeline of personal horrors, writes Liam Pieper'  (Introduction)

''A person is defined by the secrets they keep.'

'Adam Kulakov likes his life. He's on the right side of middle age; the toy company he owns brightens the lives of millions of children around the world; and he has more money than he can ever spend, a wife and child he adores, and as many mistresses as he can reasonably hide from them.

'And he is not the only one with secrets. In 1944, Adam's grandfather, Arkady, was imprisoned in Auschwitz and given an impossible choice. Now, as he reaches the end of his life, he has to keep the truth from his family, and hold back the crushing memories of his time with one of history's greatest monsters.

'As a mistake threatens to bring Adam's world tumbling down around him, the past reaches for Arkady. Everything he's spent a lifetime building will be threatened, as will everything Adam and his family think they know of the world.

'Bold, dark and compelling, The Toymaker is a novel about privilege, fear and the great harm we can do when we are afraid of losing what we hold dear. ' (Publication summary)

'Liam Pieper's made some poor life choices, but he's (usually) meant well. He's tried to write important stories, fight racial prejudice and rescue traumatised puppies. And he's ended up with life-threatening infestations, a punch in the face at a Leonard Cohen concert and brief detention by counter-terrorism experts.

'Taking us from Nimbin to US border security to the star-studded Chateau Marmont in LA, these four essays are compelling, insightful and very funny. Mistakes Were Made is about the gap between our ideals in life – of love, compassion, ambition – and how things actually play out.' (Publication summary)

'Liam Pieper was raised by his bohemian parents to believe in freedom and creativity, and that there's nothing wrong with smoking a little marijuana to make life more interesting.

'A fast learner, Liam combined hippie self-actualisation with gen Y entrepreneurialism. By his early teens he had a fledgling drug habit, and a thriving business selling pot around the suburbs of Melbourne from the back of his pushbike. He picked up important life skills, like how to befriend a deranged jujitsu master, how to impress his girlfriend's mother by getting arrested in front of her, and how to negotiate pocket money based on how much he was charging his parents for an ounce.

'But from these highs (chemical, financial and otherwise), Liam's life fell to dramatic lows. The muddled flower child became a petty criminal and an amoral coke monster. After a family tragedy and then his arrest on several counts of possession and trafficking, Liam had to consider: had it been a mistake to adopt the practices of a counterculture without any of its ethics?' (Publication summary)