Cirrus@Austlit

'Based on the books Is That You, Ruthie? – first published by the University of Queensland Press in 1999 – and Buthalangi: A Maranoa Woman written by Dr Ruth Hegarty.

'Is That You, Ruthie? is a poignant exploration of a mother and daughter’s enduring connection; a deeply moving play that delves into the complex aftermath of a government removal policy that separated a mother (Ruby) and daughter (Ruthie) from 1930 to 1957, leaving scars that could never fully heal.

'The adaptation of Dr Ruth Hegarty’s David Unaipon award-winning novel Is That You, Ruthie? for the stage by Leah Purcell shares a personal and profound chapter of Australia’s truth-telling history. We witness a relationship forever altered by the dormitory system’s cruel legacy. Though they tried to rebuild what was lost, the bond between mother and daughter would never be the same.

'Ruthie’s story – of separation from her mother – is not unique. What she endured, affected many young First Nations girls and boys across Australia.

'Is That You, Ruthie? is a raw and heartfelt portrayal of two souls navigating the depths of their shared history. It's a story of resilience, courage, and the enduring human spirit. We delve into the complexities of family ties, and discover whether the estranged love of a mother and daughter can bridge the gaps that time and tragedy have carved.

'An unforgettable and timely journey through the pages of Australia’s past.'

Source: Production blurb.

Series 1: Twelve jurors must decide on the case of a woman accused of killing a child.

Series 2: A local landowner and respected town matriarch is found dead at the bottom of the farm's well, and two ex-lovers stand accused of her murder.

'In the Snowy Mountains, Hell hath no fury like a mother scorned. A searing reimagining of Leah Purcell's play and Henry Lawson's classic short story.'

Source: Screen Australia.

'Deep in the heart of Australia’s high country, along an ancient, hidden track, lives Molly Johnson and her four surviving children, another on the way. Husband Joe is away months at a time droving livestock up north, leaving his family in the bush to fend for itself. Molly’s children are her world, and life is hard and precarious with only their dog, Alligator, and a shotgun for protection – but it can be harder when Joe’s around.

'At just twelve years of age Molly’s eldest son Danny is the true man of the house, determined to see his mother and siblings safe – from raging floodwaters, hunger and intruders, man and reptile. Danny is mature beyond his years, but there are some things no child should see. He knows more than most just what it takes to be a drover’s wife.

'One night under the moon’s watch, Molly has a visitor of a different kind – a black ‘story keeper’, Yadaka. He’s on the run from authorities in the nearby town, and exchanges kindness for shelter. Both know that justice in this nation caught between two worlds can be as brutal as its landscape. But in their short time together, Yadaka shows Molly a secret truth, and the strength to imagine a different path.'

Source: Publisher's blurb.

'A cop show without a cop, My Life is Murder is a contemporary mystery series with a complex, charismatic and compelling investigator who can’t help fighting the good fight – whether it’s solving murders or combatting the small frustrations of daily life.'

Source: Screen Australia.

'Ten years ago, the Aboriginal Centre for Performing Arts (ACPA) developed a show called Reflections: Referendum 40 years and to the future. The performance was a creative response to the anniversary of the 1967 Referendum when Australians voted overwhelmingly for constitutional change to count Aboriginal and Torres Strait Islanders in the national census.

'Don’t Just Count Us, Let Us Count! tells the story of this historic milestone through the eyes of ACPA alumni as they reflect on the creative process, research and the performance which shaped who they are today and their understanding of the campaign to be counted.' (Production summary)

'Little J is five and has just started kindergarten year at school. He lives with his grandmother (Nanna), his girl cousin (Big Cuz) who is nine, and their dog (Old Dog) who is also the story narrator. LITTLE J & BIG CUZ follows the family's adventures and is told primarily from the point of view of Little J.'

Source: Screen Australia.

The life of an Indigenous part-time country pub singer undergoes a radical change after she meets a wealthy Sydney hotelier.

Two Indigenous brothers fight for survival in a world in which humans and non-humans clash.

'If anyone can write a full-throttle drama of our colonial past, it’s the indomitable Leah Purcell.

'We all know Henry Lawson’s story of the Drover’s Wife. Her stoic silhouette against an unforgiving landscape, her staring down of the serpent; it’s the frontier myth captured in a few pages. In Leah’s new play the old story gets a very fresh rewrite. Once again the Drover’s Wife is confronted by a threat in her yard, but now it’s a man. He’s bleeding, he’s got secrets, and he’s black. She knows there’s a fugitive wanted for killing whites, and the district is thick with troopers, but something’s holding the Drover’s Wife back from turning this fella in…

'A taut thriller of our pioneering past, with a black sting to the tail, The Drover’s Wife reaches from our nation’s infancy into our complicated present. And best of all, Leah’s playing the Wife herself.' (Publication summary)

'Six teenagers, all elite within their own field, have come to live at Arcadia House to pursue their dreams. For some it's the opportunity of a lifetime. For others it's a last chance. All are strangers, some a long way from home, and the last thing they expect to find is family. Far from home, they must find a path through the new challenges and adventures that the big city offers while dealing with all the trials of growing up.' (Source: ABC3 website)

'Follow the lives of six exceptional young Aboriginal and Torres Strait Islanders, and see how they engage with their communities, history and cultures, in modern Australia. As part of their contemporary lifestyles, these inspiring young Australians showcase music, politics, careers, histories, bush medicine, language and stories. Their unique journeys span Indigenous cultures across the country from the bustling streets of Sydney to the aquamarine vistas of the Torres Strait.' (Source: Bio channel website)

Redfern Now is 'the first contemporary TV drama series written, directed and produced by Indigenous Australians.'

Source: ABC Television website.