image of person or book cover 7985636504395960973.jpg
Source: Australian Variety Theatre Archive
Jack Paterson Jack Paterson i(A108217 works by) (a.k.a. Dinks Paterson)
Born: Established: ca. 1892 Broken Hill, Broken Hill area, Far West NSW, New South Wales, ; Died: Ceased: 1982
Gender: Male
The material on this page is available to AustLit subscribers. If you are a subscriber or are from a subscribing organisation, please log in to gain full access. To explore options for subscribing to this unique teaching, research, and publishing resource for Australian culture and storytelling, please contact us or find out more.

BiographyHistory

Comedian, singer, dancer, writer, director.

Born in Broken Hill, New South Wales, in the early 1890s and raised in Kalgoorlie, Jack Paterson, better known as Dinks Paterson, is believed to have shown an interest in the variety stage from an early age. In this respect, he would have likely been influenced by the slightly older George Sorlie, who also grew up in the Western Australian mining town during the 1890s and early 1900s and learned to perform as an amateur and semi-professional entertainer. After serving in France during the First World War, Paterson returned to Australia and shortly afterwards accepted a contract from Harry Clay to play his Sydney suburban and south-western New South Wales circuit. This engagement led in early 1919 to Paterson and one of Clay's other emerging comedians, George Wallace, teaming up as a duo in the vein of Stiffy and Mo. Although the partnership of Dinks and Oncus was relatively brief, lasting only around four years (1920-1924), it had the distinction of being arguably the most popular comedy duo ever to work for Harry Clay. [For further details regarding Dinks and Oncus, see their entry in AustLit.]

After Wallace and Paterson ended their Dinks and Oncus partnership in late 1923, Paterson formed a new stage partnership with Trixie Ireland, while at the same time briefly touring his own revusical troupe: Dinks and Co. Paterson and Ireland married in 1924. One of their first engagements together was in the Hugh J. Ward/Fullers' 1923/1924 Christmas pantomime Cinderella (Princess Theatre, Melbourne). Shortly after completing this engagement, 'Dinks and Trixie' left to work the United Kingdom's variety circuits. In a letter to Everyone's in late 1928, Paterson records that he and Ireland had scored strongly in London with their act 'Australia's Comedy Novelty': '[We] have worked our act up to a fast flash of 15 minutes, and it is a good one according to the critics. Reeves and Lamport have handled us pretty well all the time and they are a real live firm' (17 October 1928, p.38). During their extended stay in the United Kingdom, Paterson and Ireland appeared in pantomime (invariably as dame and principal boy) and were also involved in a number of revues, including Maurice Cowan's Hello Charleston. In addition to their appearances under Reeves and Lamport, the pair occasionally worked for Stoll Moss. Dinks also worked a baton spinning and eccentric dancing routine in several West End cabarets (Everyone's 24 July 1929, p.4.

Dinks and Trixie remained in England until 4 January 1929, returning to Australia via Africa. Contracted to appear on the Tivoli Celebrity Vaudeville circuit, they made 'a triumphal homecoming... [but] the lack of worthwhile opportunities saw them return to the United Kingdom where they later appeared on early television and toured with headliners like Gracie Fields' (Frank Van Straten, Tivoli, p.93). The two comedians came back to Australia in 1948. One of their final stage performances together was in 1957, when they played the ugly sisters in an Adelaide production of Cinderella.

Trixie Ireland passed away in 1977, with Paterson following five years later in 1982.


Most Referenced Works

Notes

  • 1. TRIXIE IRELAND:

    Trixie Ireland began her stage career at age five with William Anderson's Pantomime Company as a toe dancer and contortionist. She later appeared toured in such productions as Sinbad, The Squatter's Daughter, and Cinderella. Ireland joined Pollard's Lilliputian children's opera company in 1908, spending three years touring Australia and New Zealand. After making it to the final selection of several music scholarships, including the Theatre Magazine Scholarship and Madame Melba's scholarship, she joined The Kennedy Company, followed sometime later by an engagement on Harry Clay's circuit, where she and Paterson are thought to have met ('Ambitious Girl', Fuller News 18 February 1922, p.15). Between 1919 and 1924, Ireland was also a member of the Harmony Four (aka The Harmonius Four), along with Rene Ireland, Rita Sullivan, and Ivy Gailer.

  • Entries connected with this record have been sourced from on-going historical research into Australian-written music theatre and film being conducted by Dr Clay Djubal.
Last amended 11 Feb 2014 07:40:35
Other mentions of "" in AustLit:
    X